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        <datestamp>2023-11-01T12:07:27Z</datestamp>
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              <identifier identifierType="DOI">10.25592/uhhfdm.13529</identifier>
              <creators>
                <creator>
                  <creatorName>Bosch, Sebastian</creatorName>
                  <nameIdentifier nameIdentifierScheme="ORCID" schemeURI="http://orcid.org/">0000-0003-0469-7442</nameIdentifier>
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              <titles>
                <title>Tracing Trecento Music in the 19th Century. Scientific Analysis of Manuscript Illumination through XRF, Visible Reflectance Spectroscopy, and Infrared Reflectography</title>
              </titles>
              <publisher>Universität Hamburg</publisher>
              <publicationYear>2019</publicationYear>
              <subjects>
                <subject>CSMC</subject>
                <subject>SFB950</subject>
                <subject>UWA</subject>
                <subject>Manuscript</subject>
                <subject>Artefact Profiling</subject>
                <subject>Written Artefacts</subject>
                <subject>Thomas Fisher Rare Book Library</subject>
                <subject>Kunstpalast</subject>
                <subject>Düsseldorf</subject>
                <subject>Z02</subject>
                <subject>B03</subject>
                <subject>RFA08</subject>
                <subject>Mobile Lab</subject>
                <subject>non-invasive</subject>
                <subject>non-destructive</subject>
                <subject>Reflectography</subject>
                <subject>Dino-Lite</subject>
                <subject>Visible Reflectance Spectroscopy</subject>
                <subject>VIS</subject>
                <subject>EXACT</subject>
                <subject>X-ray Fluorescence Spectroscopy</subject>
                <subject>XRF</subject>
                <subject>ELIO</subject>
                <subject>Infrared Reflectography</subject>
                <subject>APOLLO</subject>
                <subject>parchment</subject>
                <subject>iron-gall ink</subject>
                <subject>carbon ink</subject>
                <subject>pigments</subject>
                <subject>gold</subject>
                <subject>brass</subject>
                <subject>pigment identification</subject>
                <subject>15th century CE</subject>
                <subject>19th century CE</subject>
                <subject>antiphonary</subject>
                <subject>Latin</subject>
                <subject>Italy</subject>
                <subject>musical notation</subject>
                <subject>Squarcialupi codex</subject>
                <subject>manuscript illumination</subject>
                <subject>illumination</subject>
                <subject>carbon pre-drawing</subject>
                <subject>ars nova notation</subject>
                <subject>Wilfrid Michael Voynich</subject>
                <subject>Hans Rothschild's Antiquarian Bookshop, Cologne</subject>
              </subjects>
              <contributors>
                <contributor contributorType="Researcher">
                  <contributorName>Janke, Andreas</contributorName>
                  <nameIdentifier nameIdentifierScheme="ORCID" schemeURI="http://orcid.org/">0000-0001-8411-4897</nameIdentifier>
                </contributor>
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              <dates>
                <date dateType="Issued">2019-10-24</date>
              </dates>
              <resourceType resourceTypeGeneral="Text">Presentation</resourceType>
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                <relatedIdentifier relatedIdentifierType="DOI" relationType="IsSupplementedBy">10.25592/uhhfdm.1419</relatedIdentifier>
                <relatedIdentifier relatedIdentifierType="DOI" relationType="IsSupplementedBy">10.25592/uhhfdm.1421</relatedIdentifier>
                <relatedIdentifier relatedIdentifierType="DOI" relationType="IsSupplementTo">10.25592/uhhfdm.13531</relatedIdentifier>
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              <rightsList>
                <rights rightsURI="https://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights>
                <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
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                <description descriptionType="Abstract">&lt;p&gt;Presentation at&amp;nbsp;the international workshop &amp;lsquo;&lt;a href="https://analoganddigital2019.wordpress.com/"&gt;Analogical and digital: perspectives on paleography and handwritten culture nowadays&lt;/a&gt;&amp;rsquo; held in Getafe, 24&amp;ndash;25&amp;nbsp;October&amp;nbsp;2019, at Carlos III University of Madrid, organised by Diego Navarro Bonilla and Eduardo Ju&amp;aacute;rez Valero.&lt;/p&gt;

&lt;p&gt;The underlying datasets can be found here:&lt;/p&gt;

&lt;p&gt;&lt;a href="https://doi.org/10.25592/uhhfdm.1419"&gt;Scientific Analysis of Manuscript Toronto, Thomas Fisher Rare Book Library, MSS 09700&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="https://doi.org/10.25592/uhhfdm.1421"&gt;Scientific Analysis of Manuscript Fragment D&amp;uuml;sseldorf, Kunstpalast, Inv. K 1925-67&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;The results are published in:&lt;/p&gt;

&lt;p&gt;&lt;a href="https://doi.org/10.1515/opis-2021-0006"&gt;Bosch, Sebastian &amp;amp; Janke, Andreas (2021). Manuscript Illumination in 19th-century Italy. Material Analysis of Two Partial Copies from the Squarcialupi Codex&lt;/a&gt;&lt;/p&gt;</description>
                <description descriptionType="Other">This research was funded by the German Research Foundation (Deutsche Forschungsgemeinschaft, DFG), first as part of Sonderforschungsbereich 950 (SFB 950) and then under Germany's Excellence Strategy programme (EXC 2176 "Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures", project no. 390893796). The research was conducted within the scope of the work conducted at the Centre for the Study of Manuscript Cultures (CSMC) at Hamburg University .</description>
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