2026-10-02T13:14:27Z https://www.fdr.uni-hamburg.de/oai2d

oai:fdr.uni-hamburg.de:8472 2021-01-12T14:00:31Z user-uhh user-csmc

Boaretto, Elisabetta Newman, Hillel I. Breternitz, Sophie Shevchuk, Ivan Rabin, Ira 2020-12-23 The paper presents the results of the radiocarbon dating and ink analysis of a leather fragment bearing an important liturgical text in Hebrew from the early centuries of the common era. The work initiated by the scholarly interest in the text stresses the importance of the date and materiality of the manuscripts and closes with an appeal to the curators of manuscript collections. https://www.fdr.uni-hamburg.de/record/8472 10.25592/uhhfdm.8472 oai:fdr.uni-hamburg.de:8472 eng doi:10.25592/uhhfdm.8471 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Comparative Oriental Manuscript Studies Bulletin 6(2) 173-186 Manuscript studies CSMC SFB950 Manuscript Written Artefacts Artefact Profiling Iron Gall Ink Carbon Ink Mixed Ink Fragment Leather D-REAMS OPUS Apollo IRR DinoLite USB Microscope Bruker M6 JETSTREAM Megavision E7 Radiocarbon dating UV-VIS-NIR Reflectography Infrared Reflectography (IRR) X-Ray Fluorescence (XRF) Multispectral Imaging (MSI) Damaged Writing Ink Analysis 4th century CE Hebrew BAM Z02 Z01 Kölner Papyrussammlung Universität zu Köln University of Haifa Weizmann Institute of Science Date, Materiality and Historical Significance of P.Köln Inv. 5941 info:eu-repo/semantics/article publication-article

oai:fdr.uni-hamburg.de:8463 2021-07-06T19:13:21Z user-csmc user-uhh

Zollo, Roberta Werner, Eric 2021-01-04 ID: Mss Inv. Num Humburg 3 Object: type Bamboo cylinder Origin: North Sumatra(Indonesia) Date: 20th century Material: Bamboo Measurements: length 111.5, diameter 2 Language/Script: Karo Batak Collection: Private collection Christian Humburg, Mainz https://www.fdr.uni-hamburg.de/record/8463 10.25592/uhhfdm.8463 oai:fdr.uni-hamburg.de:8463 doi:10.25592/uhhfdm.8462 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D 3D Scan Humburg Batak Written Artefacts CSMC 3D Model Humburg 3 (3D Scan) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:8512 2021-07-06T19:11:38Z user-csmc user-uhh

Zollo, Roberta Werner, Eric 2021-01-14 ID: Inv. Num: Buck 3 Object type: Wooden statue Origin: Nias (Indonesia) Date: 19th-20th century Material: Wooden Measurements: Language/Script: None Collection: Private collection Gerarda Buck, Schwabisch Hall https://www.fdr.uni-hamburg.de/record/8512 10.25592/uhhfdm.8512 oai:fdr.uni-hamburg.de:8512 doi:10.25592/uhhfdm.8511 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D 3D Scan Written Artefacts CSMC Buck 3D Model Buck3 (3D Scan) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:8532 2021-07-06T18:47:10Z user-csmc user-uhh

Harter-Uibopuu, Kaja Werner, Eric 2021-01-16 ID: MK&G 2001.36 Title: Fragment of a so-called Treppensteinrelief Object type: relief Origin: Etruscan (Italy; probably Tarquinia) Date/Period: Archaic, c. 570 BC / Etruscan Material: Nenfro tuffo Measurements: 73.0 cm (heights); 46.0 cm (width); 23,3 cm (depth) Language: - Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 2001.36, Erworben mit Mitteln der Campe’schen Historischen Kunststiftung MKG: dc00127277 https://www.fdr.uni-hamburg.de/record/8532 10.25592/uhhfdm.8532 oai:fdr.uni-hamburg.de:8532 doi:10.25592/uhhfdm.8531 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D MKG CSMC UWA Treppensteinrelief (3D Scan, MK&G: 2001.36) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:8637 2022-04-08T06:56:55Z user-csmc user-uhh

Janke, Andreas Nádas, John 2016-08-01 This two-volume publication includes an introductory study and pseudo-color images of the San Lorenzo Palimpsest constituting the virtual recovery of a lost music codex, offering reconstructed readings of its original contents, making possible further scholarly study. The volume consists of 111 parchment leaves that reveal traces of its original function: in the first decades of the Quattrocento it was compiled as a sizeable collection of ars nova and early fifteenth-century polyphony. Many decades later, the volume was unbound, its leaves scraped clean of music and text, and then was assembled and bound as it began its reincarnation as an administrative ledger. The use of multispectral imaging has produced previously unimaginable results that go well beyond what was possible with previous methods of improvement. The music collection offers more than 200 songs, among them those of the Trecento repertory and including previously unknown music by the Florentines Giovanni and Piero Mazzuoli and the theorist Ugolino da Orvieto. Remarkable is the inclusion of transalpine songs and a collection of motets, which may have made their way to Florence from the Councils of Pisa and Constance and the francophile courts of Pavia and Padova. The impetus for the assemblage of such a collection, in the absence of a scholarly university tradition or courtly milieu, seems to have been the continued expression of Florentine pride in native Italian polyphonic composition joined with the cultivation of some of the most cosmopolitan repertory then available. (published online February 4, 2021) https://www.fdr.uni-hamburg.de/record/8637 10.25592/uhhfdm.8637 oai:fdr.uni-hamburg.de:8637 eng Libreria Musicale Italiana url:https://www.lim.it/it/facsimili/5496-the-san-lorenzo-palimpsest-florence-archivio-del-capitolo-di-san-lorenzo-ms-2211-9788870969566.html doi:10.25592/uhhfdm.8636 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode CSMC SFB 950 B03 Z01 Multispectral Imaging (MSI) Damaged Writing Megavision E7 Manuscript Parchment Palimpsest Music palimpsest Written Artefacts Italy Florence Archivio del Capitolo di San Lorenzo San Lorenzo Palimpsest SL 2211 SL Italian French Latin Music Trecento 15th century CE Ars nova Polyphony Mensural notation Antonio Zacara da Teramo Bartolino da Padova Bernard de Cluny Donato da Firenze Francesco Landini Magister Franciscus Artefact Profiling Gherardello da Firenze Giovanni da Cascia Giovanni Mazzuoli Grimace Guillaume de Machaut Hubertus de Salinis Jacob de Senleches Jacopo da Bologna Paolo da Firenze Philippe Rollart Philippe de Vitry Piero Mazzuoli Ugolino da Orvieto Vincenzo da Rimini The San Lorenzo Palimpsest. Florence, Archivio del Capitolo di San Lorenzo Ms. 2211. Introductory Study and Multispectral Images info:eu-repo/semantics/book publication-book

oai:fdr.uni-hamburg.de:8857 2021-07-06T19:02:10Z user-csmc user-uhh

Harter-Uibopuu, Kaja Werner, Eric 2021-02-24 ID: MK&G 1986.60 Title: Votive stele for Aphrodite Object type: votive stelai, relief Origin: Corinthian (?); Perachora (?) Date/Period: c. 375-350 BC Material: marble Measurements: 137.5cm (heights); 28.3 cm (width) Language: - Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1986.60 https://www.fdr.uni-hamburg.de/record/8857 10.25592/uhhfdm.8857 oai:fdr.uni-hamburg.de:8857 doi:10.25592/uhhfdm.8856 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D MK&G CSMC UWA Written Artefacts 3D Model 3D Scan Votive Stele for Aphrodite (3D Scan, MK&G: 1986.60) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:8886 2021-07-06T19:00:51Z user-csmc user-uhh

Harter-Uibopuu, Kaja Werner, Eric 2021-02-25 ID: MGK 1991.136 Title: Votive stelai for Artemis Object type: votive stelai, relief Origin: Central Greece Date/Period: c. 350-325 BC Material: marble Measurements: 125 cm (heights); 47.5 cm (width); 15 cm (depth) Language: Greek Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1991.136 https://www.fdr.uni-hamburg.de/record/8886 10.25592/uhhfdm.8886 oai:fdr.uni-hamburg.de:8886 doi:10.25592/uhhfdm.8885 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D UWA MK&G CSMC Written Artefacts 3D Model 3D Scan Votive Stelai for Artemis (3D Scan, MK&G: 1991.136) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2094 2021-05-25T08:28:36Z user-csmc user-uhh

Helmholz, Karsten Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 06: cha] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-05-20T08:01:36.599ZRecord migrated: 2020-11-04T12:57:15Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000215 https://www.fdr.uni-hamburg.de/record/2094 10.25592/uhhfdm.2094 oai:fdr.uni-hamburg.de:2094 doi:10.25592/uhhfdm.2093 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 06: cha] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2436 2021-05-20T21:25:49Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 40: thi] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-07-09T12:58:59.973ZRecord migrated: 2020-11-04T13:59:02Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000616 https://www.fdr.uni-hamburg.de/record/2436 10.25592/uhhfdm.2436 oai:fdr.uni-hamburg.de:2436 doi:10.25592/uhhfdm.2435 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 40: thi] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2084 2021-05-20T21:25:40Z user-csmc user-uhh

Helmholz, Karsten Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 01: ka] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-05-20T07:59:29.653ZRecord migrated: 2020-11-04T12:54:15Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000208 https://www.fdr.uni-hamburg.de/record/2084 10.25592/uhhfdm.2084 oai:fdr.uni-hamburg.de:2084 doi:10.25592/uhhfdm.2083 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 01: ka] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2434 2021-05-25T08:28:22Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 39: ti] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-07-09T12:32:03.563ZRecord migrated: 2020-11-04T13:58:32Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000615 https://www.fdr.uni-hamburg.de/record/2434 10.25592/uhhfdm.2434 oai:fdr.uni-hamburg.de:2434 doi:10.25592/uhhfdm.2433 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 39: ti] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2110 2021-05-25T08:28:21Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 14: pha] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-05-21T17:10:42.511ZRecord migrated: 2020-11-04T13:02:37Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000228 https://www.fdr.uni-hamburg.de/record/2110 10.25592/uhhfdm.2110 oai:fdr.uni-hamburg.de:2110 doi:10.25592/uhhfdm.2109 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 14: pha] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2088 2021-05-20T21:26:02Z user-csmc user-uhh

Helmholz, Karsten Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 03: ga] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-05-20T08:00:23.344ZRecord migrated: 2020-11-04T12:55:36Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000211 https://www.fdr.uni-hamburg.de/record/2088 10.25592/uhhfdm.2088 oai:fdr.uni-hamburg.de:2088 doi:10.25592/uhhfdm.2087 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 03: ga] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2384 2021-05-25T08:17:33Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 17: tsa] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-06-05T11:31:58.829ZRecord migrated: 2020-11-04T13:12:23Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000587 https://www.fdr.uni-hamburg.de/record/2384 10.25592/uhhfdm.2384 oai:fdr.uni-hamburg.de:2384 doi:10.25592/uhhfdm.2383 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 17: tsa] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:8969 2021-05-25T08:17:29Z user-csmc user-uhh

Rabin, Ira Wandrey, Irina Rabin, Ira 2021-03-19 XRF (ARTAX: 50kV, 600 µA, linescans of 10 to 26 points of 20s each) and reflectography (DinoLite: x50 magnification under vis, NIR and UV light) analysis of manuscripts Cod Heb 205 (14th-15th century CE, on parchment), Cod Levy 102 (Yemen, 17th century CE, on paper) and Cod Levy 148 (Kurdistan, 17th century CE, on paper) from the Staats- und Universitätsbibliothek Hamburg. CodHeb205_Reflectography.zip - reflectography data for Cod Heb205 CodHeb205_XRF.zip - XRF data for Cod Heb205 CodLevy102_Reflectography.zip - reflectography data for Cod Levy102 CodLevy102_XRF.zip - XRF data for Cod Levy102 CodLevy148_Reflectography.zip - reflectography data for Cod Levy148 CodLevy148_XRF.zip - XRF data for Cod Levy148 https://www.fdr.uni-hamburg.de/record/8969 10.25592/uhhfdm.8969 oai:fdr.uni-hamburg.de:8969 eng url:https://www.manuscript-cultures.uni-hamburg.de/MC/articles/mc6_4Rabin_Hahn_Binetti.pdf doi:10.25592/uhhfdm.8968 info:eu-repo/semantics/restrictedAccess CSMC SFB950 Manuscript Written Artefacts Artefact Profiling BAM Staats- und Universitätsbibliothek Hamburg Z02 X-Ray Fluorescence (XRF) UV-VIS-NIR Reflectography Bruker ARTAX DinoLite USB Microscope Parchment Iron Gall Ink Ink Analysis Hebrew Yemen Sefardic Kurdistan 17th century CE 14th century CE 15th century CE X-Ray Fluorescence and Reflectography Data from Hamburg, Staats- und Universitätsbibliothek manuscripts Cod Heb 205, Cod Levy 102 and Cod Levy 148 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:8595 2021-07-06T19:03:01Z user-csmc user-uhh

Harter-Uibopuu, Kaja Werner, Eric 2021-01-28 ID: MK&G 1977.52 Title: So-Called Bildfeststeleof Neokles and Aristoteles Object type: grave stelai Origin: Attica Date/Period: c. 375 BC Material: marble Measurements: 142 cm (height); 38.5 cm (width); 23.3 cm Language: Greek Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1977.52, Erworben mit Mitteln der Campe’schen Historischen Kunststiftung MK&G: dc00126626 https://www.fdr.uni-hamburg.de/record/8595 10.25592/uhhfdm.8595 oai:fdr.uni-hamburg.de:8595 doi:10.25592/uhhfdm.8594 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D MK&G CSMC UWA Written Artefacts 3D Model 3D Scan Bildfeststele (3D Scan, MK&G: 1977.52) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1196 2022-10-13T08:58:10Z user-csmc user-uhh

Bonnerot, Olivier Rabin, Ira Del Mastro, Gianluca Hammerstaedt, Jürgen Mocella, Vito Bonnerot, Olivier 2020-07-13 XRF (Elio from the University of Cologne: 40kV, 100 µA, single spots of 120s each) analysis of ink on 38 fragments of Herculaneum papyri from the collection of the Biblioteca Nazionale di Napoli in collaboration with the University of Cologne. report_Naples.docx - detailed reports on the measurements with summary of results Results_Naples.xslx - XRF raw data and processing XRF_Herculaneum.zip - Complete set of XRF data files https://www.fdr.uni-hamburg.de/record/1196 10.25592/uhhfdm.1196 oai:fdr.uni-hamburg.de:1196 eng doi:10.25592/uhhfdm.1195 info:eu-repo/semantics/restrictedAccess CSMC UWA Manuscript Written artefacts Artefact profiling BAM RFA11 Z02 Biblioteca Nazionale di Napoli Universität zu Köln X-Ray Fluorescence (XRF) Bruker XGLab ELIO Papyrus Carbon Ink Ink Analysis Herculaneum X-Ray Fluorescence Data from Naples, Biblioteca Nazionale di Napoli, selection from Herculaneum papyri info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1322 2020-09-10T08:45:42Z user-csmc user-uhh

Bonnerot, Olivier Rabin, Ira Brockmann, Christian Bonnerot, Olivier Rabin, Ira 2020-07-23 XRF (ARTAX: 50kV, 600 µA, linescans of 10 points of 20s each), and reflectography (DinoLite: x50 magnification, vis, NIR and UV light) analysis of inks from Ms Barocci 87 (15th century CE) and Ms Barocci 177 (13th century CE) from the Bodleian Library, Oxford (United Kingdom). Analysis of 7 folios (12 spots on ink and spots on 6 paper) for Barocci 87, and 7 folios (15 spots on ink and 7 spots on parchment) for Barocci 177. Barocci177_report.pptx Barocci87_report.pptx Reflectography_BodleianBarocci177.zip Reflectography_BodleianBarocci87.zip XRF_BodleianBarocci177.zip XRF_BodleianBarocci87.zip https://www.fdr.uni-hamburg.de/record/1322 10.25592/uhhfdm.1322 oai:fdr.uni-hamburg.de:1322 eng doi:10.25592/uhhfdm.1321 info:eu-repo/semantics/restrictedAccess CSMC SFB950 Manuscript Written Artefacts Artefact Profiling BAM Bodleian Library Z02 C06 X-Ray Fluorescence (XRF) UV-VIS-NIR Reflectography Bruker ARTAX DinoLite USB Microscope Parchment Paper Iron Gall Ink Red Ink Cinnabar Ink Analysis Greek Byzantine Aristotle 15th century CE 13th century CE X-Ray Fluorescence and Reflectography Data from Oxford, Bodleian Library, MS Barocci 87 and Ms Barocci 177 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1392 2021-02-04T17:38:01Z user-csmc user-uhh

Shevchuk, Ivan 2020-08-12 Presentation at Virtual International Medieval Congress 2020 in Leeds (IMC2020) Session No.: v3-06 Session Name: Manuscripts, Texts, and Transmission, III Date: Monday 6 July 2020 Time: 16.30-18.00 Session Type: New Digital Session Paper -a: Ivan Shevchuk, Imaging Techniques for the Classification of Ink Types in Medieval Manuscripts: Revealing More than Text https://www.fdr.uni-hamburg.de/record/1392 10.25592/uhhfdm.1392 oai:fdr.uni-hamburg.de:1392 eng doi:10.25592/uhhfdm.1391 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA Manuscript Written Artefacts Artefact Profiling Multispectral Imaging (MSI) X-Ray Fluorescence (XRF) Infrared Reflectography (IRR) UV-VIS-NIR Reflectography Megavision E7 Bruker M6 JETSTREAM DinoLite USB Microscope Parchment Paper Palm Leaf Leather Iron Gall Ink Plant Ink Carbon Ink Mixed Ink Damaged Writing Ink Analysis Imaging Techniques for the Classification of Ink Types in Medieval Manuscripts: Revealing More than Text info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:1569 2021-09-10T00:02:00Z user-csmc user-uhh

Bonnerot, Olivier Del Mastro, Gianluca Hammerstaedt, Jürgen Mocella, Vito Rabin, Ira 2020-09-10 Recent research has suggested that some of the inks used in Herculaneum papyri do not consist of pure carbon. Starting from this finding, in June 2018 a preliminary campaign of analysis by means of X-Ray fluorescence (XRF) of external portions removed mechanically from their original rolls in the eighteenth century (the so-called scorze) took place at the Biblioteca Nazionale at Naples. Also in this case, the aim of the survey was to investigate the ink composition in order to detect possible traces of metal. This article sums up the results of this survey. https://www.fdr.uni-hamburg.de/record/1569 10.25592/uhhfdm.1569 oai:fdr.uni-hamburg.de:1569 eng doi:10.25592/uhhfdm.1568 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Zeitschrift für Papyrologie und Epigraphik 216 50-52 CSMC UWA Manuscript Written Artefacts Artefact Profiling BAM Univeristät zu Köln Biblioteca Nazionale di Napoli RFA11 Z02 X-Ray Fluorescence (XRF) Bruker XGLab ELIO Papyrus Carbon Ink Metals Ink Analysis Herculaneum Latin Greek Scorze Philodemus XRF INK ANALYSIS OF SOME HERCULANEUM PAPYRI info:eu-repo/semantics/article publication-article

oai:fdr.uni-hamburg.de:9183 2021-07-06T18:32:43Z user-csmc user-uhh

Mörike, Tobias Werner, Eric 2021-05-24 ID: MK&G 2005.42 Object type: bowl Origin: Iran Date/Period: 15-16th century c.E./ Timurid Material: Earthenware, frit glaze, underglaze painting Measurements: 9 cm (height); 21 cm (diameter) Provenance: acquired from Hellebronth collection Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1983.282 MKG: dc00126680 https://www.fdr.uni-hamburg.de/record/9183 10.25592/uhhfdm.9183 oai:fdr.uni-hamburg.de:9183 doi:10.25592/uhhfdm.9182 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA MK&G 3D Scan Written Artefacts Bowl (3D Scan, MK&G: 2005.42) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9194 2021-07-06T18:36:39Z user-csmc user-uhh

Mörike, Tobias Werner, Eric 2021-06-01 ID: MK&G 1954.89 Object type: jug with handle in copper-red luster decor Origin: Iran, probably Gurgan Date/Period: 12-13 century c.E., Il-Khanid Material: ceramic Measurements: 10,3 cm (height); 5,4 cm (diameter) Language: Arabic Provenance: acquired from Jamila Yeganeh Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1954.89 https://www.fdr.uni-hamburg.de/record/9194 10.25592/uhhfdm.9194 oai:fdr.uni-hamburg.de:9194 doi:10.25592/uhhfdm.9193 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D MK&G 3D Scan 3D Model UWA Written Artefacts Jug (3D-Scan, MK&G: 1954.89) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9178 2022-01-11T14:15:53Z user-csmc user-uhh

Mörike, Tobias Werner, Eric 2021-05-21 ID: MK&G 2021.47 Object type: tomb stone Origin: Egypt probably Fustat Date/Period: 830 c.E. / Abbasid Material: Marble Measurements: 71 cm (height); 49,5 cm (diameter) Language: Arabic Provenance: received from Collection of Völkerkundemuseum Hamburg in 1925 Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 2021.47 https://www.fdr.uni-hamburg.de/record/9178 10.25592/uhhfdm.9178 oai:fdr.uni-hamburg.de:9178 doi:10.25592/uhhfdm.9177 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D MK&G 3D Model 3D Scan UWA Written Artefacts CSMC Tomb Stone (3D Scan, MK&G 2021.47) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9217 2021-07-22T13:37:46Z user-csmc user-uhh

Mörike, Tobias Werner, Eric 2021-06-27 ID: MK&G 2013.176 (former inventory number, returned to National Museum of Afghanistan, Kabul 2019) Object type: marble panel, wall decoration Origin: Ghazni, Afghanistan Date/Period: 1099-1114/5/Ghzanavid Material: marble Measurements: 60*43 cm Language: Persian Provenance: excavated by Istituto Italiano per il Medio ed Estremo Oriente between 1955 and 1966, placed in Ghazni museum, relocated to a storage in 1979, sold in action Boisgirard-Antonini Paris 2013, MK&G Hamburg 2013-2019, 2019 National Museum Kabul https://www.fdr.uni-hamburg.de/record/9217 10.25592/uhhfdm.9217 oai:fdr.uni-hamburg.de:9217 doi:10.25592/uhhfdm.9216 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D MK&G 3D Model 3D Scan UWA CSMC Written Artefacts DadoPanel Palace of Mas'ūd III (3D Scan, formerly MK&G: 2013.176) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:784 2020-11-13T11:01:29Z user-uhh user-csmc

Cécile Michel Eric Werner 2020-01-31 ID: AO 06890 Object type: tablet Material: clay Measurements: ? Provenience: Kish (mod. Tell Uhaimir) Period/Date: Old Babylonian (c. 1900-1600 BCE) Language: Sumerian Genre: Literary (Curse of Agade) Museum/Collection: Louvre Museum, Paris, France CDLI: P345408 The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/784 10.25592/uhhfdm.784 oai:fdr.uni-hamburg.de:784 doi:10.25592/uhhfdm.783 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D 3D Scan 3D Model Louvre Paris Clay Tablet Cuneiform Old Babylonian Sumerian literary Curse of Agade Clay Tablet (AO 06890) from the Louvre in Paris (3D model) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:759 2020-11-13T11:09:07Z user-uhh user-csmc

Eric Werner Eric Werner 2020-01-31 Clay Tablet KUG2 from the University of Gießen https://www.fdr.uni-hamburg.de/record/759 10.25592/uhhfdm.759 oai:fdr.uni-hamburg.de:759 doi:10.25592/uhhfdm.758 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D Keiltafel Gießen - KUG2 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:780 2020-11-13T10:59:49Z user-uhh user-csmc

Cécile Michel Eric Werner 2020-01-31 ID: AO 7054 Object type: tablet Material: clay Measurements: ? Provenience: Kanesh (mod. Kültepe) Period/Date: Old Assyrian (c. 1950-1850 BCE) Language: Akkadian Genre: letter Museum/Collection: Louvre Museum, Paris, France CDLI: P357340 The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/780 10.25592/uhhfdm.780 oai:fdr.uni-hamburg.de:780 doi:10.25592/uhhfdm.779 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D 3D Model 3D Scan Louvre Paris Clay Tablet Cuneiform Old Assyrian Akkadian letter Clay Tablet (AO 7054) from the Louvre in Paris (3D model) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:790 2020-11-13T11:03:10Z user-uhh user-csmc

Cécile Michel Eric Werner 2020-01-31 ID: AO 8306 Object type: envelope Material: clay Measurements: 4,6 x 4,9 cm Provenience: Kanesh (mod. Kültepe) Period/Date: Old Assyrian (c. 1950-1850 BCE) Language: Akkadian Genre: letter envelope Museum/Collection: Louvre Museum, Paris, France CDLI: P357805 The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/790 10.25592/uhhfdm.790 oai:fdr.uni-hamburg.de:790 doi:10.25592/uhhfdm.789 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D 3D Model 3D Scan Louvre Paris Clay Tablet Cuneiform Old Assyrian Akkadian envelope letter Clay Tablet (AO 8306) from the Louvre in Paris (3D model) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:796 2020-11-13T11:04:59Z user-uhh user-csmc

Cécile Michel Eric Werner 2020-01-31 ID: AO 09251 Object type: tablet Material: clay Measurements: ? Provenience: Kanesh (mod. Kültepe) Period/Date: Old Assyrian (c. 1950-1850 BCE) Language: Akkadian Genre: letter Museum/Collection: Louvre Museum, Paris, France CDLI: P357658 The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/796 10.25592/uhhfdm.796 oai:fdr.uni-hamburg.de:796 doi:10.25592/uhhfdm.795 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D Louvre 3D Scan 3D Model Paris Clay Tablet Cuneiform Old Assyrian Akkadian letter Clay Tablet (AO 9251) from the Louvre in Paris (3D model) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:889 2021-07-06T18:42:27Z user-csmc user-uhh

Harter-Uibopuu, Kaja Werner, Eric 2020-04-15 ID: MK&G 1934.2.b Object type: Mummy label Origin: Egypt Date/Period: Hellenistic/Roman Material: Wood Measurements: 5.2 cm (height); 11.8 cm (width); 1.0 cm (depth) Language: Greek Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1934.2.b https://www.fdr.uni-hamburg.de/record/889 10.25592/uhhfdm.889 oai:fdr.uni-hamburg.de:889 doi:10.25592/uhhfdm.888 info:eu-repo/semantics/openAccess https://creativecommons.org/publicdomain/zero/1.0/legalcode 3D MKG 3D Model 3D Scan UWA CSMC Written Artefacts Mummy label (3D Scan, MK&G: 1934.2.b) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1902 2021-11-18T13:05:41Z user-uhh user-csmc

Cécile Michel Eric Werner 2020-11-02 ID: AO 19225 Object type: sheet Material: metal (gold) Measurements: ? Provenience: Umma (mod. Tell Jokha?) Period/Date: Early Dynastic IIIb (c. 2500-2340 BCE) Language: Sumerian Genre: royal/monumental (witness) Museum/Collection: Louvre Museum, Paris, France CDLI: P222828 The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/1902 10.25592/uhhfdm.1902 oai:fdr.uni-hamburg.de:1902 doi:10.25592/uhhfdm.919 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D Louvre 3D Scan 3D Model Paris Gold Cuneiform Early Dynastic Sumerian Golden Sheet (AO 19225) from the Louvre in Paris (3D model) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2118 2021-05-25T08:17:41Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 15: ba] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-05-30T09:14:01.399ZRecord migrated: 2020-11-04T13:03:38Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000238 https://www.fdr.uni-hamburg.de/record/2118 10.25592/uhhfdm.2118 oai:fdr.uni-hamburg.de:2118 doi:10.25592/uhhfdm.2117 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 15: ba] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2406 2021-05-20T21:25:44Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 28: sa] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-07-03T13:50:11.114ZRecord migrated: 2020-11-04T13:19:31Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000601 https://www.fdr.uni-hamburg.de/record/2406 10.25592/uhhfdm.2406 oai:fdr.uni-hamburg.de:2406 doi:10.25592/uhhfdm.2405 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 28: sa] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1881 2022-09-05T13:22:20Z user-csmc user-uhh

Shevchuk, Ivan Janke, Andreas 2021-10-25 Two hand-coloured photographs from the end of the nineteenth century of two frescoes by Benozzo Gozzoli (ca. 1420–1497). Florence, Medici Riccardi Palace, Chapel of the Magi. Left and right panel frescoes with adoring angels (private collection). Photo sizes: Fig. 1: ca. 237 × 385 mm Fig. 2: ca. 235 × 382 mm This dataset was created in the context of the following study: Andreas Janke, “Forgery and Appreciation of Old Choir Books in Nineteenth-Century Europe”, in Jörg B. Quenzer (ed.), Exploring Written Artefacts. Objects, Methods, and Concepts (Studies in Manuscript Cultures, 25), 729-752. https://www.fdr.uni-hamburg.de/record/1881 10.25592/uhhfdm.1881 oai:fdr.uni-hamburg.de:1881 doi:10.1515/9783110753301-036 doi:10.25592/uhhfdm.1880 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Benozzo Gozzoli Florence Nineteenth century photography Photogaph Megavision E7 Souvenir Tourism Hand-coloured photographs of Benozzo Gozzoli's frescoes in the Chapel of the Magi (Florence, Medici Riccardi Palace) info:eu-repo/semantics/other image-photo

oai:fdr.uni-hamburg.de:2438 2021-05-20T21:25:53Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 41: di] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-07-09T13:34:48.087ZRecord migrated: 2020-11-04T13:59:27Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000617 https://www.fdr.uni-hamburg.de/record/2438 10.25592/uhhfdm.2438 oai:fdr.uni-hamburg.de:2438 doi:10.25592/uhhfdm.2437 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 41: di] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2440 2021-05-20T21:25:50Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 42: ni] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-07-10T12:29:48.750ZRecord migrated: 2020-11-04T14:00:11Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000618 https://www.fdr.uni-hamburg.de/record/2440 10.25592/uhhfdm.2440 oai:fdr.uni-hamburg.de:2440 doi:10.25592/uhhfdm.2439 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 42: ni] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10013 2022-05-03T08:50:37Z user-csmc user-uhh

Bonnerot, Olivier Rose-Beers, Kristine Poirier, Julia Bonnerot, Olivier 2022-02-11 XRF (Elio: 40kV, 80 µA, spot measurements of 120s each) and reflectography (DinoLite: x50 magnification for spots on ink and pigment, vis, NIR and UV light) analysis of inks and pigments from Ms. CBL Is 1431. CBL_Is1431_Report.docx - detailed report Is1431_XRF.zip - complete XRF Dataset Is1431_reflectography.zip - complete reflectography Dataset https://www.fdr.uni-hamburg.de/record/10013 10.25592/uhhfdm.10013 oai:fdr.uni-hamburg.de:10013 eng doi:10.25592/uhhfdm.10012 info:eu-repo/semantics/restrictedAccess CSMC UWA Manuscript Written Artefacts Artefact Profiling BAM Chester Beatty Library RFA13 X-Ray Fluorescence (XRF) UV-VIS-NIR Reflectography Bruker XGLab ELIO DinoLite USB Microscope Paper Iron Gall Ink Carbon Ink Mixed Ink Cinnabar Vermillion White lead Gold Verdigris Ink Analysis Pigment Identification 1000-1001 CE Arabic Qur'ran Abu'l Hasan `Ali ibn Hilal Ibn al-Bawwab cursive script X-Ray Fluorescence and Reflectography Data from Dublin, Chester Beatty Library manuscript Ms. CBL Is 1431 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10820 2022-10-24T19:08:19Z user-csmc user-uhh

Lauer, Uta 2022-03-08 This is the first monograph on the iconography of the banana plant in Chinese art. It is published in a bilingual English/Chinese edition, fully illustrated. Chapter three, Writing on a Banana Leaf, delineates the development of this motif across a wide range of artefacts, including paintings, prints, jades and ceramics. https://www.fdr.uni-hamburg.de/record/10820 10.25592/uhhfdm.10820 oai:fdr.uni-hamburg.de:10820 eng doi:10.25592/uhhfdm.10819 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode banana leaf; iconography; writing on banana leaf; Chinese writing; banana motif; CSMC; UWA Leaves Unfurl - The Iconography of the Banana Plant in Chinese Art info:eu-repo/semantics/book publication-book

oai:fdr.uni-hamburg.de:12414 2023-06-13T07:16:14Z user-uhh user-csmc

Färberböck, Peter Weiss, Leonie Höpfner, Julia Heiles, Marco Zeppezauer-Wachauer, Katharina 2023-06-13 SKOS vocabulary to represent Middle High and Early New High German text series (genres) The MHDBDBD-Textreihentypologie / mhdbdb text series is an application-oriented thesaurus that can be used to classify and annotate resources in order to derive various benefits from them: For example, the indexing of sources, consideration in web user interfaces, the enrichment of bibliographic metadata/norm data and, last but not least, an expansion of the method inventory and improved contextualisation overall. This dataset was also published in GitHub: https://github.com/Middle-High-German-Conceptual-Database/textseries https://www.fdr.uni-hamburg.de/record/12414 10.25592/uhhfdm.12414 oai:fdr.uni-hamburg.de:12414 eng doi:10.25592/uhhfdm.12413 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA RFK RFK03 manuscript studies SKOS vocabulary Textreihen text series genre bibliography German literature Middle High German literature Early New High German literature MHDBDB-Textreihentypologie Magical Written Artefacts MHDBDB-Textreihentypologie - Dataset info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:12566 2023-06-19T20:12:44Z user-csmc user-uhh

Colini, Claudia Bonnerot, Olivier 2023-06-18 Bridging the Borders: Fifty Shades of Black (Ink) - A Workshop Medieval manuscripts are written with different black and brown ink types, which usually vary between the scribes. Analysing different scribal hands is a basic tool in the study of medieval texts, they are however strongly limited by what the human eye can see. This workshop provides a hand-on introduction on how scholars can benefit from a more profound understanding of inks. Technical developments in the medieval production of such inks were rarely constrained by borders or cultural divisions. Therefore, the content and formal characteristics of ink recipes are mostly independent from the culture that created them and can be used to explore how knowledge and techniques are transmitted, both within the same cultural environments and from one culture to another. This workshop aims to bring participants across another border which is often improperly considered intimidating: the divide between Science and Humanities. Experimentation is crucial in order to truly understand textual recipes from different manuscript cultures, to fully appreciate which ingredients are needed and in which proportions, to assess feasibility, and even to spot errors in the transmission process. Moreover, analytical techniques are needed to identify the materials employed in inks and see how inks used in manuscripts compare with their recipes. Using such techniques, scientific methods can support scholars to differentiate hands or stages of production within the same manuscript, or to compare and identify copies from a same scribe or scriptorium, by discriminating among diverse ink typologies. In the first part of this workshop, the tutors will investigate the nature of ink recipes produced during medieval times from China to Europe, by different cultures and written in different languages (Chinese, Arabic, Hebrew, Greek, Latin, German, Italian), to observe similarities and differences and bring attention to the issues and challenges that those texts pose to the practical replication of their recipes. In the second part, the participants will receive a practical demonstration of ink production and will look at the raw ingredients used. Then, everyone will be invited to test ink samples on a variety of supports (papyrus, parchment and papers) with various writing implements (brush, reed pen, feather). Finally, a practical introduction to reflectography and the handson use of the Dino Lite microscope will allow participants to try out their own inkdetection by analysing known and unknown ink samples with the supplied equipment. Participants are invited to bring examples from their own manuscripts. The workshop is organised by the Cluster of Excellence ‘Understanding Written Artefacts’ that follows a comparative approach for studying how the production of written artefacts has shaped human societies and cultures, and how these in turn have adapted written artefacts to their needs. https://www.fdr.uni-hamburg.de/record/12566 10.25592/uhhfdm.12566 oai:fdr.uni-hamburg.de:12566 eng doi:10.25592/uhhfdm.12565 info:eu-repo/semantics/restrictedAccess CSMC UWA Manuscript Written Artefacts Artefact Profiling IMC Leeds Leeds University Library Mobile Lab X-Ray Fluorescence (XRF) DinoLite USB Microscope UV-VIS-NIR Reflectography Parchment Workshop Inks Ink Analysis Ink making Writing tools IMC Leeds 2022 workshop: Bridging the Borders: Fifty Shades of Black (Ink) info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:13523 2023-11-01T12:07:47Z user-csmc user-uhh

Kitzlinger, Christine Rohde-Hehr, Patricia Bosch, Sebastian 2021-05-04 It is already possible to detect partial traces of paint or tiny particles of pigment with the naked eye or under a microscope on two medieval reliquaries in the MKG. This “finding”, which was up to now only optical, but was not analyzed, has now for the first time been more closely examined and documented as part of the interdisciplinary project. Under investigation were eight silver gilt relief plaques illustrating scenes from the life of St. Servatius. These reliefs originally adorned the polygonal plinth of a reliquary bust of St. Servatius which was donated to the Church of St. Servatius in Maastricht in 1403. The reliquary contains the skull of the saint. Maastricht was already a prominent place of pilgrimage in the Middle Ages. On special occasions the reliquary bust was placed in the Choir for veneration and carried in processions. The Servatius bust was also shown to the people during the showing of the relics at the pilgrimage which took place every seven years. The reliquary bust was lost sometime around 1579 and was replaced by a new one in 1585. The relief plaques on the plinth found their way to Belgium, where they were acquired for the MKG in 1885. The silver gilt reliefs are a masterpiece of the international goldsmiths’ art around 1400. In their quality and subtle detail they anticipate the narrative style of Jan van Eyck. The second object examined is the book cover of an evangeliary from the former Cistercian nunnery of Hewardeshude produced around 1510 in Hamburg, which has been on permanent loan to the MKG since 1879. The silver lid of the bookcase is decorated with an almost completely free-standing silver figurine of John the Evangelist, which is at the same time the receptacle for relics. The partial painting of the flesh parts, which can unambiguously be regarded as original, is very well preserved, so that the piece is an excellent reference object. As part of a technological study using mobile and non-invasive methods, for the first time, the colorants could be identified on both of these objects. X-ray fluorescence analysis (XRF) is capable of detecting even the tiniest residues of possible colouring. The qualitative elemental analysis here showed clear traces of mercury and lead indicating that cinnabar/ vermillion and lead white were used for the polychrome areas. Finally it was possible to confirm these results using Raman spectroscopy, thus verifying our assumption that both the book cover and the Servatius plaques were coloured with these classical pigments. Traces of cinnabar/vermilion can be found on the lips and cheeks of human figures and the muzzles of animals; white lead is detectable above all on faces, eyes, hands and gloves. And in conclusion, the findings regarding the coloration of the goldsmiths’ works have been examined again from the perspective of art history, posing the following key questions: What is the effect on the observer of a partial coloration? What might have been the role of the »incarnation«, i.e. the flesh colouring of the faces and other visible areas of skin, with regard to achieving an effect of the »real presence« of the saints? To what extent are the findings on the coloration supported by historical sources and by comparison of other roughly contemporary examples, also from other media? https://www.fdr.uni-hamburg.de/record/13523 10.25592/uhhfdm.13523 oai:fdr.uni-hamburg.de:13523 doi:10.25592/uhhfdm.13519 doi:10.11588/arthistoricum.864.c11230 doi:10.25592/uhhfdm.13521 doi:10.25592/uhhfdm.13522 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC SFB950 Artefact Profiling HALM Museum für Kunst und Gewerbe MKG goldsmith work Z02 Mobile Lab non-invasive non-destructive Raman Spectroscopy i-Raman Plus 785S X-ray Fluorescence Spectroscopy XRF ELIO gold silver polychrome pigment cinnabar vermillion HgS lead white St. Servatius John the Evangelist Der Effekt von Farbfassungen auf zwei sakralen Goldschmiedearbeiten im Museum für Kunst und Gewerbe Hamburg: Eine interdisziplinäre Befundanalyse info:eu-repo/semantics/bookPart publication-section

oai:fdr.uni-hamburg.de:1421 2023-10-27T09:36:50Z user-csmc user-uhh

Bosch, Sebastian Janke, Andreas 2020-08-14 This dataset was created in the context of the following study: Sebastian Bosch and Andreas Janke, “Manuscript Illumination in 19th-century Italy. Material Analysis of Two Partial Copies from the Squarcialupi Codex” Open Information Science, vol. 5, no. 1, 2021, pp. 63-88. The data was recorded with the following instruments. R_DINO: micrographs (bmp files) recorded under visible (VIS), ultraviolet (UV) and near infrared (NIR) light with the three-colour imaging USB microscope (Dino-lite AD413T-I2V, Metav, Germany) and the documentation of microscopy spots as pdf file IRR_APOLLO: folder “raw”: images recorded with an Apollo reflectography camera (Opus Instruments, UK); folder “WB”: images normalized using a diffuse reflectance standard (Spectralon SRM-99) VIS_EXACT: raw spectra (xlsx file) recorded with a portable visible reflectance spectrometer EXACT (X-rite GmbH, Germany); documentation of measurement spots (pdf file); the raw data was further plotted and evaluated with the software OriginPro 2018G version b9.5.0.193 (opju file) XRF_ELIO: folder “raw”: raw spectra recorded with a portable XRF spectrometer ELIO (XGLab S.R.L., Italy, software version 1.5.7.7) as a project file (20181120_Duesseldorf.xga) and as individual files (spx) with micrographs (bmp files) exported from the ELIO camera in folder “pics_gold_bmp”; xlsx file with net intensity values of assigned elements evaluated by SPECTRA software, ARTAX 7.2.5.0 (Bruker Nano GmbH, Germany); documentation of measurement spots (pdf file); the raw data was further plotted and evaluated with the software OriginPro 2018G version b9.5.0.193 (opju files) https://www.fdr.uni-hamburg.de/record/1421 10.25592/uhhfdm.1421 oai:fdr.uni-hamburg.de:1421 doi:10.25592/uhhfdm.1419 doi:10.1515/opis-2021-0006 doi:10.25592/uhhfdm.13531 doi:10.25592/uhhfdm.13529 doi:10.25592/uhhfdm.1420 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC SFB950 UWA Manuscript Artefact Profiling Written Artefacts Kunstpalast Düsseldorf B03 RFA08 Mobile Lab non-invasive non-destructive Reflectography Dino-Lite Infrared Reflectography APOLLO Visible Reflectance Spectroscopy VIS EXACT X-ray Fluorescence Spectroscopy XRF ELIO parchment iron-gall ink carbon ink pigments gold carbon pre-drawing pigment identification 19th century CE Italian Italy musical notation ars nova notation Squarcialupi codex manuscript illumination illumination Hans Rothschild's Antiquarian Bookshop, Cologne Scientific Analysis of Manuscript Fragment Düsseldorf, Kunstpalast, Inv. K 1925-67 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:13763 2023-12-04T08:22:47Z user-uhh user-csmc

Rapp, Claudia Rossetto, Giulia Gruskova, Jana Kessel, Grigory Fedeli, Alba 2023-10-17 The article offers an overview of the known Qur'anic palimpsests focusing on terminology, texts, cultures, and times of both scriptio inferior and scriptio superior. The article describes the history of studies on Qur'anic palimpsests and how they shaped the entire field of Qur'anic manuscript studies from the beginning of the last century until now. The main focus of previous scholarship has been the study of each Qur'anic artefact and its Qur'anic layer in isolation. The focus on the cultures that produced both layers (Qur'anic and non-Qur'anic) of each palimpsest from an archaeological perspective can shed light on the patterns of Qur'anic palimpsests and their production. https://www.fdr.uni-hamburg.de/record/13763 10.1553/978OEAW91575s255 oai:fdr.uni-hamburg.de:13763 eng Austrian Academy of Sciences Press doi:10.1553/978OEAW91575 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Palimpsests Sanaa Palimpsest Lewis-Mingana Palimpsest Stratigraphic Manuscripts Sinai Palimpsests Qur'anic Manuscript Studies Ambrosiana Palimpsest Arabic Syriac Christian-Arabic Deposits of Texts and Cultures in Qurʾānic Palimpsests: A Few Remarks on Objects and Dynamics in Palimpsesting info:eu-repo/semantics/bookPart publication-section

oai:fdr.uni-hamburg.de:10084 2024-02-21T13:03:30Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-03-02 3D Cuneiform tablet (SUB, Cod.Var.3) https://www.fdr.uni-hamburg.de/record/10084 10.25592/uhhfdm.10084 oai:fdr.uni-hamburg.de:10084 doi:10.25592/uhhfdm.10083 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan Cuneiform tablet 3D Cuneiform tablet (SUB, Cod.Var.3) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10082 2024-02-21T13:03:31Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-03-02 3D Cuneiform tablet (SUB, Cod.Var.4) https://www.fdr.uni-hamburg.de/record/10082 10.25592/uhhfdm.10082 oai:fdr.uni-hamburg.de:10082 doi:10.25592/uhhfdm.10081 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan Cuneiform tablet 3D Cuneiform tablet (SUB, Cod.Var.4) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10056 2024-02-21T19:58:13Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-03-02 3D Cuneiform tablet (SUB, Cod.Var.11) https://www.fdr.uni-hamburg.de/record/10056 10.25592/uhhfdm.10056 oai:fdr.uni-hamburg.de:10056 doi:10.25592/uhhfdm.10055 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan Cuneiform tablet 3D Cuneiform tablet (SUB, Cod.Var.11) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10060 2024-02-21T19:58:29Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-03-02 3D object of a mummy label (SUB, Cod.Var.14a). https://www.fdr.uni-hamburg.de/record/10060 10.25592/uhhfdm.10060 oai:fdr.uni-hamburg.de:10060 doi:10.25592/uhhfdm.10059 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan Mummy label (SUB, Cod.Var.14a) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10078 2024-02-21T19:58:30Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-03-02 3D object of a mummy label (SUB, Cod.Var.14b). https://www.fdr.uni-hamburg.de/record/10078 10.25592/uhhfdm.10078 oai:fdr.uni-hamburg.de:10078 doi:10.25592/uhhfdm.10077 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan Mummy label (SUB, Cod.Var.14b) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10070 2024-02-21T19:58:36Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-03-02 3D object of a mummy label (SUB, Cod.Var.20). https://www.fdr.uni-hamburg.de/record/10070 10.25592/uhhfdm.10070 oai:fdr.uni-hamburg.de:10070 doi:10.25592/uhhfdm.10069 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan Mummy label (SUB, Cod.Var.20) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10176 2024-02-21T19:58:24Z user-csmc user-uhh

Dr. Karin Janz-Wenig Eric Werner 2022-04-29 3D object (SUB, Cod.Var.17) https://www.fdr.uni-hamburg.de/record/10176 10.25592/uhhfdm.10176 oai:fdr.uni-hamburg.de:10176 doi:10.25592/uhhfdm.10175 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan 3D object (SUB, Cod.Var.17) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10178 2024-02-21T19:58:25Z user-csmc user-uhh

Dr. Karin Janz-Wenig Eric Werner 2022-04-29 3D object https://www.fdr.uni-hamburg.de/record/10178 10.25592/uhhfdm.10178 oai:fdr.uni-hamburg.de:10178 doi:10.25592/uhhfdm.10177 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan 3D object (SUB, Cod.Var.18) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10285 2024-02-27T07:12:38Z user-csmc user-uhh

Bonnerot, Olivier Krimsti, Feras Bonnerot, Olivier 2022-07-14 XRF (Elio: 40kV, 80 µA, spot measurements of 120s each) and reflectography (DinoLite: x50 magnification for spots on ink and pigment, vis, NIR and UV light) analysis of inks from Forschungsbibliothek Gotha Ms. or. 991 MsOrient991_reflectography.zip - complete reflectography Dataset MsOrient991_XRF.zip - complete XRF Dataset Report Ms991.docx - detailed report https://www.fdr.uni-hamburg.de/record/10285 10.25592/uhhfdm.10285 oai:fdr.uni-hamburg.de:10285 eng doi:10.25592/uhhfdm.10284 info:eu-repo/semantics/restrictedAccess CSMC UWA Manuscript Written Artefacts Artefact Profiling BAM Forschungsbibliothek Gotha RFA13 X-Ray Fluorescence (XRF) UV-VIS-NIR Reflectography Bruker XGLab ELIO DinoLite USB Microscope Paper Iron Gall Ink 18th century CE Ottoman Arabic Glitter Vermillion X-Ray Fluorescence and Reflectography Data from Forschungsbibliothek Gotha Ms. Orient. 911 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9852 2024-02-27T11:36:52Z user-csmc user-uhh

Droese, Janine Helmholz, Karsten 2022-01-28 The album is kept in the Stadtgeschichtliches Museum Leipzig (accession number A/2013/346). It has been digitised at the CSMC as part of the project ‘Creating Music Albums as Originals Made of Originals’. Measurements 19,5 × 12 cm (landscape); red leather binding with gold embossing; green silk pastedown; title on spine: “Memoires pour l’Amitié”. The manuscript belonged to a Gustav Schmidt, probably from Leipzig. LICENSE Any publication of the images online, in print or any other media format, requires written permission by Stadtgeschichtliches Museum Leipzig. By downloading the images you agree to these terms. https://www.fdr.uni-hamburg.de/record/9852 10.25592/uhhfdm.9852 oai:fdr.uni-hamburg.de:9852 doi:10.25592/uhhfdm.9851 info:eu-repo/semantics/openAccess CSMC Written Artefact Manuscript UWA Musicology RFC04 Music Album Stadtgeschichtliches Museum Leipzig 19th century Friendship album Stammbuch Album of Gustav Schmidt, Stadtgeschichtliches Museum Leipzig, A/2013/346 (1820–1834) info:eu-repo/semantics/other image-photo

oai:fdr.uni-hamburg.de:9860 2024-02-27T11:36:57Z user-csmc user-uhh

Droese, Janine Helmholz, Karsten 2022-01-28 info:eu-repo/date/embargoEnd/2026-02-01 The album is kept in the Stadtgeschichtliches Museum Leipzig (accession number A/2013/392). It has been digitised at the CSMC as part of the project ‘Creating Music Albums as Originals Made of Originals’. It measures 29 × 22,5 cm (landscape) and belonged to the Belgian singer, pianist and composer Louis Brassin (* 24 June 1840 in Aachen, † 17 May 1884 in St. Petersburg). Brown leather binding with blind embossing, title “Album” in golden letters on the front cover. Gilt edges, white moiré endpapers. Pencil pagination in top outer corner, which does not include the portrait inserted in front of the first entry (Henriette Sontag) and has a gap between pp. 6 and 9, possibly indicating the later removal of an album leaf. The pagination of the facsimile starts with the pagination in the album, but includes the portrait (pp. 3–4) and does not account for the gap, and is thus identical to the pencil pagination on the pages 1–2 and 9–98. https://www.fdr.uni-hamburg.de/record/9860 10.25592/uhhfdm.9860 oai:fdr.uni-hamburg.de:9860 doi:10.25592/uhhfdm.9859 info:eu-repo/semantics/embargoedAccess CSMC Written Artefact Manuscript UWA Musicology RFC04 Music Album Stadtgeschichtliches Museum Leipzig Friendship album 19th century Stammbuch Album of Louis Brassin, Stadtgeschichtliches Museum Leipzig, A/2013/392 (1852–1895) info:eu-repo/semantics/other image-photo

oai:fdr.uni-hamburg.de:9858 2024-02-27T11:36:56Z user-csmc user-uhh

Droese, Janine Helmholz, Karsten 2022-01-28 info:eu-repo/date/embargoEnd/2026-02-01 The album is kept in the Stadtgeschichtliches Museum Leipzig (accession number A/2013/377). It has been digitised at the CSMC as part of the project ‘Creating Music Albums as Originals Made of Originals’. It is bound in dark leather with gold and silver decorations and measures 22,5 × 14,5 cm (portrait), has gilt edges and floral endpapers. It was owned by the Musikdirektor Leopold Greiff. LICENSE Any publication of the images online, in print or any other media format, requires written permission by Stadtgeschichtliches Museum Leipzig. By downloading the images you agree to these terms. https://www.fdr.uni-hamburg.de/record/9858 10.25592/uhhfdm.9858 oai:fdr.uni-hamburg.de:9858 doi:10.25592/uhhfdm.9857 info:eu-repo/semantics/embargoedAccess CSMC Written Artefact Manuscript UWA Musicology RFC04 Music Album Stadtgeschichtliches Museum Leipzig 19th century 20th century Friendship album Album of Leopold Greiff, Stadtgeschichtliches Museum Leipzig, A/2013/377 (1884–1910) info:eu-repo/semantics/other image-photo

oai:fdr.uni-hamburg.de:14424 2024-06-19T13:11:45Z user-uhh user-csmc

Vér, Márton 2024-05-23 This talk was presented at the workshop of the project "Multilingual Archives in Pre-Modern Societies" (MAPS) at the University of Leeds. https://www.fdr.uni-hamburg.de/record/14424 10.25592/uhhfdm.14424 oai:fdr.uni-hamburg.de:14424 eng doi:10.25592/uhhfdm.14423 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Silk Road Old Uyghur Chinese multilingualism multiscriptism Dunhuang Turfan Multilingual archives along the Silk Roads and how they reflect on the Chinese learning of non-Chinese people info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14467 2024-06-26T19:57:22Z user-uhh user-csmc

Bonfiglio, Emilio 2022-04-04 Invited lecture “Education and Translations in Late Antique Armenia: Agency and Movements of Scholars and Books between Armenia and Byzantium”, Byzantine Studies Seminar Series, University of Edinburgh. https://www.fdr.uni-hamburg.de/record/14467 10.25592/uhhfdm.14467 oai:fdr.uni-hamburg.de:14467 eng doi:10.25592/uhhfdm.14466 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Education and Translations in Late Antique Armenia: Agency and Movements of Scholars and Books between Armenia and Byzantium info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14471 2024-06-26T19:57:18Z user-uhh user-csmc

Bonfiglio, Emilio 2023-07-11 Presentation “Uncovering Lost Armenian Texts: The Scriptio Inferior of MS Schøyen 575”, International workshop on Palimpsests, Centre for the Study of Manuscript Cultures, Hamburg. https://www.fdr.uni-hamburg.de/record/14471 10.25592/uhhfdm.14471 oai:fdr.uni-hamburg.de:14471 eng doi:10.25592/uhhfdm.14470 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Uncovering Lost Armenian Texts: The Scriptio Inferior of MS Schøyen 575 info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14491 2024-06-26T19:56:59Z user-uhh user-csmc

Kvirkvelia, Eka Kamarauli, Mariam 2023-06-29 Presentation “New Witnesses of the Jerusalem-rite Lectionary Preserved in Georgian Palimpsests”, KKNCM Tbilisi. https://www.fdr.uni-hamburg.de/record/14491 10.25592/uhhfdm.14491 oai:fdr.uni-hamburg.de:14491 eng doi:10.25592/uhhfdm.14490 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant New Witnesses of the Jerusalem-rite Lectionary Preserved in Georgian Palimpsests info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14485 2024-06-26T19:57:05Z user-uhh user-csmc

Kvirkvelia, Eka 2023-11-01 Lecture “Georgian Palaeography”, Centre for the Study of Manuscript Cultures Hamburg. https://www.fdr.uni-hamburg.de/record/14485 10.25592/uhhfdm.14485 oai:fdr.uni-hamburg.de:14485 eng doi:10.25592/uhhfdm.14484 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Georgian Palaeography info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14519 2024-07-03T10:32:25Z user-uhh user-csmc

Gippert, Jost 2023-08-30 Presentation "Documenting Language and Culture in the Digital Age – Problems, Challenges, Perspectives", Summer school "Documenting Lanuage and Culture in the DIgital Age – Problems, Challenges, Perspectives" https://www.fdr.uni-hamburg.de/record/14519 10.25592/uhhfdm.14519 oai:fdr.uni-hamburg.de:14519 eng doi:10.25592/uhhfdm.14518 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Documenting Language and Culture in the Digital Age – Problems, Challenges, Perspectives info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14565 2024-07-03T13:41:31Z user-csmc user-uhh

Gippert, Jost 2023-09-23 Presentation "Das Kaukasisch-Albanische – eine verlorene Sprache wiederentdeckt", Universität Tübingen. https://www.fdr.uni-hamburg.de/record/14565 10.25592/uhhfdm.14565 oai:fdr.uni-hamburg.de:14565 eng doi:10.25592/uhhfdm.14564 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Das Kaukasisch-Albanische – eine verlorene Sprache wiederentdeckt info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14531 2024-07-03T10:32:20Z user-uhh user-csmc

Gippert, Jost 2023-10-06 Book presentation "The Catalogue of the Georgian Manuscripts of the Holy Monastery of Iviron", GU Frankfurt. https://www.fdr.uni-hamburg.de/record/14531 10.25592/uhhfdm.14531 oai:fdr.uni-hamburg.de:14531 eng doi:10.25592/uhhfdm.14530 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant The Catalogue of the Georgian Manuscripts of the Holy Monastery of Iviron info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14561 2024-07-03T10:31:48Z user-uhh user-csmc

Gippert, Jost 2023-06-29 Presentation “A Georgian Double Palimpsest from Mount Athos”, KKNCM Tbilisi. https://www.fdr.uni-hamburg.de/record/14561 10.25592/uhhfdm.14561 oai:fdr.uni-hamburg.de:14561 eng doi:10.25592/uhhfdm.14560 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant A Georgian Double Palimpsest from Mount Athos info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14533 2024-07-03T10:32:18Z user-uhh user-csmc

Gippert, Jost 2023-07-11 Presentation “Palimpsests from the Caucasus and the DeLiCaTe Project”, Centre for the Study of Manuscript Cultures Hamburg. https://www.fdr.uni-hamburg.de/record/14533 10.25592/uhhfdm.14533 oai:fdr.uni-hamburg.de:14533 eng doi:10.25592/uhhfdm.14532 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Palimpsests from the Caucasus and the DeLiCaTe Project info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:9573 2024-07-05T13:05:37Z user-csmc user-uhh

Shevchuk, Ivan Huskin, Kyle Ann Janke, Andreas 2022-01-28 Multispectral imaging of this set of music fragments (Nuremberg, Stadtbibliothek fragm. lat. 9a) was performed between February 10 and 14, 2020, at the Stadtbibliothek in Nuremberg and subsequently processed. Results are discussed in: A. Janke, C. Colini, K.A. Huskin, S. Bosch, and I. Shevchuk (2024), “A Second Look at Multispectral Data of Late Medieval Music Manuscripts”, Manuscript Studies 9:1 (spring 2024), pp. 90–117, DOI: https://doi.org/10.1353/mns.2024.a930878 https://www.fdr.uni-hamburg.de/record/9573 10.25592/uhhfdm.9573 oai:fdr.uni-hamburg.de:9573 doi:10.25592/uhhfdm.9571 doi:10.1353/mns.2024.a930878 doi:10.25592/uhhfdm.9572 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC RFA08 Manuscript Fragment Nuremberg Parchment 15th century CE Musical notation Ars nova notation Latin French Austria Vienna Motet Ballade Ordinarium Missae Mega Vision E7 Multispectral Imaging (MSI) Artefact Profiling Written Artefacts UWA Multispectral Imaging of Manuscript Nuremberg, Stadtbibliothek, Fragm. lat. 9a info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9567 2024-07-06T07:14:36Z user-csmc user-uhh

Bosch, Sebastian Janke, Andreas 2022-03-01 This report describes the methods and results of three measurement campaigns performed between 2019 and 2021 in Nuremberg (Germany) and Melk (Austria). The aim of them was to investigate inks in related fragments of music manuscripts from the first few decades of the fifteenth century in order to gain new information on their history, thereby complementing codicological and palaeographic studies. https://www.fdr.uni-hamburg.de/record/9567 10.25592/uhhfdm.9567 oai:fdr.uni-hamburg.de:9567 doi:10.25592/uhhfdm.10124 doi:10.1353/mns.2024.a930878 doi:10.25592/uhhfdm.9566 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC RFA08 Manuscript Fragment Nuremberg Melk Parchment 15th century CE Musical notation Ars nova notation Latin Austria Vienna UWA Written artefacts Artefact Profiling Mobile Lab non-invasive non-destructive X-ray fluorescence spectroscopy XRF ARTAX Iron-gall ink Carbon ink Mixed ink Cinnabar Vermillion HgS Red led Fingerprint model DINO Ink identification in Ars nova fragments preserved in Nuremberg and Melk info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10124 2024-07-06T07:13:30Z user-csmc

Shevchuk, Ivan Bosch, Sebastian Janke, Andreas 2022-01-17 Infrared reflectography (IRR) images were captured with an Apollo reflectography camera (Opus Instruments, UK) from Ars nova music fragments preserved in Nuremberg, Stadtbibliothek, Germany (12–13 Februrary 2020, and 18 October 2021), and Melk, Stiftsbibliothek, Austria (21 October 2021). The aim was to verify the presence of carbon in the inks. The regular Short-Wave Infrared (SWIR) sensing range (900–1700 nm) of the 128×128-pixel scanning InGaAs sensor was reduced by a Long Wave Pass Filter (LWP1510, range 1510–1700 nm), mounted in front of the IR lens (150 mm, f/5.6–f/45) with the aperture of f/8, acquisition time was 50 ms/tile. The working distance between the sensor and the object was set to approx. 73 cm in Melk, and to approx. 80 cm in Nuremberg. Broadband illumination was provided by two 20W halogen lamps. Results are discussed in: A. Janke, C. Colini, K.A. Huskin, S. Bosch, and I. Shevchuk (2024), “A Second Look at Multispectral Data of Late Medieval Music Manuscripts”, Manuscript Studies 9:1 (spring 2024), pp. 90–117, DOI: https://doi.org/10.1353/mns.2024.a930878 https://www.fdr.uni-hamburg.de/record/10124 10.25592/uhhfdm.10124 oai:fdr.uni-hamburg.de:10124 doi:10.25592/uhhfdm.9567 doi:10.1353/mns.2024.a930878 doi:10.25592/uhhfdm.9821 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC RFA08 Infrared Reflectography (IRR) OPUS Apollo IRR Melk, Stiftsbibliothek Nuremberg, Stadtbibliothek Music fragment Manuscript Written Artefact Artefact Profiling Written Artefacts UWA IRR images of Ars nova fragments preserved in Nuremberg and Melk info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9571 2024-07-05T13:04:48Z user-csmc user-uhh

Shevchuk, Ivan Huskin, Kyle Ann Janke, Andreas 2022-01-27 Multispectral imaging of this set of music fragments (Nuremberg, Stadtbibliothek, fragm. lat. 9) was performed between February 10 and 14, 2020, at the Stadtbibliothek in Nuremberg and subsequently processed. Results are discussed in: A. Janke, C. Colini, K.A. Huskin, S. Bosch, and I. Shevchuk (2024), “A Second Look at Multispectral Data of Late Medieval Music Manuscripts”, Manuscript Studies 9:1 (spring 2024), pp. 90-117, DOI: https://doi.org/10.1353/mns.2024.a930878 https://www.fdr.uni-hamburg.de/record/9571 10.25592/uhhfdm.9571 oai:fdr.uni-hamburg.de:9571 doi:10.25592/uhhfdm.9573 doi:10.1353/mns.2024.a930878 doi:10.25592/uhhfdm.9570 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC RFA08 Manuscript Fragment Nuremberg Parchment 15th century CE Musical notation Ars nova notation Latin Austria Vienna Motet Megavision E7 Multispectral Imaging (MSI) UWA Written Artefacts Artefact Profiling Mobile Lab Multispectral Imaging of Manuscript Nuremberg, Stadtbibliothek, Fragm. lat. 9 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9697 2024-07-08T13:56:36Z user-csmc

Beit-Arié, Malachi 2021-10-21 PUBLICATIONS OF THE ISRAEL ACADEMY OF SCIENCES AND HUMANITIES Historical and Comparative Typology of Medieval Hebrew Codices based on the Documentation of the Extant Dated Manuscripts until 1540 using a Quantitative Approach טיפולוגיה של מלאכת הספר העברי ועיצובו בימי-הביניים בהיבט היסטורי והשוואתי מתוך גישה כמותית המיוסדת על תיעוד כתבי -היד בציוני תאריך עד שנת 1540 Edited by Zofia Lasman English-Version: https://doi.org/10.25592/uhhfdm.9348 https://www.fdr.uni-hamburg.de/record/9697 10.25592/uhhfdm.9697 oai:fdr.uni-hamburg.de:9697 heb doi:10.25592/uhhfdm.8848 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Hebrew Codices Hebrew Manuscripts Comparative Typology Medieval Hebrew Codicology - קודיקולוגיה עברית info:eu-repo/semantics/book publication-book

oai:fdr.uni-hamburg.de:14735 2024-08-05T12:25:30Z user-csmc user-uhh

Nehring, Grzegorz Bosch, Sebastian Rabin, Ira 2024-07-23 Carbon-based and iron-gall inks constitute the two main classes of black writing inks. Carbon ink, considered the primary writing substance in the ancient world, contrasts with iron-gall inks, which were used by scribes during medieval times. Carbon inks are produced by suspending fine carbon particles in a water solution of a binder, while iron-gall inks result from a reaction between iron II ions and tannins. The shift from carbon to iron-gall inks remains unclear, but it is certain that this change was a gradual process. Some researchers argue that it accompanied the transition in preferred writing support from papyrus to parchment. Others suggest that the introduction of the codex, a new form of book that replaced scrolls, played a role. A third possible reason is the need for a substantial volume of ink, which led to experimentation to produce a cheaper writing ink or adulteration of contemporary inks. Scarce recipes, coupled with the results of scientific investigations of manuscripts from late antiquity and early medieval times, attest to a tradition of adding metallic substances to writing inks. Based on our research outcomes, we tentatively refer to this time as the transition period. Nowadays, ink study protocols allow for the reliable recognition of the ink type based on its optical properties, the characterization of the elemental makeup with X-ray fluorescence spectroscopy, and the verification of carbon presence with Raman spectroscopy or infrared reflectography using a long-wave pass filter. However, mixtures of carbon inks and iron-gall inks also contain tannins, which cannot be identified with the aforementioned methods. For this reason, our team has improved upon the recently proposed study of inks with Atmospheric Solids Analysis Probe Mass Spectrometry (ASAP-MS)1, and proposes a new protocol for the minimally invasive identification of hydrolyzable and condensed tannins present in historic inks. This new approach marks a significant advancement in the field of historic black writing ink identification. 1Ghigo, Rabin, Buzi 2020. https://www.fdr.uni-hamburg.de/record/14735 10.25592/uhhfdm.14735 oai:fdr.uni-hamburg.de:14735 eng doi:10.25592/uhhfdm.14734 info:eu-repo/semantics/restrictedAccess ASAP-MS Mass Spectrometery Writing Ink Iron-gall carbon mixed tannins hydrolysable condensed mixed Atmospheric Solids Analysis Probe Mass Spectrometry: A Minimally Invasive Approach for the Identification of Tannins in Black Writing Inks info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:14219 2024-08-01T13:54:18Z user-csmc

CSMC 2024-04-18 These recommendations have been worked out by the Ethics Working Group at CSMC. They shall provide colleagues at CSMC and manuscript researchers more generally with some practical guidance on how to carry out their research responsibly. The recommendations give an overview of basic rules of conduct regarding other people, written artefacts, and research data. https://www.fdr.uni-hamburg.de/record/14219 10.25592/uhhfdm.14219 oai:fdr.uni-hamburg.de:14219 eng doi:10.25592/uhhfdm.14215 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode ethics; responsibility; research ethics; scientific integrity; cultural property protection; cultural heritage; research data; sustainability Ethical and Responsible Research at CSMC info:eu-repo/semantics/other publication-other

oai:fdr.uni-hamburg.de:14772 2024-08-07T10:10:32Z user-uhh user-csmc

Olbrich, Stephan Beckert, Andreas 2024-08-05 In this video animation we visualize the reconstruction of an enclosed cuneiform tablet (Louvre Museum, collection no. AO8295, 19th century BC, showing a loan contract, 5.9 cm x 6.1 cm x 2.1 cm) and the envelope. The surface reconstruction, feature analysis, segmentation, and visualization was performed by "EXAVIS42" - which was developed by the author, as part of the project - from high-resolution volume data (38 µm voxel size), acquired by the portable micro-CT scanner "ENCI" - constructed as part of the project - at the collection of the Louvre Museum (Paris). The cuneiform signs are emphasized by a diffuse lighting model, combined with curvature-oriented highlighting and darkening, and shadowing by precalculated ambient occlusion, implementing an optimized function for weighting orientations of rays and their distances of crossed surfaces. The video clip was exported from "EXAVIS42" as a sequence of 4.850 anti-aliased images in 1920x1080 resolution (50 frames per second), off-screen rendered in OpenGL, by taking advantage of key frame animation, interpolating camera positions and orientations, as well as numerous visualization parameters. This video animation was first published as part of the report about the project in German television: "Forscher entschlüsseln die Geheimnisse antiker Keilschriften", Norddeutscher Rundfunk (NDR), 22.03.2024, https://www.ardmediathek.de/video/hamburg-journal/forscher-entschluesseln-die-geheimnisse-antiker-keilschriften/ndr/Y3JpZDovL25kci5kZS9hMzdiYjQ1YS1iYmMxLTQ5NGUtOTk1Yi0wM2NmYzNlYzlhNjQ (attached 25.06.2024, available until 22.03.2026). For version 2, annotations were added. 3D CT and visualization data of the artifact AO8295 is published here: Michel, Cécile, Schroer, Christian, Olbrich, Stephan, Ehteram, Samaneh, & Beckert, Andreas. (2024). AO 8295 (X-Ray Tomography 3D data of an Enveloped Clay Tablet, Louvre Museum, Paris) [Data set]. http://doi.org/10.25592/uhhfdm.14776 The sources of our software EXAVIS42 is published here: Olbrich, Stephan, & Beckert, Andreas. (2024). EXAVIS42 – Efficient methods for creation, feature extraction, and interactive visualization of isosurfaces of 3D volume data [Software]. http://doi.org/10.25592/uhhfdm.14778 https://www.fdr.uni-hamburg.de/record/14772 10.25592/uhhfdm.14772 oai:fdr.uni-hamburg.de:14772 doi:10.25592/uhhfdm.14464 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Computed tomography Parallel data analysis Scientific visualization 3D presentation and interaction Application case study CSMC RFA RFA09 UWA Non-invasive, virtual unpacking of enclosed cuneiform - 3D reconstruction and visualization of clay tablets based on data acquired by portable micro-CT scanner info:eu-repo/semantics/other video

oai:fdr.uni-hamburg.de:14465 2024-08-05T22:36:04Z user-uhh user-csmc

Olbrich, Stephan 2024-03-22 In this video animation we visualize the reconstruction of an enclosed cuneiform tablet (Louvre Museum, collection no. AO8295, 19th century BC, showing a loan contract, 5.9 cm x 6.1 cm x 2.1 cm) and the envelope. The surface reconstruction, feature analysis, segmentation, and visualization was performed by "EXAVIS42" - which was developed by the author, as part of the project - from high-resolution volume data (38 µm voxel size), acquired by the portable micro-CT scanner "ENCI" - constructed as part of the project - at the collection of the Louvre Museum (Paris). The cuneiform signs are emphasized by a diffuse lighting model, combined with curvature-oriented highlighting and darkening, and shadowing by precalculated ambient occlusion, implementing an optimized function for weighting orientations of rays and their distances of crossed surfaces. The video clip was exported from "EXAVIS42" as a sequence of 4.850 anti-aliased images in 1920x1080 resolution (50 frames per second), off-screen rendered in OpenGL, by taking advantage of key frame animation, interpolating camera positions and orientations, as well as numerous visualization parameters. https://www.fdr.uni-hamburg.de/record/14465 10.25592/uhhfdm.14465 oai:fdr.uni-hamburg.de:14465 doi:10.25592/uhhfdm.14464 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Computed tomography Parallel data analysis Scientific visualization 3D presentation and interaction Application case study CSMC RFA RFA09 UWA Non-invasive, virtual unpacking of enclosed cuneiform - 3D reconstruction and visualization of clay tablets based on data acquired by portable micro-CT scanner info:eu-repo/semantics/other video

oai:fdr.uni-hamburg.de:16008 2024-10-08T12:16:25Z user-uhh user-csmc

Dorfmann-Lazarev, Igor 2023-06-19 In Jost Gippert, Jasmine Dum-Tragut (eds.), Caucasian Albania. An International Handbook. Berlin / Boston: de Gruyter, 33-94. https://www.fdr.uni-hamburg.de/record/16008 10.25592/uhhfdm.16008 oai:fdr.uni-hamburg.de:16008 eng doi:10.25592/uhhfdm.16007 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Between the Planes and the Mountains: the Albanian-Armenian Marches in the 12th Century and David of Gandzak (c. 1065–1140) info:eu-repo/semantics/bookPart publication-section

oai:fdr.uni-hamburg.de:16058 2024-10-11T07:34:32Z user-csmc user-uhh

Sargsyan, Hasmik 2022-01-01 In Armeniaca 1, 151–170. https://www.fdr.uni-hamburg.de/record/16058 10.25592/uhhfdm.16058 oai:fdr.uni-hamburg.de:16058 eng doi:10.25592/uhhfdm.16057 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant The Forms of the Indefinite Article in Eastern Armenian: Pre-modern, Early and Colloquial Eastern Armenian Sources info:eu-repo/semantics/article publication-article

oai:fdr.uni-hamburg.de:16042 2024-10-11T07:34:43Z user-csmc user-uhh

Gippert, Jost 2024-03-22 In Iran and the Caucasus 28, 61-71. https://www.fdr.uni-hamburg.de/record/16042 10.25592/uhhfdm.16042 oai:fdr.uni-hamburg.de:16042 eng doi:10.25592/uhhfdm.16041 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Iranian Lexical Material in the Caucasus. Part II. Armenian gerezman and Albanian garazman info:eu-repo/semantics/article publication-article

oai:fdr.uni-hamburg.de:16024 2024-10-11T07:34:54Z user-csmc user-uhh

Gippert, Jost 2023-06-19 In Jost Gippert, Jasmine Dum-Tragut (eds.), Caucasian Albania. An International Handbook. Berlin / Boston: de Gruyter, 571-580. https://www.fdr.uni-hamburg.de/record/16024 10.25592/uhhfdm.16024 oai:fdr.uni-hamburg.de:16024 eng doi:10.25592/uhhfdm.16023 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant The Gate of Ganja info:eu-repo/semantics/bookPart publication-section

oai:fdr.uni-hamburg.de:16134 2024-10-24T12:57:58Z user-csmc user-uhh

Ralf Möller Thomas Asselborn Magnus Bender Florian Marwitz Sylvia Melzer 2024-10-18 Research in the humanities is evolving with the introduction of data-driven methods and visualization techniques that integrate different datasets such as images, videos, and texts. This change is supported by institutional research repositories that follow the FAIR principles (findability, accessibility, interoperability, and reusability) and fundamentally ensure that data is not only stored but also actively used for analyses. In contrast to conventional databases, which often lack interoperability, FAIR-compliant repositories generally improve the findability, reproducibility, and citation of individual data elements. In order to enable the reproducibility of data in special formats such as TEI (Text Encoding Initiative), EpiDoc (Epigraphic Documents in TEI XML) or other project-specific formats according to the project-specific requirements for the presentation of the data, generic and user-friendly approaches are required, which an RDR (Research Data Repository) should offer. In this article, we therefore show the new form of data management with RDRs with the possibility of integrating the new functionality of visualizing data on a project-specific basis at the click on a button. In addition, we show how it is possible to cite not only the entire dataset in an RDR itself, but also part of the content to ensure clarity and precision, directing readers to the exact information or argument referenced. This entry includes the following presentations from the Data Linking Workshop 2024: Dataset Provision and Citation in the Digital Age Sylvia Melzer, Ralf Möller: Introduction into FAIR Data Management at UWA Hagen Peukert, Lucas F. Voges, Ralf Möller, Sylvia Melzer: Humanities in the Center of Data Usability: Data Visualization in Institutional Research Repositories Florian Marwitz: Demonstration: Visualizing Data in Institutional Research Repositories on Demand? Magnus Bender: Comply with FAIR Principles at UWA Thomas Asselborn: Make Your Data Interoperable and Reusable: How to Use Your Data for Training? https://www.fdr.uni-hamburg.de/record/16134 10.25592/uhhfdm.16134 oai:fdr.uni-hamburg.de:16134 eng doi:10.25592/uhhfdm.10769 doi:10.25592/uhhfdm.9672 doi:10.25592/uhhfdm.15984 doi:10.25592/uhhfdm.13099 doi:10.25592/uhhfdm.16133 info:eu-repo/semantics/closedAccess UWA CSMC Data Linking RFF AI Humanities Research Data Management FAIR Citation Data Linking Workshop 2024: Dataset Provision and Citation in the Digital Age info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:16316 2024-11-28T12:51:54Z user-csmc user-uhh

Friedrich, Michael Schröter, Doreen Söderlund, Kay 2024-11-26 The second issue of the series ‘Written Artefacts as Cultural Heritage’ provides translations of the much-acclaimed manual ‘Be prepared: Guidelines for small museums for writing a disaster preparedness plan’. It is available open access. The English original of the manual was first published in 2000 by the Australian Heritage Collections Council. By translating it into French, Spanish, and Arabic, we wish to support a wider range of caretakers in archives, libraries, and museums around the world in preparing for cases of emergency and preserving their (written) heritage collections. Written Artefacts as Cultural Heritage was established in 2020. The series is dedicated to the double role of written artefacts as representations and generators of humankind’s cultural heritage. Its thematic scope embraces aspects of preservation, the identity-defining role of artefacts as well as ethical questions. Every volume of Written Artefacts as Cultural Heritage is peer-reviewed and openly accessible. You can request hard copies of each issue for free from the editorial office. https://www.fdr.uni-hamburg.de/record/16316 10.25592/uhhfdm.16316 oai:fdr.uni-hamburg.de:16316 ara doi:10.25592/uhhfdm.16315 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Written Artefacts as Cultural Heritage 2 108 disaster preparedness; risk assessment; risk management; museums; archives; culturla heritage; manuscripts; written artefacts كـــــــــن مـــــــســـــــتـــــــعـــــــدًّا: مـــــــــبـــــــــادئ تــــوجــــيــــهــــيــــة للمتاحف الـصـغـيـرة لإعــــداد خـطـة الـتـأهـب لـلـكـوارث info:eu-repo/semantics/article publication-article

oai:fdr.uni-hamburg.de:16265 2024-11-20T17:02:30Z user-csmc user-uhh

Schröter, Doreen Friedrich, Michael Söderlund, Kay 2023-06-29 The second issue of the series ‘Written Artefacts as Cultural Heritage’ provides translations of the much-acclaimed manual ‘Be prepared: Guidelines for small museums for writing a disaster preparedness plan’. It is available open access. The English original of the manual was first published in 2000 by the Australian Heritage Collections Council. By translating it into French, Spanish, and Arabic, we wish to support a wider range of caretakers in archives, libraries, and museums around the world in preparing for cases of emergency and preserving their (written) heritage collections. Written Artefacts as Cultural Heritage was established in 2020. The series is dedicated to the double role of written artefacts as representations and generators of humankind’s cultural heritage. Its thematic scope embraces aspects of preservation, the identity-defining role of artefacts as well as ethical questions. Every volume of Written Artefacts as Cultural Heritage is peer-reviewed and openly accessible. You can request hard copies of each issue for free from the editorial office. https://www.fdr.uni-hamburg.de/record/16265 10.25592/uhhfdm.16265 oai:fdr.uni-hamburg.de:16265 fra doi:10.25592/uhhfdm.16264 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Written Artefacts as Cultural Heritage 2 108 disaster preparedness; museum; archive; cultural heritage; risk assessment; risk management; manuscripts; written artefacts Soyez prêts! Guide à l'usage des petits musées pour la rédaction d'un plan de sauvegarde. info:eu-repo/semantics/article publication-article

oai:fdr.uni-hamburg.de:16468 2024-12-05T13:40:32Z user-csmc user-uhh

Voges, Lucas F. Horn, Nils Seifert, Stephan 2024-12-05 This dataset was created at the Centre for the Study of Manuscript Cultures (CSMC) and Cluster of Excellence ‘Understanding Written Artefacts’ (UWA). Manuscripts 19 palm-leaf manuscripts from India were measured Cod. Palmbl. II 208 (35.3208) Cod. Palmbl. I 8 (35.3008) Cod. Palmbl. I 5 (35.3005) Cod. Palmbl. III 118 (35.3363) Cod. Palmbl. II 209 (35.3209) Cod. Palmbl. I 33 (35.3033) Cod. Palmbl. I 24 (35.3024) Cod. Palmbl. I 170 (35.3170) Cod. Palmbl. I 51 (35.3051) Cod. Palmbl. II 205 (35.3205) Cod. Palmbl. II 224 (35.3224) Cod. Palmbl. I 188 (35.3188) Cod. Palmbl. I 28 (35.3028) Cod. Palmbl. I 11 (35.3011) Cod. Palmbl. I 169 (35.3169) Cod. Palmbl. I 112 (35.3112) Cod. Palmbl. III 53 (35.3299) Cod. Palmbl. I 9 (35.3009) Cod. Palmbl. I 110 (35.3110) Spectra The spectra were recorded with the portable FTIR spectrometer 4100 ExoScan (Agilent) in DRIFTS mode. The raw spectra are stored as .spc files in a zip archive. Note: Due to subsequently detected contamination of the spectrometer, it cannot be ruled out that the recorded spectra are affected by outliers and biased. The results should therefore be categorised accordingly. Spectra file names are structured as follows: "Date of the measurement_Name of the instrument_accessory name_no. of scans_name of the manuscript_measurement name.spc" Date of the measurement: yyyymmdd Name of the instrument: E for ExoScan accessory name: DRIFT no. of scans: 256 name of the manuscript: Object No. (see above) measurement name: "page image name_page_area_No" page numer: area: measurement area (leaf, ink, stain...) No: number of measurement (on this page) Interactive visualization The "InteractiveVisualisation.html" file is a standalone website that shows the individual spectra and the chemometric analysis of the data. The presented analysis and data should be considered as an overview. Some of the shown data is simplified for this interactive demonstration and may not reflect reality. https://www.fdr.uni-hamburg.de/record/16468 10.25592/uhhfdm.16468 oai:fdr.uni-hamburg.de:16468 ang doi:10.25592/uhhfdm.16467 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode FTIR Spectroscopy CSMC UWA Artefact Profiling EXOSCAN PLMPI DRIFTS RFF02 FTIR spectra of 19 palm-leaf manuscripts from the SUB info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:16539 2024-12-16T08:04:41Z user-uhh user-csmc

Martin, Nathalie 2022-07-13 3D mesh in .fbx format, no textures. 3D pin used for marking Written Artefact locations in the Ancient Theatre of Miletus. ---------------------------------------------------------- The interdisciplinary project RFB02 "Immersive City Scripts: Inscriptions and the Construction of Social Spaces in Miletus (Asia Minor)" investigates how inscriptions structured public spaces in the ancient city Miletus and Didyma. Part of the project is an immersive virtual reality application of the Milesian theatre, where you can explore and experience the inscriptions with the help of reconstructions, different light settings and agents in the virtual space. The project belongs to the Research Field B “Inscribing Spaces” of the first phase (2019-2025) of the Cluster of Excellence “Understanding Written Artefacts”. RFB02: Immersive City Scripts: Inscriptions and the Construction of Social Spaces in Miletus (Asia Minor) Project website department of Archaeology Project website department of Informatics, Human-Computer Interaction Project Website of the Miletus excavation https://www.fdr.uni-hamburg.de/record/16539 10.25592/uhhfdm.16539 oai:fdr.uni-hamburg.de:16539 eng doi:10.25592/uhhfdm.16538 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0/legalcode UWA CSMC Written Artefacts Inscribing Spaces RFB RFB02 Immersive City Scripts Miletus Inscriptions Social Spaces Classical Archaeology Human-Computer Interaction Digital Humanities 3D Model Immersive City Scripts – Virtual Theatre of Miletus - 3D Pin Model - RFB02 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:16633 2025-01-09T13:43:57Z user-uhh user-csmc

Sathiyamani, Sowmeya Aspiotis, Stylianos Colini, Claudia Ciotti, Giovanni Bonnerot, Olivier 2025-01-07 This poster was presented at : International Conference on the Application of Raman Spectroscopy in Art and Archaeology (RAA) 2023 Abstract The Palm-leaf Manuscript Profiling Initiative (PLMPI) project at the Centre for the Study of Manuscript Cultures (CSMC) aims at carrying out an innovative and comprehensive study of palm-leaf manuscripts by employing various non-destructive and non-invasive analytic methods that have not yet been fully or at all tested on such artifacts. The study of inks is of paramount importance to investigative matters of provenance, which remains one of the main research topics for the history of the book in South Asia. In Europe since the Middle Ages, the most common inks are iron gall inks, which are produced by the reaction between iron sulphate from natural vitriol and gall nuts extract, mixed with a binder. Such inks have been extensively studied in the last twenty years, using the non-destructive and non-invasive method developed by Hahn et al. This method involves micro X-ray fluorescence (XRF) analysis to measure the relative weight contributions of metallic sulphates characteristic of vitriol sources [1]. However, in the case of South Indian manuscripts on palm leaf, carbon inks are used, composed of carbonaceous material (soot or charcoal) mixed with water and a binder. Since the detection of light element-containing compounds, for instance H- and C-bearing, is not viable by XRF, alternative non-invasive, non-destructive and preparation-free methods, such as Raman spectroscopy that can identify hydrous and carbonaceous species, are gaining popularity among the scientific community. Moreover, Raman spectroscopy can identify both crystalline and amorphous phases and has the great ability, compared to other non-destructive analytical methods to distinguish different phases in a polyphasic material. Meanwhile, Raman spectroscopy enables the determination of the exact elemental distribution within each structure type, as vibrational phonon modes are sensitive to both structure and chemistry. As a result, the obtained information can be further matched with other codicological features (e.g. types of palm leaves, hand style of specific scribes, available paleogeographical information, etc.) and thereby promote provenance studies. So far carbon-bearing materials, particularly graphitic materials and carbonaceous nanomaterials have been thoroughly studied with Raman spectroscopy [2-3]. Therefore, it naturally appeared as a good candidate for the investigation of carbon inks. In this work, we compare the spectra obtained on mock-up samples of ink, made after antique recipes using different sources of carbon [4]. We also analyse inks from several palm-leaf manuscripts from Southern India. The investigation was conducted with two bench-top instruments (Renishaw in-via with a 532 nm laser and Horiba Jobin Yvon T64000 triple-monochromator system with a 514.5 nm green line) to check the reproducibility of the method and identify suitable conditions for distinguishing the different sources of inks depending on the spectrometer. All the spectra were fitted with pseudo-Voigt peak shape functions, to define the Raman spectral features (peak position; ω, full widths at half maximum; FWHMs, and integrated intensities) of the observed D (diamond-like) and G (graphite-like) peaks. These spectral parameters were then used: (a) to differentiate between the mock samples depending on their choice of precursors, (b) for the discrimination of various C-based inks, and (c) for the determination of the particle size of soot/carbonaceous material used for the production of C-based inks. The results clearly indicate that it is possible to distinguish between charcoal and soot-based carbon inks (Fig. 1). Additionally, it was possible to analyse the black inks present in palm leaf manuscripts under similar experimental conditions, and the results of this investigation indicate the use of soot-based carbon ink in palm leaf manuscripts with a graphite cluster diameter of 8-12 nm. https://www.fdr.uni-hamburg.de/record/16633 10.25592/uhhfdm.16633 oai:fdr.uni-hamburg.de:16633 doi:10.25592/uhhfdm.11238 doi:10.25592/uhhfdm.16632 info:eu-repo/semantics/restrictedAccess CSMC UWA Artefact profiling PLMPI Raman Spectroscopy Poster: Raman spectroscopy as a tool for analysing carbon inks from ancient palm-leaf manuscripts info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:16872 2025-02-27T11:30:29Z user-uhh user-csmc

Sargsyan, Hasmik 2024-03-18 “Armenian Lectionaries (Čašocʻ): types and developments”, From East to West: Christian Literacy in the First Millennium, Centre for the Study of Manuscript Cultures, Hamburg. https://www.fdr.uni-hamburg.de/record/16872 10.25592/uhhfdm.16872 oai:fdr.uni-hamburg.de:16872 eng doi:10.25592/uhhfdm.14494 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Armenian Lectionaries (Čašocʻ): types and developments info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14493 2025-02-27T11:23:14Z user-uhh user-csmc

Sargsyan, Hasmik 2023-07-11 “Linguistic Divergence in Armenian Bible and Lectionary Palimpsests”, Removed and Rewritten: Palimpsests and Related Phenomena from a Cross-Cultural Perspective II, Centre for the Study of Manuscript Cultures, Hamburg. https://www.fdr.uni-hamburg.de/record/14493 10.25592/uhhfdm.14493 oai:fdr.uni-hamburg.de:14493 eng doi:10.25592/uhhfdm.14492 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Linguistic Divergence in Armenian Bible and Lectionary Palimpsests info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:16894 2025-02-27T12:39:57Z user-csmc user-uhh

Bonfiglio, Emilio 2024-07-21 “(Re-)Discovering Ancient Armenian Manuscripts and Texts through Scattered Palimpsests”, International Armenological Congress, Matenadaran, Yerevan. https://www.fdr.uni-hamburg.de/record/16894 10.25592/uhhfdm.16894 oai:fdr.uni-hamburg.de:16894 doi:10.25592/uhhfdm.16893 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant "(Re-)Discovering Ancient Armenian Manuscripts and Texts through Scattered Palimpsests info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:16906 2025-02-27T12:40:01Z user-csmc user-uhh

Gippert, Jost 2024-05-13 "Archetypes in Linguistics? Schleicher’s “Stammbaumtheorie” Today". Studia stemmatologica X: Metaphérein – Theories and Methods of Stemmatology, Monte Verità. https://www.fdr.uni-hamburg.de/record/16906 10.25592/uhhfdm.16906 oai:fdr.uni-hamburg.de:16906 doi:10.25592/uhhfdm.16905 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Archetypes in Linguistics? Schleicher's "Stammbaumtheorie" Today info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:16910 2025-02-27T12:40:02Z user-csmc user-uhh

Tskhvedadze, Sandro 2024-03-18 “Georgian Gospel Lectionaries: Comparative Approaches“, From East to West: Christian Literacy in the First Millennium, Centre for the Study of Manuscript Cultures, Hamburg. https://www.fdr.uni-hamburg.de/record/16910 10.25592/uhhfdm.16910 oai:fdr.uni-hamburg.de:16910 doi:10.25592/uhhfdm.16909 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Georgian Gospel Lectionaries: Comparative Approaches info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:16930 2025-03-05T13:39:12Z user-uhh user-csmc

Kamarauli, Mariam 2022-01-01 In Proceedings of the international conference "LMT - Language and Modern Technologies 2022", Tbilisi, Georgia. https://www.fdr.uni-hamburg.de/record/16930 10.25592/uhhfdm.16930 oai:fdr.uni-hamburg.de:16930 eng doi:10.25592/uhhfdm.16929 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant A Diachronic Analysis of Definiteness in Georgian Based on the GNC info:eu-repo/semantics/article publication-article

oai:fdr.uni-hamburg.de:16948 2025-03-12T09:21:00Z user-uhh user-csmc

Gippert, Jost 2025-03-05 The Gospel of John and its Parallels (on the basis of the Eusebian canons) https://www.fdr.uni-hamburg.de/record/16948 10.25592/uhhfdm.16948 oai:fdr.uni-hamburg.de:16948 eng doi:10.25592/uhhfdm.14590 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant The Gospel of John and its Parallels (on the basis of the Eusebian canons) info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:16995 2025-03-12T09:23:59Z user-uhh user-csmc

Gippert, Jost 2025-03-12 Contents of the Georgian Mravaltavis https://www.fdr.uni-hamburg.de/record/16995 10.25592/uhhfdm.16995 oai:fdr.uni-hamburg.de:16995 eng doi:10.25592/uhhfdm.14588 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Contents of the Georgian Mravaltavis info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:16962 2025-03-05T13:38:58Z user-uhh user-csmc

Gippert, Jost 2025-03-05 The Gospel of Luke and its Parallels (on the Basis of the Eusebian Canons) https://www.fdr.uni-hamburg.de/record/16962 10.25592/uhhfdm.16962 oai:fdr.uni-hamburg.de:16962 doi:10.25592/uhhfdm.16961 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant The Gospel of Luke and its Parallels (on the Basis of the Eusebian Canons) info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:16956 2025-03-05T13:39:01Z user-uhh user-csmc

Gippert, Jost 2025-03-05 Khanmeti and Haemeti Texts https://www.fdr.uni-hamburg.de/record/16956 10.25592/uhhfdm.16956 oai:fdr.uni-hamburg.de:16956 doi:10.25592/uhhfdm.16955 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Khanmeti and Haemeti Texts info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:16018 2025-04-23T13:24:02Z user-csmc user-uhh

Gippert, Jost Dum-Tragut, Jasmine 2023-06-19 In Jost Gippert, Jasmine Dum-Tragut (eds.), Caucasian Albania. An International Handbook. Berlin / Boston: de Gruyter, v-ix. https://www.fdr.uni-hamburg.de/record/16018 10.25592/uhhfdm.16018 oai:fdr.uni-hamburg.de:16018 eng doi:10.25592/uhhfdm.16017 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Preface info:eu-repo/semantics/bookPart publication-section

oai:fdr.uni-hamburg.de:16026 2025-04-23T13:24:00Z user-csmc user-uhh

Gippert, Jost 2023-06-19 In Jost Gippert, Jasmine Dum-Tragut (eds.), Caucasian Albania. An International Handbook. Berlin / Boston: de Gruyter, 611-674. https://www.fdr.uni-hamburg.de/record/16026 10.25592/uhhfdm.16026 oai:fdr.uni-hamburg.de:16026 eng doi:10.25592/uhhfdm.16025 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant General References info:eu-repo/semantics/bookPart publication-section

oai:fdr.uni-hamburg.de:16014 2025-04-23T13:24:04Z user-csmc user-uhh

Gippert, Jost 2022-01-01 In Digital Kartvelology. The Bilingual Scientific Online Journal of the Academy for Digital Humanities 1, 5-6. https://www.fdr.uni-hamburg.de/record/16014 10.25592/uhhfdm.16014 oai:fdr.uni-hamburg.de:16014 doi:10.25592/uhhfdm.16013 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Foreword / წინასიტყვაობა info:eu-repo/semantics/article publication-article

oai:fdr.uni-hamburg.de:16886 2025-05-08T08:40:51Z user-csmc user-uhh

Bonfiglio, Emilio 2025-02-08 Response: “The Pseudo-Epiphanian Homily Ի Թաղումն Տեառն and Its Relationship with the Greek Original: The Resilience of a Disrupted Text?” by Lorenzo Colombo, and “The Armenian Acts of Thomas: Textual Transmission and Fluidity” by Mari Mamyam, graduate and early career international workshop Armenian & Byzantium V, University of Oxford. https://www.fdr.uni-hamburg.de/record/16886 10.25592/uhhfdm.16886 oai:fdr.uni-hamburg.de:16886 doi:10.25592/uhhfdm.16885 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Armenian Translations Response: "The Pseudo-Epiphanian Homily Ի Թաղումն Տեառն and Its Relationship with the Greek Original: The Resilience of a Disrupted Text?" by Lorenzo Colombo, and "The Armenian Acts of Thomas: Textual Transmission and Fluidity" by Mari Mamyam info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:16896 2025-05-08T08:38:04Z user-csmc user-uhh

Gippert, Jost 2025-01-09 “Approaching the Early Centuries. Palimpsests and Their Significance for the History of Armenian Literacy”, Association internationale des études arméniennes, XVIe Conférence générale,Université de Genève / Université de Lausanne. https://www.fdr.uni-hamburg.de/record/16896 10.25592/uhhfdm.16896 oai:fdr.uni-hamburg.de:16896 doi:10.25592/uhhfdm.16895 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant UWA manuscript written artefacts palimpsests multispectral imaging radiocarbon analysis Armenian manuscripts lectionaries hagiography Approaching the Early Centuries. Palimpsests and Their Significance for the History of Armenian Literacy info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:17531 2025-05-08T12:08:20Z user-csmc user-uhh

Kvirkvelia, Eka 2025-05-08 “Palimpsested Gospels: The History of the Georgian Text Translation”, Manuscript Cultures in the Caucasus, Centre for the Study of Manuscript Cultures, Hamburg. https://www.fdr.uni-hamburg.de/record/17531 10.25592/uhhfdm.17531 oai:fdr.uni-hamburg.de:17531 doi:10.25592/uhhfdm.17530 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant UWA Written Artefacts Georgian manuscripts Georgian palimpsests Georgian translation of the Four Gospels Khanmeti texts Haemeti texts George the Athonite Palimpsested Gospels: The History of the Georgian Text Translation info:eu-repo/semantics/lecture presentation .eJyNzLsOgjAYQOF3-edqSkGpJA4mGF0EvIAykaZUJBZpKCpifHdZnO18vpw3aCFy8PCYUOpgSslsZuMpJTYCxQoBHkFwfbKm0OC9B9yCB3ctmhHXFQcElWhZzloWNeJcdkOsWZnlHD4ING9qKbNy2AM_JZLfZMxWyX1XJTglhbs5LNxNf-0CfzsJpQpynNr7l_WILbVOj8GFE26Jo4rCZPlzL0PXmbn4afjrDR02dJahI4bONnTOX-frOXy-Z3GvMg.HaE_sw.p-aqW8qSoviS2SQj-KI2b5Sg0zI