2026-08-13T07:01:49Z https://www.fdr.uni-hamburg.de/oai2d

oai:fdr.uni-hamburg.de:1318 2020-09-10T08:45:48Z user-csmc user-uhh

Bonnerot, Olivier Shevchuk, Ivan Rabin, Ira Bonnerot, Olivier Shevchuk, Ivan Rabin, Ira 2020-07-23 XRF (Elio: 40kV, 20 µA, spot measurements of 60s each), and reflectography (DinoLite: x50 magnification, vis, NIR and UV light) analysis of inks from BNF Lat9654 from the Bibliothèque nationale de France (France). Analysis of 8 folios (13 spots on ink, 10 on parchment) Reflectography_BNFLat9654.zip - complete reflectography Dataset Results_Latin9654 XRF and reflectography results XRF_BNFLat9654.zip - complete XRF Dataset XRF_Lat9654 XRF data and processing https://www.fdr.uni-hamburg.de/record/1318 10.25592/uhhfdm.1318 oai:fdr.uni-hamburg.de:1318 eng doi:10.25592/uhhfdm.1317 info:eu-repo/semantics/restrictedAccess CSMC SFB950 Manuscript Written Artefacts BAM Bibliothèque Nationale de France Z02 X-Ray Fluorescence (XRF) UV-VIS-NIR Reflectography Bruker XGLab ELIO DinoLite USB Microscope Parchment Iron Gall Ink 10th century CE 11th century CE Latin Lotharingia Caroline minuscule X-Ray Fluorescence and Relectography Data from Paris, Bibliothèque Nationale de France, Ms Lat9654 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1326 2022-12-09T10:52:30Z user-csmc user-uhh

Bonnerot, Olivier Shevchuk, Ivan Hennings, Till Depreux, Philippe Bonnerot, Olivier Shevchuk, Ivan 2020-07-24 XRF (ARTAX: 50kV, 600 µA, linescans of 10 points of 30s each) analysis of inks from Ms Aug. Perg. 112 from the Badische Landesbibliothek, Karlsruhe (Germany). Analysis of 46 folios (54 spots on ink and 43 spots on paper). Aug Perg112.pptx XRF results and protocol AugPerg112_XRFresults.xslx XRF data processing and results XRF_AugPerg112.zip full XRF dataset MSI was also performed to recover damaged writing. Link to dataset is included in related identifier. https://www.fdr.uni-hamburg.de/record/1326 10.25592/uhhfdm.1326 oai:fdr.uni-hamburg.de:1326 eng doi:10.25592/uhhfdm.1325 info:eu-repo/semantics/restrictedAccess CSMC SFB950 Manuscript Written Artefacts Artefact Profiling BAM Badische Landesbibliothek Karlsruhe Z02 C08 X-Ray Fluorescence (XRF) Bruker ARTAX Parchment Iron Gall Ink Ink Analysis 8th century CE 9th century CE Latin X-Ray Fluorescence Data from Karlsruhe, Badische Landesbibliothek, Ms Aug. Perg. 112 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1472 2022-07-07T20:12:47Z user-csmc user-uhh

Shevchuk, Ivan Janke, Andreas 2018-07-25 Multispectral imaging of this music fragment was performed during the workshop ‘Liturgical Books and Music Manuscripts with Polyphonic Settings of the Mass in Medieval Europe’ held in Hamburg, 3–4 November 2017, at the Sonderforschungsbereich 950 ‘Manuskriptkulturen in Asien, Afrika und Europa’ (Centre for the Study of Manuscript Cultures), organised by Oliver Huck and Andreas Janke. The results are published in: Sebastian Bosch, Claudia Colini, Oliver Hahn, Andreas Janke, and Ivan Shevchuk, ‘The Atri Fragment Revisited I: Multispectral Imaging and Ink Identification’, Manuscript Cultures, 11 (2018), 141–156. Andreas Janke and Francesco Zimei, ‘The Atri Fragment Revisited II: From the Manuscript’s Context to the Tradition of the Ballata Be’llo sa Dio’, in Oliver Huck and Andreas Janke (eds.), Liturgical Books and Music Manuscripts with Polyphonic Settings of the Mass in Medieval Europe (Musica Mensurabilis, 9), Olms: Hildesheim, 2020, 135–155. The labels of the four TIF files (Figures 1–4) correspond to the 2018 publication. (published online September 8, 2020) https://www.fdr.uni-hamburg.de/record/1472 10.25592/uhhfdm.1472 oai:fdr.uni-hamburg.de:1472 url:https://www.manuscript-cultures.uni-hamburg.de/MC/articles/mc11_bosch_et_al.pdf doi:10.25592/uhhfdm.1430 doi:10.25592/uhhfdm.1471 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode CSMC SFB950 Manuscript Fragment Atri Atri fragment Archivio Capitolare Museo della Basilica Cattedrale Z01 B03 parchment 15th century CE musical notation ars nova notation Latin Italien Italy Trecento Antonio Zacara da Teramo Megavision E7 Damaged Writing Artefact Profiling Multispectral Imaging (MSI) Multispectral Imaging of Manuscript Atri, Archivio Capitolare, Museo della Basilica Cattedrale, C4-II, Frammento 17 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1585 2022-12-09T10:52:52Z user-csmc user-uhh

Bonnerot, Olivier Shevchuk, Ivan Rabin, Ira Hennings, Till Depreux, Philippe Bonnerot, Olivier Shevchuk, Ivan Rabin, Ira 2020-09-14 XRF (Elio: 40kV, 20 µA, spot measurements of 60s each), and reflectography (DinoLite: x50 magnification, vis, NIR and UV light) analysis of inks from BNF Ms LAT10757(10th century CE) and Ms NAL763 (9th century CE) from the Bibliothèque nationale de France (France). Analysis of 14 folios (32 spots on ink + 14 spots on parchment) from Ms LAT10757; 29 folios (92 spots on ink + 29 spots on paper) from Ms NAL763 LAT10757.pptx - protocol and results for BNF Ms LAT10757 LAT10757.xlsx - complete XRF results for BNF Ms LAT10757 NAL763.pptx - protocol and results for BNF Ms NAL763 NAL763.xlsx - complete XRF results for BNF Ms NAL763 Reflectography_LAT10757.zip - complete reflectography Dataset for BNF Ms LAT10757 Reflectography_NAL763.zip - complete reflectography Dataset for BNF Ms NAL763 XRF_LAT10757.zip - complete XRF Dataset for BNF Ms LAT10757 XRF_NAL763.zip - complete XRF Dataset for BNF Ms NAL763 https://www.fdr.uni-hamburg.de/record/1585 10.25592/uhhfdm.1585 oai:fdr.uni-hamburg.de:1585 eng doi:10.25592/uhhfdm.1584 info:eu-repo/semantics/restrictedAccess CSMC SFB950 Manuscript Written Artefacts Artefact Profiling BAM Bibliothèque Nationale de France Z02 C08 X-Ray Fluorescence (XRF) UV-VIS-NIR Reflectography Bruker XGLab ELIO DinoLite USB Microscope Parchment Iron Gall Ink Vermillion Ink Analysis 9th century CE 10th century CE Latin Lotharingia X-Ray Fluorescence and Reflectography Data from Paris, Bibliothèque Nationale de France, Ms LAT10757 and Ms NAL763 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:776 2020-11-13T10:56:14Z user-uhh user-csmc

Cécile Michel Eric Werner 2020-01-31 ID: AO 00338 Object type: tablet Material: clay Measurements: 11 x 9 x ? cm Provenience: Girsu (mod. Tello) Period/Date: Old Akkadian Language: Sumerian Genre: administrative (building floor plan) Museum/Collection: Louvre Museum, Paris, France CDLI: P128410 The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/776 10.25592/uhhfdm.776 oai:fdr.uni-hamburg.de:776 doi:10.25592/uhhfdm.775 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D Louvre Paris Clay Tablet 3D Scan 3D Model Cuneiform Sumerian Old Akkadian administrative document building floor plan Clay Tablet (AO 00338) from the Louvre in Paris (3D model) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:863 2021-07-06T18:55:45Z user-csmc user-uhh

Harter-Uibopuu, Kaja Eric Werner 2020-04-15 ID: MK&G1924.189 Object type: Slingshot bullet Period/Date: 2.-3. cent. BC Material: lead Measurements: 3.8 cm (width) Language: Greek Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1924.189 https://www.fdr.uni-hamburg.de/record/863 10.25592/uhhfdm.863 oai:fdr.uni-hamburg.de:863 doi:10.25592/uhhfdm.862 info:eu-repo/semantics/openAccess https://creativecommons.org/publicdomain/zero/1.0/legalcode 3D MK&G 3D Scan 3D Model UWA Written Artefacts Slingshot bullet (3D Scan, MK&G: 1924.189) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:901 2022-05-20T14:56:12Z user-uhh user-csmc

Mohammed, Hussein 2018-05-01 HAT-2 is a software tool that can be used to analyse handwriting styles. Several different handwriting styles (scribal hands) can be analysed concurrently and sorted according to their similarity to a questioned or unknown style (query). A similarity score will be calculated for each predefined style (scribal hand) to create a relative comparison between them with respect to an unknown style. The handwriting styles (scribes) do not need to be known, only discriminative labels must be used for each different style (hand). https://www.fdr.uni-hamburg.de/record/901 10.25592/uhhfdm.901 oai:fdr.uni-hamburg.de:901 eng doi:10.25592/HAT-2 doi:10.25592/uhhfdm.900 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Handwriting Analysis Software Tool Writer Identification Computer Vision Handwriting Analysis Tool v2.0 (HAT-2) info:eu-repo/semantics/other software

oai:fdr.uni-hamburg.de:914 2020-11-13T11:05:39Z user-csmc user-uhh

Cécile Michel Eric Werner 2020-04-23 ID: Sb 15077 Object type: tablet Material: clay Measurements: 6,8 x 5,1 x 1,6 cm Provenience: Susa (mod. Shush) Period/Date: Proto-Elamite (c. 3100-2900 BCE) Language: undetermined Genre: administrative Museum/Collection: Louvre Museum, Paris, France CDLI: P008003 The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/914 10.25592/uhhfdm.914 oai:fdr.uni-hamburg.de:914 doi:10.25592/uhhfdm.913 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D Louvre 3D Scan 3D Model Paris Clay Tablet Cuneiform Susa Proto-Elamite Elamite administrative document Clay Tablet (Sb 15077) from the Louvre in Paris (3D model) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:920 2021-11-18T13:05:41Z user-csmc user-uhh

Cécile Michel Eric Werner 2020-04-23 ID: AO 19225 Object type: sheet Material: metal (gold) Measurements: ? Provenience: Umma (mod. Tell Jokha?) Period/Date: Early Dynastic IIIb (c. 2500-2340 BCE) Language: Sumerian Genre: royal/monumental (witness) Museum/Collection: Louvre Museum, Paris, France CDLI: P222828 The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/920 10.25592/uhhfdm.920 oai:fdr.uni-hamburg.de:920 doi:10.25592/uhhfdm.919 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D Louvre 3D Scan 3D Model Paris Gold Cuneiform Golden Sheet (AO 19225) from the Louvre in Paris (3D model) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:891 2021-07-06T18:59:35Z user-csmc user-uhh

Harter-Uibopuu, Kaja Werner, Eric 2020-04-15 ID: MK&G 1936.20 Object type: Bread stamp Origin: Fayum (Egypt) Date/Period: Hellenistic/Roman Material: wood Measurements: 2.7 cm (height); 4.5 cm (width); 6.8 cm (depth) Language: Greek Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1936.20 The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/891 10.25592/uhhfdm.891 oai:fdr.uni-hamburg.de:891 doi:10.25592/uhhfdm.890 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D MK&G 3D Scan 3D Model UWA Written Artefacts Bread stamp (3D Scan, MK&G: 1936.20) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1043 2022-05-20T14:56:34Z user-csmc user-uhh

Hussein Mohammed 2020-06-16 The main goal of this software tool is to analyse images of writing supports in order to detect lines (such as printers marks or papyri fibres) and estimate their density. The main tasks achieved by this software tool are: Detecting lines in pre-selected orientation. Calculating min and max spacing, and density within a pre-specified length. Providing evaluation of detection accuracy for images with ground-truth information. Generating visualisation of detection histogram for manual inspection. Allowing for rotation correction and parameter change in order to optimise the detection results. The research and developement for this software was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/1043 10.25592/uhhfdm.1043 oai:fdr.uni-hamburg.de:1043 eng doi:10.25592/uhhfdm.1042 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Pattern Analysis Analysis of Writing Support Paper Production Papyri Fibres Software Tool Line Detection Tool v1.0 (LDT1) info:eu-repo/semantics/other software

oai:fdr.uni-hamburg.de:869 2021-07-06T18:46:32Z user-csmc user-uhh

Harter-Uibopuu, Kaja Werner, Eric 2020-04-15 ID: MK&G 2000.130 Object type: Herold’s staff (Kerykeion) Time/Period: 4th cent. BC Material: bronze Measurements: 18.4 cm (height); 6.3 cm (width); 1.8 cm (diameter of the shaft) Language: Greek Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 2000.130, Erworben mit Mitteln der Campe’schen Historischen Kunststiftung MKG: dc00127273 https://www.fdr.uni-hamburg.de/record/869 10.25592/uhhfdm.869 oai:fdr.uni-hamburg.de:869 doi:10.25592/uhhfdm.868 info:eu-repo/semantics/openAccess https://creativecommons.org/publicdomain/zero/1.0/legalcode 3D MKG 3D Model 3D Scan UWA Written Artefacts CSMC Herold's staff (3D Scan, MK&G: 2000.130) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:881 2021-07-06T18:48:43Z user-csmc user-uhh

Harter-Uibopuu, Kaja Werner, Eric 2020-04-15 ID: MK&G 1934.2.c Object type: Mummy label Origin: Egypt Date/Period: Hellenistic/Roman Material: wood Measurements: 3.5 cm (height); 15 cm (width); 0.7 cm (depth) Language: Greek / Demotic Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1934.2.c https://www.fdr.uni-hamburg.de/record/881 10.25592/uhhfdm.881 oai:fdr.uni-hamburg.de:881 doi:10.25592/uhhfdm.880 info:eu-repo/semantics/openAccess https://creativecommons.org/publicdomain/zero/1.0/legalcode 3D MK&G 3D Scan 3D Model UWA CSMC Written Artefacts Mummy label (3D Scan, MK&G: 1934.2.c) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:871 2021-07-06T18:45:55Z user-csmc user-uhh

Harter-Uibopuu, Kaja Werner, Eric 2020-04-15 ID: 1981.173 Object type: Oinochoe type VII (‚Eurymedon Can‘ or ‚Persian Can‘) Time/Period: Attic redfigure, c. 460 BC Material: Clay Measurements: 23.8 cm (height); 13.3 cm (diameter) Language: Greek Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1981.173, Erworben mit Mitteln der Campe’schen Historischen Kunststiftung MGK: dc00126657 https://www.fdr.uni-hamburg.de/record/871 10.25592/uhhfdm.871 oai:fdr.uni-hamburg.de:871 doi:10.25592/uhhfdm.870 info:eu-repo/semantics/openAccess https://creativecommons.org/publicdomain/zero/1.0/legalcode 3D MK&G 3D Model 3D Scan UWA Written Artefacts CSMC 'Eurymedon Can' or 'Persian Can' (3D Scan, MK&G: 1981.173) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1122 2020-11-20T17:33:01Z user-csmc user-uhh

Bonnerot, Olivier Shevchuk, Ivan Delhey, Martin Rabin, Ira Weech, Edward Charley, Nancy Bonnerot, Olivier Shevchuk, Ivan Delhey, Martin Rabin, Ira 2020-07-01 XRF (ARTAX: 50kV, 600 µA, linescans of 10 points of 20s each), and reflectography (DinoLite: x50 magnification, vis, NIR and UV light) analysis of ink on Hodgson Ms35 from the Royal Asiatic Society, London (UK) as part of SFB950 project C01. Analysis of 9 folios: 31 spots on ink, 9 on palm leaf support: Reflectography_HodgsonMS35.zip - full reflectography dataset XRF_HodgsonMS35.zip - full XRF dataset XRFprocessing_HodgsonMS35.xlsx - detailed XRF results and processing Results_Hodgson MS35.pptx - detailed reflectography and XRF results MSI was also performed to recover damaged writing. Link to dataset is included in related identifier. https://www.fdr.uni-hamburg.de/record/1122 10.25592/uhhfdm.1122 oai:fdr.uni-hamburg.de:1122 eng doi:10.25592/uhhfdm.1120 doi:10.25592/uhhfdm.1121 info:eu-repo/semantics/restrictedAccess CSMC SFB950 BAM Manuscript Written artefacts Artefact profiling Z02 C01 XRF ARTAX Reflectography DinoLite Royal Asiatic Society (RAS) Hodgson Hodgson MS 35 Palm Leaf Carbon Ink Ink analysis 19th century CE Sanskrit X-Ray Fluorescence and Reflectography Data from London, Royal Asiatic Society (RAS), Hodgson Ms 35 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9167 2021-05-28T14:17:27Z user-csmc user-uhh

Shevchuk, Ivan Bonnerot, Olivier Brockmann, Christian Hahn, Oliver 2021-05-17 Conference poster. Conference: "Archäometrie und Denkmalpflege 2018" DESY, Hamburg Multispectral Imaging and X-Ray Fluorescence in Ink Analysis and recovery of lost writing, Threse B 15 a (von 14.Juli 1482), Bibliothek des Staatsarchives, Hamburg An authentic copy of a certificate of trade privileges issued by the Kaiser Friedrich the third on 14th of July 1482 to the mayor and council of Hamburg, was analyzed. The certificate, which is stored at the state archive in Hamburg, regards regulations for shipping commercial goods on the Elbe river. This document confirms that no goods like rye, wheat, barley and other grains, as well as wine and beer, could be shipped past Hamburg’s harbor and that they had to be unloaded and traded in Hamburg instead. It also withdraws the previously granted trade privilege to Lord of Barby, also located on the Elbe river, south of Magdeburg, to ship goods past Hamburg’s harbor without paying a customs fee. Unfortunately, the legibility of the certificate of privileges is impeded locally due to severe mold damage, as the document was stored in a cold humid room. We present complementary results of ink investigation and text recovery performed by MSI and XRF techniques. Supplementary data can be found here: Multispectral Imaging Data X-Ray Fluorescence Data https://www.fdr.uni-hamburg.de/record/9167 10.25592/uhhfdm.9167 oai:fdr.uni-hamburg.de:9167 deu Verlag Deutsches Elektronen-Synchrotron doi:10.25592/uhhfdm.9169 doi:10.25592/uhhfdm.9190 doi:10.25592/uhhfdm.9166 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC SFB950 Manuscript Written Artefacts Artefact Profiling BAM Bibliothek des Staatsarchives, Hamburg Z01 Z02 Multispectral Imaging (MSI) X-Ray Fluorescence (XRF) Megavision E7 Bruker ARTAX Parchment Iron Gall Ink Damaged Writing Ink Analysis Medieval 15th century CE European Hamburg Urkunde Wiedergewinnung verlorener Schrift und Analyse der Tintenzusammensetzung der beglaubigten Kopie der Handelsprivilegien Hamburgs, Threse B 15 a (von 14.Juli 1482), Bibliothek des Staatsarchives, Hamburg info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:9186 2022-05-20T14:54:32Z user-csmc user-uhh

Hussein Mohammed 2021-05-26 This software tool has been developed by Dr. Hussein Mohammed as a part of sub-project RFA05: Pattern Recognition in 2D Data from Digitised Images and Advanced Aquisition Techniques. What is new? Better and more intuitive design Bugs fixes Main usage: The main goal of this software tool is to automatically recognise and allocate visual patterns (such as words, drawings and seals) in digitised manuscripts. The recall-precision balance of detected patterns can be controlled visually, and the detected patterns can be saved as annotations on the original images or as cropped images depending on the needs of users. Acknowledgement: The development of this software was sponsored by the Cluster of Excellence 2176 ‘Understanding Written Artefacts’, generously funded by the German Research Foundation (DFG), within the scope of the work conducted at Centre for the Study of Manuscript Cultures (CSMC). I would like to thank the following colleagues for testing this software tool and validating the results: Dr. Giovanni Ciotti (CSMC), Dr. Volker Märgner (Technische Universität Braunschweig), Dr. Agnieszka Helman-Wazny (CSMC), Dr. Isabelle Marthot-Santaniello (Universität Basel). https://www.fdr.uni-hamburg.de/record/9186 10.25592/uhhfdm.9186 oai:fdr.uni-hamburg.de:9186 eng doi:10.25592/uhhfdm.8832 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Pattern Detection Document Analysis Pattern Recognition Computer Vision Visual-Pattern Detector v1.3 (VPD1.3) info:eu-repo/semantics/other software

oai:fdr.uni-hamburg.de:9192 2021-07-06T18:38:53Z user-csmc user-uhh

Mörike, Tobias Werner, Eric 2021-05-31 ID: MK&G 1922.395 Object type: Raqqa vessel, two handed jar Origin: probably Syria, Raqqa ware Date/Period: 12-13 century, c..E., Seljuk or Mamluk era Material: glazes ceramic Measurements: 11,1 cm (height); 16,5 cm (diameter) Provenance: received in exchange Dr. Lederer Berlin Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1922.395 https://www.fdr.uni-hamburg.de/record/9192 10.25592/uhhfdm.9192 oai:fdr.uni-hamburg.de:9192 doi:10.25592/uhhfdm.9191 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D MKG 3D Model 3D Scan CSMC Written Artefacts Jar (3D-Scan, MK&G: 1922.395) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9723 2022-05-20T14:55:39Z user-csmc user-uhh

Hussein Mohammed 2021-12-03 The main goal of this software tool is to analyse tabular data generated by X-Ray Fluorescence spectrometers within the scope of analysing writing, painting, and supports materials of written artefacts. The main tasks achieved by this software tool are: Process the generated tabular data according to user-defined settings for manual inspection. Process multiple measurements per source per folio based on user selection. Calculate the average, max and min values of multiple measurements from the same folio and source. Generate a table to be used for scatter plots. Specify energy ranges to be included and excluded from the spectrum. Calculate distances between different measurements using euclidean distance measure (L2). What is new? Minor front-end improvements. The possibility to apply per-measurement subtraction in addition to the per-folio subtraction. ------------------------------------------------------------------------------ The research for this software was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/9723 10.25592/uhhfdm.9723 oai:fdr.uni-hamburg.de:9723 eng doi:10.25592/uhhfdm.969 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode XRF Data Analysis Pattern Analysis Software Tool Feature Extraction Euclidean Distance X-Ray Fluorescence Data Analysis Tool v1.5 (XRF-DAT1.5) info:eu-repo/semantics/other software

oai:fdr.uni-hamburg.de:8492 2021-07-06T19:15:52Z user-csmc user-uhh

Zollo, Roberta Werner, Eric 2021-01-08 ID: Mss Inv. Num Buck 1 Object type: Bamboo cylinder with wooden cap Origin: North Sumatra (Indonesia) Date: 20th century Material: Bamboo and wooden Measurements: length 8 cm diameter 2.5 Language/Script: Toba Batak Colection: Private collection Gerarda Buck, Schwabish Hall https://www.fdr.uni-hamburg.de/record/8492 10.25592/uhhfdm.8492 oai:fdr.uni-hamburg.de:8492 doi:10.25592/uhhfdm.8491 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D 3D-Scan Batak Written Artefacts CSMC 3D Model Buck 1 (3D Scan) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:8524 2021-05-20T21:26:51Z user-csmc user-uhh

Roberta Zollo 2021-01-15 MSS Inv. Num.: 1400:10 Object Type: Bamboo cylinder Origin: North, Sumatra (Indonesia) Date/Period: XIX- XX cent. Material: Bamboo Measurements: length 117cm; diameter 5.6cm; Language: Toba Batak Museum/Collection: Winkler collection, MARRK museum, Hamburg https://www.fdr.uni-hamburg.de/record/8524 10.25592/uhhfdm.8524 oai:fdr.uni-hamburg.de:8524 doi:10.25592/uhhfdm.8523 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode 3D 3D Scan CSMC Written Artefacts UWA Bamboo Cylinder ( 3D Scan, MARRK 1400.10) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:8849 2022-01-04T11:22:11Z user-csmc

Beit-Arié, Malachi 2021-10-21 PUBLICATIONS OF THE ISRAEL ACADEMY OF SCIENCES AND HUMANITIES Historical and Comparative Typology of Medieval Hebrew Codices based on the Documentation of the Extant Dated Manuscripts until 1540 using a Quantitative Approach טיפולוגיה של מלאכת הספר העברי ועיצובו בימי-הביניים בהיבט היסטורי והשוואתי מתוך גישה כמותית המיוסדת על תיעוד כתבי -היד בציוני תאריך עד שנת 1540 Edited by Zofia Lasman https://www.fdr.uni-hamburg.de/record/8849 10.25592/uhhfdm.8849 oai:fdr.uni-hamburg.de:8849 heb doi:10.25592/uhhfdm.8848 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Hebrew Codices Hebrew Manuscripts Comparative Typology Medieval Hebrew Codicology - קודיקולוגיה עברית info:eu-repo/semantics/book publication-book

oai:fdr.uni-hamburg.de:8890 2021-07-06T19:05:42Z user-csmc user-uhh

Werner, Eric 2021-02-27 - a concrete sigla of unknown provenance https://www.fdr.uni-hamburg.de/record/8890 10.25592/uhhfdm.8890 oai:fdr.uni-hamburg.de:8890 doi:10.25592/uhhfdm.8889 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts unknown provenance 3D Model 3D Scan Sigla (3D Scan, unknown provenance) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2386 2021-05-25T08:28:35Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 18: tsha] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-06-05T11:59:52.000ZRecord migrated: 2020-11-04T13:12:49Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000589 https://www.fdr.uni-hamburg.de/record/2386 10.25592/uhhfdm.2386 oai:fdr.uni-hamburg.de:2386 doi:10.25592/uhhfdm.2385 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 18: tsha] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2398 2021-05-20T21:25:59Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 24: ya] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-07-03T11:30:51.328ZRecord migrated: 2020-11-04T13:16:41Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000597 https://www.fdr.uni-hamburg.de/record/2398 10.25592/uhhfdm.2398 oai:fdr.uni-hamburg.de:2398 doi:10.25592/uhhfdm.2397 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 24: ya] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2108 2021-05-25T08:28:19Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 13: pa] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-05-21T13:45:43.855ZRecord migrated: 2020-11-04T13:01:44Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000227 https://www.fdr.uni-hamburg.de/record/2108 10.25592/uhhfdm.2108 oai:fdr.uni-hamburg.de:2108 doi:10.25592/uhhfdm.2107 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 13: pa] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2430 2021-05-20T21:25:48Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 37: ji] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-07-09T11:19:20.815ZRecord migrated: 2020-11-04T13:56:36Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000613 https://www.fdr.uni-hamburg.de/record/2430 10.25592/uhhfdm.2430 oai:fdr.uni-hamburg.de:2430 doi:10.25592/uhhfdm.2429 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 37: ji] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:1863 2022-05-20T14:55:39Z user-uhh user-csmc

Hussein Mohammed 2020-10-23 The main goal of this software tool is to analyse tabular data generated by X-Ray Fluorescence spectrometers within the scope of analysing writing, painting, and supports materials of written artefacts. The main tasks achieved by this software tool are: Process the generated tabular data according to user-defined settings for manual inspection. Generate a table to be used for scatter plots. Calculate distances between different measurements using Euclidean distance measure (L2). Process multiple measurements per source per folio based on user selection. Calculate the average, max and min values of multiple measurements from the same folio and source. Specify energy ranges to be included and excluded from the spectrum. What is new? Bug fixes which were required after latest browser update. ------------------------------------------------------------------------------ The research for this software was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures’, project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. https://www.fdr.uni-hamburg.de/record/1863 10.25592/uhhfdm.1863 oai:fdr.uni-hamburg.de:1863 eng doi:10.25592/uhhfdm.969 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode XRF Data Analysis Pattern Analysis Software Tool Feature Extraction Euclidean Distance X-Ray Fluorescence Data Analysis Tool v1.3.1 (XRF-DAT1.3.1) info:eu-repo/semantics/other software

oai:fdr.uni-hamburg.de:2394 2021-05-25T08:17:36Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 22: za] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-06-25T10:56:33.835ZRecord migrated: 2020-11-04T13:15:30Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000595 https://www.fdr.uni-hamburg.de/record/2394 10.25592/uhhfdm.2394 oai:fdr.uni-hamburg.de:2394 doi:10.25592/uhhfdm.2393 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 22: za] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2442 2021-05-20T21:25:54Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 43: pi] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-07-10T13:50:00.686ZRecord migrated: 2020-11-04T14:00:41Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000619 https://www.fdr.uni-hamburg.de/record/2442 10.25592/uhhfdm.2442 oai:fdr.uni-hamburg.de:2442 doi:10.25592/uhhfdm.2441 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 43: pi] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:2446 2021-05-20T21:25:43Z user-csmc user-uhh

Helmholz, Karsten CSMC Almogi, Orna 2014-04-22T10:24:58.636Z GENERAL Shelfmark: naLibrary, Location: Pagar MonasteryCONTENT Author: na (STM)Title: rNying ma rgyud 'bum [Vol. 45: bi] (STM)Subjects: Buddhist Tantric LiteratureComment: A para-canonical collection containing the Tantric literature of the rNying ma school of Tibetan Buddhism. Similar to the other known 46-volume Bhutanese editions of the rNying ma rgyud 'bum.PHYSICAL DESCRIPTION Cover, Binding: looseMaterials, Support: paperFormat: width=63.0cm; height=17.0cmNumber of Volumes: 46Inks, Colours: black ink (main text), red ink (frames), golden ink (fol. 1v of each vol.)Comment: Apart from the first few folios, 7 lines per page.PRODUCTION / PROVENANCE / HISTORY Date: probably 18th centuryLanguage / Script: Tibetan / TibetanComment: In 29.02.2012 big portions of the Pagar Monastery were destroyed by fire and with it also this rNying ma rgyud 'bum set.SERVICE DATA Record created: 2014-04-22T10:24:58.636ZRecord modified: 2014-07-10T15:12:58.658ZRecord migrated: 2020-11-04T14:02:08Creator: Almogi, OrnaMigrated from: sfb_mssentry_00000621 https://www.fdr.uni-hamburg.de/record/2446 10.25592/uhhfdm.2446 oai:fdr.uni-hamburg.de:2446 doi:10.25592/uhhfdm.2445 info:eu-repo/semantics/closedAccess CSMC Manuscript Buddhist Tantric Literature rNying ma rgyud 'bum [Vol. 45: bi] info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10152 2022-09-21T10:36:49Z user-csmc

Dr. Katrin Janz-Wenig Eric Werner 2022-04-27 3D object (SUB, Cod.Var.25) https://www.fdr.uni-hamburg.de/record/10152 10.25592/uhhfdm.10152 oai:fdr.uni-hamburg.de:10152 doi:10.25592/uhhfdm.10151 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan 3D object (SUB, Cod.Var.25) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10635 2022-09-21T10:36:49Z user-csmc

Dr. Katrin Janz-Wenig Eric Werner 2022-04-27 3D object (SUB, Cod.Var.25) https://www.fdr.uni-hamburg.de/record/10635 10.25592/uhhfdm.10635 oai:fdr.uni-hamburg.de:10635 doi:10.25592/uhhfdm.10151 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan 3D object (SUB, Cod.Var.25) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:11173 2023-01-23T13:13:26Z user-csmc

Bonnerot, Olivier Hennings, Till Bonnerot, Olivier 2022-12-08 XRF (Elio: 40kV, 80 µA, spot measurements of 120s each) and reflectography (DinoLite: x50 magnification, vis, NIR and UV light) analysis of inks from 37 Emmeran charters kept at the Bayerisches Hauptstaatsarchiv (München) (9th-12th century CE). Emmeran charters_reflectography.zip - complete reflectography dataset Emmeran charters_XRF.zip - complete XRF dataset Messpunkte Emmeram.docx - list of spots analysed (in German) Protocols Staatsarchiv München.pptx - Protocol (part 1/2) Protocols Staatsarchiv München2.pptx - Protocol (part 2/2) Report_Emmeran Charters.docx - detailed report https://www.fdr.uni-hamburg.de/record/11173 10.25592/uhhfdm.11173 oai:fdr.uni-hamburg.de:11173 eng doi:10.25592/uhhfdm.11172 info:eu-repo/semantics/restrictedAccess CSMC UWA Manuscript Written Artefacts Artefact Profiling Bayerisches Hauptstaatsarchiv (München) RFK02 RFE08 X-Ray Fluorescence (XRF) UV-VIS-NIR Reflectography Bruker XGLab ELIO DinoLite USB Microscope Parchment Charters Iron Gall Ink Emmeran Latin 9th century CE 10th century CE 11th century CE 12th century CE Medieval X-Ray Fluorescence and Reflectography Data from Munich, Bayerisches Hauptstaatsarchiv (München) Emmeran charters info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10154 2023-02-02T09:13:51Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-04-27 3D object (SUB, Cod.Var.24) https://www.fdr.uni-hamburg.de/record/10154 10.25592/uhhfdm.10154 oai:fdr.uni-hamburg.de:10154 doi:10.25592/uhhfdm.10153 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan 3D object (SUB, Cod.Var.24) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:11234 2023-02-02T09:12:08Z user-csmc user-uhh

Hussein Mohammed 2023-01-21 A dataset of seals in Arabic manuscripts has been created for the task of pattern detection from the publicly available images of the “Staatsbibliothek zu Berlin” here. Only seals with a minimum of 4 occurrences in different images have been selected, resulting in 8 different seals and 77 images in total. The dataset has been split into three sub-sets (train, validation, test) in order to follow the standard procedure followed by modern deep-learning models. Furthermore, each image has one corresponding ".xml" file containing the annotation information of seals in that image using the Pascal Voc format. The research for this work was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany's Excellence Strategy – EXC 2176 ‘Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures', project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. In addition, we thank Aneta Yotova for annotating the samples in this dataset. https://www.fdr.uni-hamburg.de/record/11234 10.25592/uhhfdm.11234 oai:fdr.uni-hamburg.de:11234 eng doi:10.25592/uhhfdm.11233 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Object Detection Pattern Detection Computer Vision Detection Dataset Dataset of Seals in Arabic Manuscripts (SAM) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10401 2023-02-23T20:29:25Z user-csmc user-uhh

Bonnerot, Olivier Simpson, Julianne Duff, Jim Riley Jones, Gwen Bonnerot, Olivier 2022-08-10 XRF (Elio: 40kV, 80 µA, spot measurements of 60s each) analysis of inks from wood blocks and prints from the Rylands Library, Manchester Results_Rylands_WoodBlockPrints.pptx - detailed results XRF_spectra.zip - complete XRF Dataset XRF_Spots_Snapshots.zip - Snapshots of the spots analysed https://www.fdr.uni-hamburg.de/record/10401 10.25592/uhhfdm.10401 oai:fdr.uni-hamburg.de:10401 eng doi:10.25592/uhhfdm.10400 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC SFB950 Manuscript Written Artefacts Artefact Profiling BAM Rylands Library Z02 X-Ray Fluorescence (XRF) Bruker XGLab ELIO Iron Gall Ink Carbon Ink Printing Ink Printing Wood Blocks Movable Type Prints Wood Paper Ink Analysis X-Ray Fluorescence Data from analysis of inks of wood blocks and prints from the Rylands Library, Manchester info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:12426 2023-06-05T20:20:55Z user-csmc user-uhh

Bonnerot, Olivier Del Mastro, Gianluca Hammerstaedt, Jürgen Mocella, Vito Rabin, Ira 2023-06-05 XRF Ink analysis of selected fragments from the Herculaneum collection Hundreds of papyrus rolls, carbonized during the 79CE eruption of Mount Vesuvius, were discovered in 1754 at Herculaneum. Sophisticated mechanical methods for unrolling the best-preserved scrolls have been applied, with varying success. However, such processes have been abandoned, to prevent risk from irremediable damage or loss and to preserve the integrity of the extremely fragile rolls. Following the development of X-ray based non-invasive techniques, attempts to virtually unroll the scrolls were made. The most common ink in Antiquity was carbon-based, and the main element of carbonized papyrus is carbon, making these investigations difficult. However, some attempts with synchrotron X-ray phase-contrast tomography (XPCT) were successful. Recently, the identification of antique inks containing metals raised hope that if some of the inks contain metal the rolls can be virtually unrolled using conventional CT- technique. We investigated the inks of a selection of partially unrolled fragments stored at the Biblioteca Nazionale di Napoli with X-ray fluorescence in order to select the best candidates for tomography. Despite the many difficulties (analysis of several layers sticking together, letters barely visible, difficulty to separate contribution from the ink and from the papyrus, inhomogeneity of the support, fragility of the fragments…), encouraging results were found, with a number of inks from Greek fragments found to contain additions to the soot (Fe, Pb, Cu P). https://www.fdr.uni-hamburg.de/record/12426 10.25592/uhhfdm.12426 oai:fdr.uni-hamburg.de:12426 eng doi:10.25592/uhhfdm.12425 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA Manuscript Written Artefacts Artefact Profiling BAM Biblioteca Nazionale di Napoli RFA13 X-Ray Fluorescence (XRF) Bruker XGLab ELIO Papyrus Herculaneum Ink analysis Carbon ink Mixed ink Greek ISA 2020/2022 presentation: XRF Ink analysis of selected fragments from the Herculaneum collection info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:11829 2023-05-31T11:12:59Z user-csmc user-uhh

Maksimczuk 2023-03-21 This dataset contains further information referenced in the the following article: José Maksimczuk, The Anonymus Harvardianus, Alessandro Bondino (Alias Ἀλέξανδρος Ἀγαθήμερος), and the Role of the Manuscript Napoli III D 37 in Some Editiones Principes of Aristotelian Works. Parekbolai 13 (2023). Content description: An pr text in Aldina 24a10-25a13 comparison with Neap. and Pal..pdf An pr text in Aldina 26b21 27b19 and 28b15 29b28 comparison with Neap. and Palat..pdf: Text of the Aldina compared with Neap. III D 37 and Palat. 74. Black text = text in Aldina and Palat. 74 (and occasionally Neap. III D 37); orange text = text in Aldina and Neap. III D 37 (but not in Palat. 74); green text = text in Aldina but not in Neap. III D 37 or Palat. 74. Diagram list.pdf: List of manuscripts witnessing the diagram περὶ εὐπορίας προτάσεων. FURTHER MATERIAL ANONYMUS HARV.pdf: Collations of Aldina on the basis of the OCT edition of An. pr., compared with Neap. III D 37 and Palat. 74. Further information about the diagram περὶ εὐπορίας προτάσεων. https://www.fdr.uni-hamburg.de/record/11829 10.25592/uhhfdm.11829 oai:fdr.uni-hamburg.de:11829 eng doi:10.25592/uhhfdm.11828 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Parekbolai 13 CSMC Manuscript Written Artefact UWA RFD07 Aristotle José Maksimczuk 'The Anonymus Harvardianus' – Additional data info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:12513 2023-06-09T08:53:36Z user-uhh user-csmc

Creydt, Marina Ludwig, Lea Köhl, Michael Fromm, Jörg Fischer, Markus 2023-06-08 In this study, 10 samples of cedrela (Cedrela odorata) from the Belize region (Rio Bravo, coordinate: 17°56´07.4"N 88°47’30.5"W; Quiche Ha, coordinate: 17°28’37.2"N 88°15’41.8"W) on the east coast of Central America and 11 samples from Suriname (coordinate: 5°25’00.0"N 55°48’00.0"W) on the northeast coast of South America were utilized. The two locations have a geographical distance of approximately 3900 km. The elevation of the different sample locations is relatively identical and is app. 3 m.a.s.l.. Climatic data are also relatively similar (Belize, mean annual temperature: 26 °C; annual precipitation: 2013 mm; rainy season: june- december; Suriname, mean annual temperature: 27 °C; annual precipitation: 2068 mm; rainy season: april-july, december-january). Heartwood samples were taken from the trunk of the trees at a height of 50 cm and harvested in 2016 and 2019 All the samples were first pre-dried at room temperature, so that enzymatic processes or further chemical reactions were largely prevented, and no changes should result from the different harvest times. Furthermore, the samples were later freeze-dried for 24 h to ensure a comparable water content and to avoid further metabolic changes. The samples were stored at -20 °C until extraction. Data set The samples were measured with four different LC-MS methods, so that four data sets were obtained accordingly. The naming of the data sets contains information about the polarity of the analytes, due to the chromatographic column (polar and nonpolar) as well as the ionization mode of the MS (positive and negative). Link to the paper: https://doi.org/10.1016/j.chroma.2021.461993 https://www.fdr.uni-hamburg.de/record/12513 10.25592/uhhfdm.12513 oai:fdr.uni-hamburg.de:12513 eng doi:10.1016/j.chroma.2021.461993 doi:10.25592/uhhfdm.12512 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA Artefact Profiling RFA14 Non-targeted mass spectrometry Metabolomics Extraction Wood Illegal logging Geographical origin Wood profiling by non-targeted high-resolution mass spectrometry: Part 1, Metabolite profiling in Cedrela wood for the determination of the geographical origin info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:13381 2023-09-22T06:52:48Z user-csmc

Heiles, Marco Zeppezauer-Wachauer, Katharina 2023-09-22 Poster zur MHDBDB-Textreihentypologie für die Tagung "Archäologie der Handschrift – Erschließung, Präsentation und Forschung im digitalen Raum", Freiburg im Breisgau, 9.-11.Oktober 2023. https://www.fdr.uni-hamburg.de/record/13381 10.25592/uhhfdm.13381 oai:fdr.uni-hamburg.de:13381 doi:10.25592/uhhfdm.13379 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA RFK RFK03 Magical Written Artefacts MHDBDB-Textreihentypologie Textreihen text series genre German literature Middle High German literature Early New High German literature Poster: MHDBDB-Textreihentypologie. Ein kontrolliertes SKOS-Vokabular zur Annotation mediävistischer Datenbestände info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:1430 2023-10-24T15:21:56Z user-csmc user-uhh

Bosch, Sebastian Colini, Claudia Janke, Andreas 2018-07-25 Scientific analysis of this fragment was performed during the workshop ‘Liturgical Books and Music Manuscripts with Polyphonic Settings of the Mass in Medieval Europe’ held in Hamburg, 3–4 November 2017, at the Sonderforschungsbereich 950 ‘Manuskriptkulturen in Asien, Afrika und Europa’ (Centre for the Study of Manuscript Cultures), organised by Oliver Huck and Andreas Janke. The results are published in: Sebastian Bosch, Claudia Colini, Oliver Hahn, Andreas Janke, and Ivan Shevchuk, ‘The Atri Fragment Revisited I: Multispectral Imaging and Ink Identification’, Manuscript Cultures, 11 (2018), 141–156. Andreas Janke and Francesco Zimei, ‘The Atri Fragment Revisited II: From the Manuscript’s Context to the Tradition of the Ballata Be’llo sa Dio’, in Oliver Huck and Andreas Janke (eds.), Liturgical Books and Music Manuscripts with Polyphonic Settings of the Mass in Medieval Europe (Musica Mensurabilis, 9), Olms: Hildesheim, 2020, 135–155. All data uploaded here was recorded with the following instruments.The measuring spots are indicated in the tif files: “Atri_spots_recto.tif” and “Atri_spots_verso.tif”. ELIO: folder “raw”: raw spectra recorded with the portable XRF spectrometer ELIO (XGLab S.R.L., Italy, software version 1.5.7.7) as a project file (Atri_HamburgNov2017.xga) and as individual spx files; rtx file (“Atri_ELIO_ev”) with assigned elements and net inetnsity values evaluated by SPECTRA software, ARTAX 7.2.5.0 (Bruker Nano GmbH, Germany); xls file (“Atri_ELIO_results”) with net intensity values: opj file (“Atri_ELIO”) containing plotted and evaluated data (software OriginPro 2018G version b9.5.0.193) EXACT: folder “raw”: raw spectra (xlsx files) recorded with the portable visible reflectance spectrometer EXACT (X-rite GmbH, Germany); opj file (“Atri_EXACT”) containing plotted and evaluated data (software OriginPro 2018G version b9.5.0.193) (published online August 20, 2020) https://www.fdr.uni-hamburg.de/record/1430 10.25592/uhhfdm.1430 oai:fdr.uni-hamburg.de:1430 url:https://www.csmc.uni-hamburg.de/publications/mc/files/articles/mc11-bosch-et-al.pdf doi:10.25592/uhhfdm.1472 doi:10.25592/uhhfdm.1429 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode CSMC SFB950 Manuscript Fragment Artefact Profiling Written Artefacts Atri Atri fragment Archivio Capitolare Museo della Basilica Cattedrale Z02 B03 Mobile Lab non-invasive non-destructive Visible Reflectance Spectroscopy VIS EXACT X-ray Fluorescence Spectroscopy XRF ELIO parchment iron-gall ink cinnabar vermillion HgS fingerprint model water damage 15th century CE musical notation ars nova notation Latin Italy Italian Trecento Antonio Zacara da Teramo Scientific Analysis of Manuscript Atri, Archivio Capitolare, Museo della Basilica Cattedrale, C4-II, Frammento 17 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:13099 2023-10-26T07:37:30Z user-csmc user-uhh

Sylvia Melzer Haiyan Hu-von Hinüber 2023-07-14 The humanities meet computer science to create new synergies using computer vision and natural language processing. Aim & Scope Historians are increasingly using technologies to evaluate digitised texts in a machine-readable way, as well as techniques from the field of natural language processing (NLP) to analyse the content and context of language in written artefacts. These techniques can be used to analyse large corpora and identify patterns. In general, however, these methods often use training data from current rather than historical data. The use of these methods can lead to biases in the historical record, incurring the risk of false inferences about history. Therefore, the methods used should be fully investigated to account for any biases. In this DL workshop, the challenges of applying computer vision and NLP techniques in the humanities, and first solutions to them, will be presented. This entry includes the following presentations from the first Data Linking Workshop 2023: Computer Vision and Natural Language Processing – Challenges in the Humanities Pepper, Welcome (download text, download presentation) Eva Wilden, Charles Li: Tamilex -- Digital Lexicography (download presentation) Stefan Baums, Stephen White: Computer Vision and Kharoṣṭhī Paleography (download presentation) Oskar von Hinüber, Haiyan Hu-von Hinüber, Sylvia Melzer: What the Buddhological Epigraphy can expect from the AI: The Information System "Buddhist Bronzes Inscriptions" (download presentation) Kathrin Holz: The Proto-Śāradā Project: Towards the edition of a new collection of administrative letters and documents from pre-modern South Asia (download presentation) Ines Konczak-Nagel, Erik Radisch: The Kucha Mural Information System: Taxonomy and Semi-Automated Image Recognition (download presentation 1, download presentation 2) Ralf Möller: Aligned AI and the role of the humanities: Training AI systems using human feedback (download presentation) Isabelle Marthot-Santaniello: The application of NLP in combination with Computer Vision for analysing ancient Greek handwritings on papyri (download presentation) Olga Serbaeva: Some features of the 17th century Newārī script: READ-based statistical approach to palaeography (download presentation) Lena Hinrichsen: OCR technologies in research practice (download presentation) Oliver Hellwig: Web-based information systems for Indian scripts and texts (download presentation) Simon Schiff, Ralf Möller: Persistent Data, Sustainable Information (download presentation) Hamid Reza Hakimi, Lisa Mischer, Tariq Yousef, Maxim Romanov: Finding and Linking Information in Arabic Historical Texts (download presentation) Sylvia Melzer: Building Information Systems on Demand with ChatGPT? (download presentation) Martin Braun, Hannes Fellner, Bernhard Koller: A Digital Paleography of Tarim Brahmi (download presentation) Hussein Mohammed: Computer vision beyond OCR: potentials and challenges for the study of written artefact (download presentation) Pepper, Bye (download text, download presentation) https://www.fdr.uni-hamburg.de/record/13099 10.25592/uhhfdm.13099 oai:fdr.uni-hamburg.de:13099 eng doi:10.25592/uhhfdm.10769 doi:10.25592/uhhfdm.9672 doi:10.25592/uhhfdm.12923 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode UWA CSMC Data Linking RFF AI Natural Language Processing NLP Computer Vision CV CHAI Humanities Indology Data Linking Workshop 2023: Computer Vision and Natural Language Processing – Challenges in the Humanities info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:13519 2023-11-01T12:07:45Z user-csmc user-uhh

Bosch, Sebastian 2023-10-25 Scientific analysis was performed with mobile instruments in February (2 days) and August (5 days) 2018 at the Museum für Kunst und Gewerbe Hamburg (MKG). The results were first presented during the international conference ‘Farbfassungen auf Goldschmiedearbeiten’ held in Dresden, 14–16 November 2018, at the Hans-Nadler-Saal, Residenzschloss, organised by Theresa Witting and Ulrike Weinhold. The results are published in the conference proceedings ‘Farbfassungen auf Gold und Silber / Paints on Gold and Silver’ issued by Theresa Witting and Ulrike Weinhold. All data uploaded here was recorded with the following instruments. The measuring spots are indicated in the pdf files: “01_Servatius_spots.pdf” and “02_Johannes_spots.pdf”. 03_ELIO: folder “01_raw”: raw spectra recorded with the portable XRF spectrometer ELIO (XGLab S.R.L., Italy, software version 1.5.7.7) as project files (Servatiusplatten.xga and Servatiusplatten2.xga) and as individual spx and txt files; folder “02_ev_spx”: evaluated spx files with assigned elements and net inetnsity values evaluated by SPECTRA software, ARTAX 7.2.5.0 (Bruker Nano GmbH, Germany); folder “03_results_csv”: exported csv files with net intensity values: folder “04_opju”: opju files containing plotted and evaluated data (software OriginPro 2018G version b9.5.0.193). 04_IRAMAN: folder “01_raw”: raw spectra (spc files) recorded with the portable Raman spectrometer i-Raman Plus 785S (B&W Tek, Newark, US); folder “02_opju”: opju files containing plotted and evaluated data (software OriginPro 2018G version b9.5.0.193). https://www.fdr.uni-hamburg.de/record/13519 10.25592/uhhfdm.13519 oai:fdr.uni-hamburg.de:13519 eng doi:10.11588/arthistoricum.864.c11230 doi:10.25592/uhhfdm.13521 doi:10.25592/uhhfdm.13518 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC SFB950 Artefact Profiling HALM Museum für Kunst und Gewerbe MKG goldsmith work Z02 Mobile Lab non-invasive non-destructive Raman Spectroscopy i-Raman Plus 785S X-ray Fluorescence Spectroscopy XRF ELIO gold silver polychrome pigment cinnabar vermillion HgS lead white St. Servatius John the Evangelist Scientific Analysis of two Sacral Examples of Goldsmiths' Art (Inv.-Nr. 1879.320 and 1885.1195 a-h) in the Museum für Kunst und Gewerbe Hamburg (MKG). info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9569 2023-10-26T07:32:53Z user-csmc user-uhh

Sylvia Melzer Simon Schiff Ralf Möller 2021-05-17 In this paper, an approach for combining different document representations to support retrieval systems to deliver similar documents from different views is presented. The dataset used for this paper contribution is documented in 03_test-corpus.zip. https://www.fdr.uni-hamburg.de/record/9569 10.25592/uhhfdm.9569 oai:fdr.uni-hamburg.de:9569 eng url:https://journals.flvc.org/FLAIRS/article/view/128528/130050 url:https://www.flairs-34.info/program doi:10.25592/uhhfdm.9568 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA Data Linking DL01 complementary information retrieval latent semantic indexing holistic representation Complementary Document Representations for Information Retrieval info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:13718 2023-12-18T17:33:02Z user-csmc user-uhh

González Martínez, Alicia Kinne-Wall, Carolin Sidky, Hythem Chahine, Nadine Fedeli, Alba 2023-11-15 InterSaME Project Materials v1.0 These materials are part of the outputs of the AHRC-DFG project ‘The intertwined world of the oral and written transmission of sacred traditions in the Middle East’ (InterSaME). The project investigated the representation of oral traditions in Arabic Qur’ans, Syriac Bibles, and Arabic transcriptions of the Hebrew Bible. The Qur’anic strand, led by Alba Fedeli at Universität Hamburg, generated tools for and data from the edition of Qur’anic manuscripts as follows: 1- Alba Fedeli, Editions of Early Partially Dotted Qur’anic Manuscripts (download). The editions with editorial notes by Alba Fedeli have been created in several formats with technical support by Alicia González Martínez and Carolin Kinne-Wall: in plain text in Sublime (editions nos. 1 and 5); in XML in the editorial environment of ArQuM and in Json (editions no. 2-4, 6-8) for their mapping and statistical analysis by applying the script designed for this specific purpose (see material no. 4); in XML in the editorial environment of ArQuM using also the pointer for the encoding of the dots through a two vector position (editions no. 9-13) for their analysis and visualization (see material no. 5); 2- Alicia González Martínez, InterSaME Keyboard Layout (description and installation file for Microsoft, download). The InterSaME keyboard layout for transcribing aims at including all the symbols used in editing the manuscript text directly as keys in the keyboard according to the encoding system developed by Fedeli; 3- Alicia González Martínez, InterSaME Data Pipeline (download). The package contains all the scripts for the conversion of the Arabic text into Latin characters and symbols according to the system developed by Fedeli for the encoding of diacritics and dot positions and for the alignment of the manuscript text with the base text in order to process the data; 4- Hythem Sidky, Script for Diacritic Analysis of Qur’anic Manuscripts (download). The aim of the script developed by Sidky is the statistical analysis of the contextual distribution of diacritics (both consonantal diacritics and vowel dots) applied to data from InterSaME editions of Qur’anic manuscripts; 5- Hythem Sidky, Script for Dot Visualization (download). The aim of the script developed by Sidky is to provide a reconstructed visualization of dot positions generated by means of a pointer in the editorial environment that merges image annotation and text encoding. The reconstructed visualization of the dot positions enables the scholar to explore the function of dots; 6- Carolin Kinne-Wall, Alba Fedeli, Hythem Sidky and Alicia González Martínez, InterSaME Docker Image (download). The docker container provides the customization of Archetype software for the editing and image annotation of Qur’anic manuscripts. The implementation includes the pointer tool for the encoding of dots according to a two-vector position and the whole tagging system structured by Fedeli for editing the manuscript lacunae, subdivisions of the text and disagreement of the manuscript text against the base text; 7- Nadine Chahine, Alba Fedeli and Carolin Kinne-Wall, Table of ArQuM Font (download). The table displays an Arabic typeface for the editing of early Qur’anic manuscripts (in early Abbasid script style) developed by Nadine Chahine in collaboration with Fedeli and Kinne-Wall. Acknowledgement The research project was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) and the Arts and Humanities Research Council (AHRC). Principal investigators were Alba Fedeli (Universität Hamburg) and Geoffrey Khan (University of Cambridge). The German team of Universität Hamburg worked on the Qur’an manuscript material and the British team of the University of Cambridge investigated Syriac and Hebrew Bible manuscripts. The German team was hosted at the Asia Afrika Institute and the Centre for the Study of Manuscript Cultures at Universität Hamburg. The docker container is a customization of Archetype software (previously called "the DigiPal framework"), a generic, open-source software framework for the analysis and presentation of palaeographical and related materials and texts. It was first developed as part of the Digital Resource and Database for Palaeography, Manuscript Studies and Diplomatic (DigiPal), a project funded by the European Research Council to bring digital technology to bear on the scholarly discussion of medieval handwriting. Later, the software was maintained by the King’s Digital Lab at King’s College London. https://www.fdr.uni-hamburg.de/record/13718 10.25592/uhhfdm.13718 oai:fdr.uni-hamburg.de:13718 eng doi:10.25592/uhhfdm.13717 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Qur'anic Manuscripts Digital Paleography Software Tool Digital editing Writing Systems Manuscript Studies Vowel Dots InterSaME Project Materials info:eu-repo/semantics/other other

oai:fdr.uni-hamburg.de:10064 2024-02-21T13:03:26Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-03-02 3D Cuneiform tablet (SUB, Cod.Var.8) https://www.fdr.uni-hamburg.de/record/10064 10.25592/uhhfdm.10064 oai:fdr.uni-hamburg.de:10064 doi:10.25592/uhhfdm.10063 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan Cuneiform tablet 3D Cuneiform tablet (SUB, Cod.Var.8) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10058 2024-02-21T13:03:29Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-03-02 3D object (SUB, Cod.Var.10) https://www.fdr.uni-hamburg.de/record/10058 10.25592/uhhfdm.10058 oai:fdr.uni-hamburg.de:10058 doi:10.25592/uhhfdm.10057 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan Cuneiform tablet Cuneiform tablet (SUB, Cod.Var.10) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10052 2024-02-21T19:58:26Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-03-02 3D object of a mummy label (SUB, Cod.Var.13). https://www.fdr.uni-hamburg.de/record/10052 10.25592/uhhfdm.10052 oai:fdr.uni-hamburg.de:10052 doi:10.25592/uhhfdm.10051 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan Mummy label (SUB, Cod.Var.13) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10076 2024-02-21T19:58:33Z user-csmc user-uhh

Dr. Katrin Janz-Wenig Eric Werner 2022-03-02 3D object of a mummy label (SUB, Cod.Var.15a). https://www.fdr.uni-hamburg.de/record/10076 10.25592/uhhfdm.10076 oai:fdr.uni-hamburg.de:10076 doi:10.25592/uhhfdm.10075 info:eu-repo/semantics/openAccess http://www.opendefinition.org/licenses/cc-zero 3D CSMC UWA Written Artefacts SUB 3D Model 3D Scan Mummy label (SUB, Cod.Var.15a) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:14068 2024-02-21T13:03:10Z user-csmc user-uhh

Heiles, Marco 2024-02-16 Kurzbeschreibung der Handschrift Lübeck, Stadtbibliothek, Ms. hist. 8° 1a zur Ergänzung des Handschriftencensus. Nur die deutschsprachigen und latinischdeutschen Texten wurden einzeln erfasst. https://www.fdr.uni-hamburg.de/record/14068 10.25592/uhhfdm.14068 oai:fdr.uni-hamburg.de:14068 deu doi:10.25592/uhhfdm.14067 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA manuscript description German manuscript 15th Century SFB 950 Handschriftenbeschreibung Lübeck, Stadtbibliothek, Ms. hist. 8° 1a info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:10281 2024-02-27T07:12:40Z user-csmc user-uhh

Bonnerot, Olivier Nosnitsin, Denis Bonnerot, Olivier Nosnitsin, Denis 2022-07-14 XRF (Artax: 50kV, 600 µA, linescans of 10 points of 50s each each) and reflectography (DinoLite: x50 magnification for spots on ink and pigment, vis, NIR and UV light) analysis of inks and pigments from Ethiopian manuscript CHJN003. CHJN003_report.pdf - detailed report CHJN003_reflectography.zip - complete reflectography Dataset CHJN003_XRF.zip - complete XRF Dataset https://www.fdr.uni-hamburg.de/record/10281 10.25592/uhhfdm.10281 oai:fdr.uni-hamburg.de:10281 eng doi:10.25592/uhhfdm.10280 info:eu-repo/semantics/restrictedAccess CSMC UWA Manuscript Written Artefacts Artefact Profiling BAM RFA13 X-Ray Fluorescence (XRF) UV-VIS-NIR Reflectography Bruker ARTAX DinoLite USB Microscope Parchment Carbon Ink Red Ink Mixed Ink Vermillion Orpiment Pigment Identification Ink Analysis Damaged Writing Ethiopian X-ray Fluorescence and reflectography data of Ethiopian manuscript CHJN003 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9856 2024-02-27T11:36:50Z user-csmc user-uhh

Droese, Janine Helmholz, Karsten 2022-01-28 The album is kept in the Stadtgeschichtliches Museum Leipzig (accession number A/810/2007). It has been digitised at the CSMC as part of the project ‘Creating Music Albums as Originals Made of Originals’. The album measures 19,5 × 12,5 cm (landscape) and has a green, black and gold cardboard cover with the title “Album” on the front cover, ornamental decorations and floral endpapers. It belonged to Ernst Emshoff. LICENSE Any publication of the images online, in print or any other media format, requires written permission by Stadtgeschichtliches Museum Leipzig. By downloading the images you agree to these terms. https://www.fdr.uni-hamburg.de/record/9856 10.25592/uhhfdm.9856 oai:fdr.uni-hamburg.de:9856 doi:10.25592/uhhfdm.9855 info:eu-repo/semantics/openAccess CSMC Written Artefact Manuscript UWA Musicology RFC04 Music Album Stadtgeschichtliches Museum Leipzig Friendship album 19th century Stammbuch Album of Ernst Emshoff, Stadtgeschichtliches Museum Leipzig, A/810/2007 (1891–1894) info:eu-repo/semantics/other image-photo

oai:fdr.uni-hamburg.de:9696 2024-02-28T20:31:04Z user-csmc user-uhh

Sylvia Melzer Oliver C. Eichmann Hongxu Wang Ralf God 2021-11-11 In this paper and presentation, we present a model-based best practice approach for the digitization and early validation of enterprise processes that allows the integration of real databases into SysML simulations. The paper was submitted for review and accepted for the Tag des Systems Engineering 2021 - digital. https://www.fdr.uni-hamburg.de/record/9696 10.25592/uhhfdm.9696 oai:fdr.uni-hamburg.de:9696 eng url:https://tdse.org/documents/tdse-2021/TdSE2021-Programm.pdf doi:10.25592/uhhfdm.9695 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode SysML SQL database interaction modeling simulation opaque behavior opaque action small and medium-sized enterprises SME Cameo Systems Modeler SysML Toolbox Data Linking CSMC UWA Modeling and Simulation of Database Interactions info:eu-repo/semantics/other publication-other

oai:fdr.uni-hamburg.de:9586 2024-02-28T22:31:56Z user-csmc user-uhh

Droese, Janine Helmholz, Karsten 2021-08-31 The album is kept in the Stadtgeschichtliches Museum Leipzig (accession number A/2013/390). It has been digitised at the CSMC as part of the project ‘Creating Music Albums as Originals Made of Originals’. The relatively large-format but thin book – it measures 25.5 × 34.5 cm (landscape) and contains only 15 leaves – belonged to Marie Pohlenz from Leipzig, daughter of the Gewandhauskapellmeister Christian August Pohlenz. Little is known about the album owner: in 1848 she was accepted as a student at the Leipzig conservatory, and in September 1850 and May 1851 there is evidence of her taking part in the conservatory’s public examinations in choral singing and piano playing. In later years she is said to have worked as a teacher in Leipzig. The contents of the album point to the environment of the Leipzig conservatory, too: A total of seventeen entries were noted in the album. The earliest dated entry is by the composer Niels W. Gade and was written in summer 1850, when Gade was in Leipzig to attend the premiere of Robert Schumann’s Genoveva; the last dated entry was written by the Berlin conductor and composer Wilhelm Taubert in autumn 1853. Almost all entries were made in Leipzig. Many of the teachers of the conservatory active at the time of Pohlenz’s studies – all important personalities also of Leipzig’s public musical life and for the most part known far beyond Leipzig – have inscribed themselves in the album. These are: Ignaz Moscheles, pianist, composer and conductor, who was head of the piano class at the conservatory; Moritz Hauptmann, a music theorist and composer, was Thomaskantor and teacher of music theory and composition; the cellist and composer Julius Rietz was Kapellmeister of the Leipzig Stadttheater, conductor of the Singakademie and musical director of the Gewandhaus concerts, he also taught composition at the conservatory; the music theorist and composer Ernst Friedrich Richter was organist at St Peter’s Church and a regular teacher of harmony and counterpoint from as early as 1843; the music teacher Ernst Ferdinand Wenzel taught piano; the violinist and composer Ferdinand David was concertmaster at the Gewandhaus Orchestra and taught violin at the conservatory; Raimund Dreyschock and the still very young Joseph Joachim were his direct colleagues at both institutions. Andreas Grabau is another Gewandhaus musician who added an entry, and there is one by the singer and actor Heinrich Behr. Ludvig Norman and Robert Radecke, on the other hand, were fellow students of Pohlenz at the conservatory. The reason why Marie Polenz only asked these two for an entry is not clear. Entries from the album owner’s family environment are limited to those of her two brothers Emil and Paul. Only the entries of Taubert and the music teacher and composer Gustav Wilhelm Teschner cannot be traced back to the album owner’s Leipzig environment: Taubert was Kapellmeister at the Königliches Schauspielhaus in Berlin, Teschner worked in Berlin as a singing teacher. LICENSE The images of “Music Album of Marie Pohlenz” may only be used in connection with the CSMC project “The Music Album of the Leipzig Pianist and Singer Marie Pohlenz as a Document of Music-Making in the Private Sphere” (https://www.csmc.uni-hamburg.de/album.html). Any publication of the images online, in print or any other media format, requires written permission by Stadtgeschichtliches Museum Leipzig. By downloading the images you agree to these terms. https://www.fdr.uni-hamburg.de/record/9586 10.25592/uhhfdm.9586 oai:fdr.uni-hamburg.de:9586 doi:10.25592/uhhfdm.9585 info:eu-repo/semantics/openAccess CSMC Written Artefact Manuscript UWA Musicology RFC04 Music Album Stadtgeschichtliches Museum Leipzig Friendship album 19th century Music Album of Marie Pohlenz, Stadtgeschichtliches Museum Leipzig, A/2013/390 (1850–1853) info:eu-repo/semantics/other image-photo

oai:fdr.uni-hamburg.de:14179 2024-05-10T08:10:57Z user-uhh user-csmc

El-Awadi, Adel Al Rawadieh, Al Mahdi Alsorayiea, Mohammad al-Uzbaki, Yusuf Barakat, Bashir Engelhardt, Vincent Hijab, Samah Jabali, Lina Jabr, Mahmoud Kaylı, Ahmet Zaki, Mahmoud Abd EL Baset, Ahmed Aljoumani, Said Burak, Guy Hirschler, Konrad 2024-04-01 This dataset contains information on the manuscripts that were once housed in the Jazzar Library in Acre (modern-day Israel) and that are today distributed across libraries worldwide. The dataset was first established in the framework of the al-Jazzar Library Project (ALP; 2022-2025) affiliated with the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. ALP wrote the history of the library founded by the Ottoman governor of the province of Sidon, Ahmad Pasha al-Jazzar (d. 1804). This book collection was part of the most visible and enduring aspect of the governor’s long rule, a splendid mosque and madrasa complex at the economic and administrative center of his power in Acre. Even though this was a library on the cultural periphery of the Ottoman Empire, the holdings of this library included over 1,800 manuscripts, among them ‘ancient’ masterpieces such as the most important copy of Ibn al-Nadim’s (d. 995) bibliographic work, The Catalog (al-Fihrist). Situated at critical junctures of the political and intellectual history of the region, the library represents continuities and changes in the wider world of books and knowledge economies during the 18th and 19th centuries. ALP’s main output, the two-volume Al-Jazzar’s Library, is published with Brill (2025). In parallel, the CSMC carried out the project Rescuing the Books of al-Jazzar, funded by the Aliph Foundation, to create the conditions for the long-term preservation of the remaining collection in Akka. The al-Jazzar Manuscripts 1 dataset covers seventy-five manuscripts identified until April 2024. The al-Jazzar Manuscripts 2 dataset contains the seventy-eight manuscripts that constitute the basis for the Al-Jazzar’s Library book. Additions to version 1 are: Jerusalem, NLI, Ms. Temp. Ar. 186.1; Beirut, Shawish Library; and Damascus, National al-Asad Library, MS. 16925. We expect future versions of this dataset to cover an increasing number of al-Jazzar manuscripts. https://www.fdr.uni-hamburg.de/record/14179 10.25592/uhhfdm.14179 oai:fdr.uni-hamburg.de:14179 doi:10.25592/uhhfdm.14178 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA affiliated projects Syria Ottoman Arabic 17th century CE 18th century CE List of Identified al-Jazzar Manuscripts and Their Current Location info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:12990 2024-06-24T21:40:32Z user-uhh user-csmc

Ciotti, Giovanni 2023-07-25 Since 2021 the Cluster of Excellence "Understanding Written Artefacts" (Centre for the Study of Manuscript Cultures, University of Hamburg) has established the Palm-Leaf Manuscript Profiling Initiative (PLMPI) with the aim to develop an innovative, comprehensive and integrated approach to the study of palm-leaf manuscripts. Within PLMPI approaches from the humanities, natural sciences and information sciences are put to work in synergy to better appreciate the historical and cultural value of these artefacts through the study of their palaeographical, codicological and material features. PLMPI consists of a number of sub-initiatives that are carried out by researchers affiliated to both UWA/CSMC and partner institutions, such as the Institut Français de Pondichéry (IFP) and the National Institute of Advanced Studies (NIAS, Bangalore). The current entry in the RDR/FDR will serve as a hub for all activities conducted within or in collaboration with PLMPI and whose results (publications, datasets, images, etc.) are to be uploaded in this repository. 1) Dataset of Words in Palm-leaf Manuscripts (WPM) // Hussein Mohammed, Giovanni Ciotti // DOI: 10.25592/uhhfdm.11238 2) FTIR spectra of 11 palm-leaf manuscripts // Lucas F. Voges, Nils Horn, Claudia Colini, Stephan Seifert // DOI: 10.25592/uhhfdm.14422 https://www.fdr.uni-hamburg.de/record/12990 10.25592/uhhfdm.12990 oai:fdr.uni-hamburg.de:12990 doi:10.25592/uhhfdm.11238 doi:10.25592/uhhfdm.12989 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode PLMPI CSMC UWA Palm-leaf Manuscript Profiling Initiative (PLMPI) info:eu-repo/semantics/other other

oai:fdr.uni-hamburg.de:14473 2024-06-26T19:57:16Z user-uhh user-csmc

Bonfiglio, Emilio 2024-03-18 Presentation “New Manuscript Evidence for the Development of the Armenian Uncial Script”, International conference From East to West: Christian Literacy in the First Millennium, Centre for the Study of Manuscript Cultures, University of Hamburg. https://www.fdr.uni-hamburg.de/record/14473 10.25592/uhhfdm.14473 oai:fdr.uni-hamburg.de:14473 eng doi:10.25592/uhhfdm.14472 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant New Manuscript Evidence for the Development of the Armenian Uncial Script info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14483 2024-06-26T19:57:06Z user-uhh user-csmc

Kvirkvelia, Eka 2024-03-18 Presentation “Georgian Witnesses of the Jerusalem-rite Lectionary: Structures and Developments”, Centre for the Study of Manuscript Cultures Hamburg. https://www.fdr.uni-hamburg.de/record/14483 10.25592/uhhfdm.14483 oai:fdr.uni-hamburg.de:14483 eng doi:10.25592/uhhfdm.14482 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Georgian Witnesses of the Jerusalem-rite Lectionary: Structures and Developments info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14577 2024-07-03T11:36:46Z user-csmc user-uhh

Kamarauli, Mariam 2023-07-11 "Palimspested Hagiography: A comparative analysis of the martyrdom of St Febronia on the example of a Georgian palimsest", Removed and Rewritten: Palimpsests and Related Phenomena from a Cross-Cultural Perspective II, Centre for the Study of Manuscript Cultures, Hamburg. https://www.fdr.uni-hamburg.de/record/14577 10.25592/uhhfdm.14577 oai:fdr.uni-hamburg.de:14577 eng doi:10.25592/uhhfdm.14576 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Palimpsested Hagiography: A comparative analysis of the martyrdom of St Febronia on the example of a Georgian palimsest info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14543 2024-07-03T10:32:13Z user-uhh user-csmc

Gippert, Jost 2024-02-02 Presentation “Time Reckoning in the Pre-Islamic Caucasus – Between Christian and Zoroastrian Traditions”, Centre for the Study of Manuscript Cultures Hamburg. https://www.fdr.uni-hamburg.de/record/14543 10.25592/uhhfdm.14543 oai:fdr.uni-hamburg.de:14543 eng doi:10.25592/uhhfdm.14542 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Time Reckoning in the Pre-Islamic Caucasus – Between Christian and Zoroastrian Traditions info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14469 2024-07-03T11:58:48Z user-uhh user-csmc

Bonfiglio, Emilio 2022-06-22 Presentation “ERC Advanced Grant DeLiCaTe”, on the occasion of the visit of Prof. Dr. Maria Leptin, President of the ERC, Centre for the Study of Manuscript Cultures, University of Hamburg. https://www.fdr.uni-hamburg.de/record/14469 10.25592/uhhfdm.14469 oai:fdr.uni-hamburg.de:14469 eng doi:10.25592/uhhfdm.14468 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant ERC Advanced Grant DeLiCaTe info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14581 2024-07-03T10:58:15Z user-csmc user-uhh

Kamarauli, Mariam 2023-08-06 Presentation "Decipherment of Georgian palimpsests with digital methods: technologies and tools", Batumi Summer School 2023, Batumi. https://www.fdr.uni-hamburg.de/record/14581 10.25592/uhhfdm.14581 oai:fdr.uni-hamburg.de:14581 eng doi:10.25592/uhhfdm.14580 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Decipherment of Georgian palimpsests with digital methods: technologies and tools info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14539 2024-07-03T13:24:02Z user-uhh user-csmc

Gippert, Jost Dum-Tragut, Jasmine 2023-07-13 Book presentation "Caucasian Albania", Centre for the Study of Manuscript Cultures Hamburg https://www.fdr.uni-hamburg.de/record/14539 10.25592/uhhfdm.14539 oai:fdr.uni-hamburg.de:14539 eng doi:10.25592/uhhfdm.14538 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Caucasian Albania info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:14523 2024-07-03T10:32:23Z user-uhh user-csmc

Gippert, Jost 2022-09-15 Keynote presentation "The Development of Literacy in the Caucasian Territories (DeLiCaTe)" FU Berlin. https://www.fdr.uni-hamburg.de/record/14523 10.25592/uhhfdm.14523 oai:fdr.uni-hamburg.de:14523 eng doi:10.25592/uhhfdm.14522 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant The Development of Literacy in the Caucasian Territories (DeLiCaTe) info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:1401 2024-07-15T21:00:33Z user-csmc user-uhh

Shevchuk, Ivan Knox, Keith 2020-08-13 10 sets of multispectral imaging data taken at same settings of the same object to experiment with a novel approach for HDR image creation and for verification of system stability. Collaboration with Keith Knox from Early Manuscripts Electronic Library (EMEL). a series of 10 images for each wavelength of the CSMC MSI test fragment. With constant exposure, LED power and Aperture settings. https://www.fdr.uni-hamburg.de/record/1401 10.25592/uhhfdm.1401 oai:fdr.uni-hamburg.de:1401 doi:10.25592/uhhfdm.1400 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC SFB950 Manuscript Written Artefacts Artefact Profiling Z01 Multispectral Imaging (MSI) Megavision E7 Parchment Plant Ink Damaged Writing Ink Analysis Medieval European EMEL Early Manuscripts Electronic Library 10th century CE 11th century CE ca. 1000 CE Multispectral Imaging Data from CSMC Test Fragment, Testing for High Dynamic Range (HDR) and Multispectral Imaging System Stability info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:14729 2024-08-01T13:16:40Z user-csmc user-uhh

Shevchuk, Ivan Huskin, Kyle Ann 2024-07-19 As part of cooperation with Schülerforschungszentrum Hamburg (SFZ), the Cluster UWA offers courses in which pupils in grades 8 to 10 can try to unravel the secrets of lost writings themselves. First, they learn what inks were used in antiquity and the Middle Ages, and make their own inks according to original recipes. The manuscripts produced with these inks are then examined with modern analytical methods under the guidance of our researchers. This multispectral imaging (MSI) dataset of the prepared ink samples on parchment and papyrus was taken on the 10th of July 2024. Image Processing and analysis of Ink spectra was done during the visit to the SFZ on the 17th of July 2024. Due to time constrains only one of the total of 4 sets of samples was analyzed and processed. Images in preview are compressed and of lower quality. They are mainly intended to serve as thumbnails. Original hiqh quality TIF images can be found in the Color and PROCESSED folder below (zip file). For information about filenames and folderstructure as well as MSI system related info, please read the "Brief Description of Datasets for Multispectral Imaging Version Q". https://www.fdr.uni-hamburg.de/record/14729 10.25592/uhhfdm.14729 oai:fdr.uni-hamburg.de:14729 doi:10.25592/uhhfdm.14728 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA Manuscript Written Artefacts Artefact Profiling Schülerforschungszentrum Hamburg (SFZ) RFA21 Multispectral Imaging (MSI) Megavision Q15 Parchment Papyrus Iron Gall Ink Plant Ink Carbon Ink Mixed Ink Samples Damaged Writing Ink Analysis European 21st century CE MSI Data of Inks on Parchment and Papyrus fragments prepared in collaboration with Schülerforschungszentrum (SFZ) Hamburg info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:14756 2024-08-06T17:05:23Z user-csmc user-uhh

Helman-Ważny, Agnieszka Haas, Sylvio Grzelec, Małgorzata 2024-07-31 Description will follow shortly. https://www.fdr.uni-hamburg.de/record/14756 10.25592/uhhfdm.14756 oai:fdr.uni-hamburg.de:14756 doi:10.25592/uhhfdm.14755 info:eu-repo/semantics/restrictedAccess CSMC UWA Written Artefacts Artefact Profiling Deutsches Elektronen-Synchrotron (DESY) RFA20 Small-Angle X-Ray Scattering (SAXS) Beamline P62 at PETRA III Paper European Chinese Highland Asia Papermaking technology Fiber analysis Preliminary report on application of scanning Small-Angle X-ray scattering in the identification of sheet formation techniques in historical papers info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:14791 2024-08-23T18:55:17Z user-uhh user-csmc

Shevchuk, Ivan Huskin, Kyle Ann Rabin, Ira Krutzsch, Myriam Nehring, Grzegorz Muller, Annie Shevchuk, Ivan Huskin, Kyle Ann 2024-08-16 Multispectral dataset for a fragment of a Greek papyrus scroll, PGM II (P. 5026), in the Berliner Papyrussammlung and currently on display in the Neues Museum, Berlin. Dating from the late second or early third century AD and likely written in the city of Thebes, this fragment was cut from an entire scroll (another fragment, P. Lond. I 47, can be found in the British Library), and includes the end of a magical guide. The papyrus fragment P. 5026 consists of four columns of text, a large drawing of a headless spirt of the dead, and additional scattered small drawings. The text includes instructions, anthems, and prayers, and is largely in good condition. The purpose of this analysis was to improve legibility in some areas. Due to the large size of the scroll, images were made in five parts, the first four of which include text and were processed. Images in preview are compressed and of lower quality. They are mainly intended to serve as thumbnails. Original hiqh quality TIF images can be found in the Color and PROCESSED folder below (zip file). For information about filenames and folderstructure as well as MSI system related info, please read the "Brief Description of Datasets for Multispectral Imaging." https://www.fdr.uni-hamburg.de/record/14791 10.25592/uhhfdm.14791 oai:fdr.uni-hamburg.de:14791 doi:10.25592/uhhfdm.11453 doi:10.25592/uhhfdm.14790 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA Manuscript Written Artefacts Artefact Profiling BAM Ägyptisches Museum und Papyrussammlung (ÄMP) RFA13 RFA10 Multispectral Imaging (MSI) Megavision E7 Papyrus Carbon Ink Mixed Ink 3rd century CE 2nd century CE Greek Multispectral data for P. 5026: Magisches Handbuch of the Berliner Papyrussammlung info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:14391 2024-08-22T06:25:16Z user-csmc user-uhh

Shevchuk, Ivan Huskin, Kyle Ann Hahn, Oliver Kohs, Michael Brauer, Jens Muller, Annie Shevchuk, Ivan Huskin, Kyle Ann 2024-06-14 Multispectral data for three Torah fragments from the Stadtmuseum Harburg. The fragments were found in a private estate. They likely come from Torah scrolls from the Harburg Synagogue, which were stolen, torn, and inscribed with hate propaganda and anti-semetic insults on the Reichspogromnacht in Harburg on November 9, 1938. The anti-semetic insults were later removed mechanically, and this project worked to recover the missing text to better understand the history of these fragments. The Torah fragments and their multispectral data were presented as part of an exhibit on the 1938 Reichspogromnacht in Harburg at the Stadtmuseum. Dataset contains raw image data as well as processed images. Images in preview are compressed and of lower quality. They are mainly intended to serve as thumbnails. Original hiqh quality TIF images can be found in the Color and PROCESSED folder below (zip file). For information about filenames and folderstructure as well as MSI system related info, please read the "Brief Description of Datasets for Multispectral Imaging." https://www.fdr.uni-hamburg.de/record/14391 10.25592/uhhfdm.14391 oai:fdr.uni-hamburg.de:14391 doi:10.25592/uhhfdm.14390 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA Manuscript Written Artefacts Artefact Profiling RFA10 Multispectral Imaging (MSI) Megavision E7 Parchment Damaged Writing Hebrew Torah Multispectral data for Torah Fragments from the Stadtmuseum Harburg info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:12627 2024-09-24T09:24:26Z user-csmc user-uhh

Heiles, Marco 2024-01-01 Liste der am 11.12.2023 in den Datenbanken Handschriftenportal und Handshriftencensus erfassten deutschsprachigen Handschriften in Kodexform mit einer Seitenhöhe unter 95 mm und einem Entstehungsdatum vor 1550. Grundlage der Liste war eine Suche unter www.handschriftenportal.de am 11.12.2023 mit folgenden Filtern: Sprache: Deutsch; Entstehungszeit: -200 – 1550; Form: Codex; Form: Zusammengesetzte Handschrift; Form: Sammelband; Beschreibungen vorhanden; Höhe: 0 – 9. Die Suche ergab 48 Treffer, von denen München, Bayerische Staatsbibliothek, Clm 14194 und Wolfenbüttel, Herzog August Bibliothek, Cod. Guelf. 404.10 Novi (14) falsch zugeordnet waren. Ergänzt wurde die Liste durch eine Suche unter https://handschriftencensus.de/search/repertory am 11.12.2023 mit den Filtern „Überlieferungsform: Codex“ und „Blattgröße: kleiner als 150 x 115 mm“. Das Ergebnis war eine Liste von 195 Kodizes mit einer Blattgröße kleiner als 15 × 11,5 cm erstellt werden. Diese Einträge wurde dann einzeln darauf überprüft , ob die Seitenhöhe der Handschrift auch geringer als 9,5 cm ist. Dadurch konnte die aus dem Handschrifteportal gewonnen Liste um sechs Handschriften erweitert werden. Die Tabelle und die dazugehörigen Diagramme wurden für folgende Publikation erstellt: Marco Heiles and Ivan Shevchuk: Zürcher Liebesbrief I. Neuedition nach Multispektralaufnahmen, in: Germanistische und andere Kleinigkeiten. Freundschaftsschrift für Thomas Bein, hrsg. von Jens Burkert. Berlin 2024, S. 54–75. (im Erscheinen) https://www.fdr.uni-hamburg.de/record/12627 10.25592/uhhfdm.12627 oai:fdr.uni-hamburg.de:12627 deu doi:10.25592/uhhfdm.12626 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA RFK RFK03 Magical Written Artefacts Miniature Codices Manuscript Studies Liste der deutschsprachigen kleinformatigen Handschriften des Handschriftenportals und des Handschriftencensus (ca. 1250-1550) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:16010 2024-10-08T12:16:26Z user-uhh user-csmc

Dum-Tragut, Jasmine Gippert, Jost 2023-06-19 In Jost Gippert, Jasmine Dum-Tragut (eds.), Caucasian Albania. An International Handbook. Berlin / Boston: de Gruyter, 33-94. https://www.fdr.uni-hamburg.de/record/16010 10.25592/uhhfdm.16010 oai:fdr.uni-hamburg.de:16010 eng doi:10.25592/uhhfdm.16009 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Caucasian Albania in Medieval Armenian Sources (5th-13th Centuries) info:eu-repo/semantics/bookPart publication-section

oai:fdr.uni-hamburg.de:16050 2024-10-11T07:34:37Z user-csmc user-uhh

Gippert, Jost 2024-01-01 In Matenadaran. Medieval and Early Modern Armenian Studies (MEMAS) 1, 11-33. https://www.fdr.uni-hamburg.de/record/16050 10.25592/uhhfdm.16050 oai:fdr.uni-hamburg.de:16050 eng doi:10.25592/uhhfdm.16049 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Recovering Hidden Texts: Palimpsests of the Matenadaran and Their Disclosure info:eu-repo/semantics/article publication-article

oai:fdr.uni-hamburg.de:14853 2024-10-24T10:34:11Z user-csmc user-uhh

Bosch, Sebastian Nehring, Grzegorz 2024-09-10 This document shows a standardised system for the uniform file labelling of analytical data (spectroscopic measurements and spectral images) captured with instruments from the Artefact Profiling Lab. As the fleet of instruments can change constantly, this document will be adapted on an ongoing basis. This standardisation is advantageous for several reasons: For most scientific projects we use a multi-analytical approach, i.e. objects are analysed at the same spots/areas with several instruments. Uniform file labelling therefore makes it easier to compare data captured with different instruments. Uniform file labelling also facilitates the creation of a clear analytical protocol (marking the exact position of measured/imaged spots/areas on images of the analysed object, Appendix 1), which is of the utmost importance when examining cultural artefacts. Finally, uniform file labelling enables the creation of a electronic lab notebook (Appendix 2) in which individual measurements/images can be easily traced and quickly found using search functions. Appendix 1: A1_CSMC_MobileLab_Protocol Appendix 2: A2_CSMC_MobileLab_ELN https://www.fdr.uni-hamburg.de/record/14853 10.25592/uhhfdm.14853 oai:fdr.uni-hamburg.de:14853 eng doi:10.25592/uhhfdm.14852 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA Manuscript Written Artefacts Artefact Profiling Mobile Lab X-Ray Fluorescence (XRF) UV-VIS-NIR Reflectography Fiber Optic Reflectance Spectrsocopy (FORS) Fourier Transform Infrared Spectroscopy (FTIR) Raman Spectroscopy Microscopy Fiber analysis 3D Microscopy USB Microscopy Infrared Reflectography (IRR) Multispectral Imaging (MSI) ARTAX ELIO CRONO M6 JETSTREAM LabSpec 4 Hi-Res Nicolet iS5 4100 ExoScan ALPHA II i-Raman Plus 785H inVia Virsa AD4113T-I2V Dino-Lite BX51 VHX5000 Apollo E7 Q15 Standardised System for the Labelling of Analytical Data info:eu-repo/semantics/technicalDocumentation publication-technicalnote

oai:fdr.uni-hamburg.de:16319 2024-11-29T13:27:08Z user-uhh user-csmc

Droese, Janine Helmholz, Karsten 2022-09-30 The music album, which is part of a private collection, has been digitised by CSMC as part of the project ‘Creating Music Albums as Originals Made of Originals’. The manuscript has a violet velvet binding with gold embossings, and gilt edges. It measures 32,8 × 23,5 cm (landscape) and contains III, 42, II folios (plus 2 manuscript single leaves and one printed single leaf as loose additions). It belonged to the pianist, composer and piano teacher Louise Langhans (née Japha, 2 February 1826–13 October 1910), who was a friend of Johannes Brahms. Today, the album contains 16 entries by Johannes Brahms, Ole Bull, Clara von Goßler, Oscar Lindhult and others. (Three obviously cut-out pages might point to originally more entries, which are lost today.) Note on Version 2: The new version contains 9 photos of loose additions to the album. https://www.fdr.uni-hamburg.de/record/16319 10.25592/uhhfdm.16319 oai:fdr.uni-hamburg.de:16319 doi:10.25592/uhhfdm.14829 doi:10.25592/uhhfdm.10770 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC Written Artefact Manuscript UWA Musicology RFC04 Music Album Friendship Album 19th century Louise Japha Johannes Brahms Charlotte Ross Ole Bull Oscar Lindhult Albert Dietrich Julius Grimm Klara von Gossler Wilhelm Goldner Richard Wüerst Auguste Leo Carl Witting Julius Schäffer Edmund Uhl Hermann Noetzel Minna Japha Music Album of Louise Langhans (née Japha), Private Collection, Freiburg, 1851–1904 info:eu-repo/semantics/other image-photo

oai:fdr.uni-hamburg.de:10771 2024-11-29T13:24:11Z user-csmc user-uhh

Droese, Janine Helmholz, Karsten 2022-09-30 The music album, which is part of a private collection, has been digitised by CSMC as part of the project ‘Creating Music Albums as Originals Made of Originals’. The manuscript has a violet velvet binding with gold embossings, and gilt edges. It measures 32,8 × 23,5 cm (landscape) and contains III, 42, II folios (plus 2 manuscript single leaves and one printed single leaf as loose additions). It belonged to the pianist, composer and piano teacher Louise Langhans (née Japha, 2 February 1826–13 October 1910), who was a friend of Johannes Brahms. Today, the album contains 16 entries by Johannes Brahms, Ole Bull, Clara von Goßler, Oscar Lindhult and others. (Three obviously cut-out pages might point to originally more entries, which are lost today.) https://www.fdr.uni-hamburg.de/record/10771 10.25592/uhhfdm.10771 oai:fdr.uni-hamburg.de:10771 doi:10.25592/uhhfdm.14829 doi:10.25592/uhhfdm.10770 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC Written Artefact Manuscript UWA Musicology RFC04 Music Album Friendship Album 19th century Louise Japha Johannes Brahms Charlotte Ross Ole Bull Oscar Lindhult Albert Dietrich Julius Grimm Klara von Gossler Wilhelm Goldner Richard Wüerst Auguste Leo Carl Witting Julius Schäffer Edmund Uhl Hermann Noetzel Minna Japha Music Album of Louise Langhans (née Japha), Private Collection, Freiburg, 1851–1904 info:eu-repo/semantics/other image-photo

oai:fdr.uni-hamburg.de:13978 2024-12-08T19:33:02Z user-csmc user-uhh

Jenny Gabel Sebastian Rings Frank Steinicke 2023-10-13 Virtual reality (VR) can introduce new perspectives and methods to existing research fields, such as the humanities. We present a VR research tool for facilitating the study of so-called ‘Written Artefacts’ (WA). The tool was created as part of an interdisciplinary research project and displays the WA in their spatial context: the ancient theatre of Miletus. We closely collaborated with researchers from the humanities and implemented different features for visualizing content, filtering information, and changing perspectives on the research data in VR. Our demo gives users access to the immersive research environment and allows them to explore the virtual theatre of Miletus and its WA. Free access to the definitive version of this paper in the ACM Digital Library: https://dl.acm.org/doi/10.1145/3607822.3618021?cid=99659576953 https://www.fdr.uni-hamburg.de/record/13978 10.1145/3607822.3618021 oai:fdr.uni-hamburg.de:13978 info:eu-repo/semantics/altIdentifier/url/https://dl.acm.org/doi/10.1145/3607822.3618021?cid=99659576953 doi:10.1515/icom-2022-0012 info:eu-repo/semantics/closedAccess Human-Computer Interaction Virtual Reality Interactive Systems and Tools User-Centered Design Digital Humanities CSMC UWA Written Artefacts RFB Inscribing Spaces RFB02 Ancient Theatre of Miletus: A Virtual Reality Research Tool for Studying Written Artefacts info:eu-repo/semantics/conferencePaper publication-conferencepaper

oai:fdr.uni-hamburg.de:16541 2024-12-16T08:04:41Z user-uhh user-csmc

Osthof, Ann Lauren Berns, Christof Harter-Uibopuu, Kaja Steinicke, Frank Gabel, Jenny 2024-01-01 Unity Written Artefacts Infopanel template for displaying text and images inside the Virtual Theatre of Miletus. The template contains sample text and content and is provided as a Unity Prefab and uses only Unity Components. Additional Scripts for interacting with the panel are removed - depending on the use case and platform, custom scripts have to be created and added. The template is packed inside a .zip-file and contains two versions of the prefab - one using UHH fonts and one using Unity fonts. It also includes a sample image and Unity .meta-files. After unpacking, copy all files from the folder into the Unity Asset folder to use the template. ---------------------------------------------------------- The interdisciplinary project RFB02 "Immersive City Scripts: Inscriptions and the Construction of Social Spaces in Miletus (Asia Minor)" investigates how inscriptions structured public spaces in the ancient city Miletus and Didyma. Part of the project is an immersive virtual reality application of the Milesian theatre, where you can explore and experience the inscriptions with the help of reconstructions, different light settings and agents in the virtual space. The project belongs to the Research Field B “Inscribing Spaces” of the first phase (2019-2025) of the Cluster of Excellence “Understanding Written Artefacts”. RFB02: Immersive City Scripts: Inscriptions and the Construction of Social Spaces in Miletus (Asia Minor) Project website department of Archaeology Project website department of Informatics, Human-Computer Interaction Project Website of the Miletus excavation https://www.fdr.uni-hamburg.de/record/16541 10.25592/uhhfdm.16541 oai:fdr.uni-hamburg.de:16541 eng doi:10.25592/uhhfdm.16540 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0/legalcode UWA CSMC Written Artefacts Inscribing Spaces RFB RFB02 Immersive City Scripts Miletus Inscriptions Social Spaces Classical Archaeology Human-Computer Interaction Digital Humanities Unity Template Prefab Immersive City Scripts – Virtual Theatre of Miletus - Unity Infopanel Template - RFB02 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:16479 2024-12-14T21:50:26Z user-uhh user-csmc

Martin Schaich Tuna Capar Damla Kumbasar Jannis Dittmer Jost Eickmeyer Jenny Gabel Anselm Steiger Frank Steinicke ArcTron 3D GmbH 2023-01-01 3D mesh in .obj format, textures as .jpg, and .mtl material files of the interior of the church in Lucklum. Low quality mesh version with 2 mio. triangles and 15x8k textures. The data was professionally captured and processed by ArcTron 3D GmbH. ---------------------------------------------------------- The interdisciplinary project RFB05 "The Interior of the Church in Lucklum: A Compendium of Early Modern European Emblematics" combines expertise from the fields of theology, literary and art history, materials science, and human-computer interaction to document and historically contextualize all inscriptions and emblem paintings inside the church for the very first time. This includes investigating how the 209 inscriptions and 156 paintings structure the church’s interior as a space of meditation and prayer. Moreover, the projects tests the non-invasive scanning of earlier. hidden layers with completely different paitings and inscriptions. Part of the project is an interactive immersive virtual reality application of the church in Lucklum, where users can explore all inscriptions and emblematic paintings in their spatial context. The project belongs to the Research Field B “Inscribing Spaces” of the first phase (2019-2025) of the Cluster of Excellence “Understanding Written Artefacts”. RFB05: The Interior of the Church in Lucklum: A Compendium of Early Modern European Emblematics Book: Sinnbilder im Sakralraum: Die Kirche in Lucklum - Ein Kompendium der geistlichen Emblematik der Frühen Neuzeit Project website department of Informatics, Human-Computer Interaction Project Website 3D Data Scanning and Model Creation by ArcTron 3D The project is supported by "Rittergut Lucklum" and "Güterverwaltung Reinau". https://www.fdr.uni-hamburg.de/record/16479 10.25592/uhhfdm.16479 oai:fdr.uni-hamburg.de:16479 eng doi:10.25592/uhhfdm.16478 info:eu-repo/semantics/restrictedAccess CSMC UWA Written Artefacts Inscribing Spaces RFB RFB05 The Interior of the Church in Lucklum Early Modern European Emblematics Lucklum Emblematics Inscriptions Social Spaces Theology Literary History Art History Material Science Human-Computer Interaction Digital Humanities 3D 3D Model The Interior of the Church in Lucklum – 3D Model - Church Interior - Low Quality Mesh - RFB05 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:16529 2024-12-16T08:04:45Z user-uhh user-csmc

Osthof, Ann Lauren Berns, Christof Harter-Uibopuu, Kaja Steinicke, Frank Martin, Nathalie Gabel, Jenny 2024-06-01 This virtual reality (VR) app was built for the Meta Quest 2 head-mounted display and can be used with its VR controllers. The apk-file can be installed on a Meta Quest 2 or Quest 3 device in developer mode. The app can be started from the device's library under "Unknown Sources". ---------------------------------------------------------- The interdisciplinary project RFB02 "Immersive City Scripts: Inscriptions and the Construction of Social Spaces in Miletus (Asia Minor)" investigates how inscriptions structured public spaces in the ancient city Miletus and Didyma. Part of the project is an immersive virtual reality application of the Milesian theatre, where you can explore and experience the inscriptions with the help of reconstructions, different light settings and agents in the virtual space. The project belongs to the Research Field B “Inscribing Spaces” of the first phase (2019-2025) of the Cluster of Excellence “Understanding Written Artefacts”. RFB02: Immersive City Scripts: Inscriptions and the Construction of Social Spaces in Miletus (Asia Minor) Project website department of Archaeology Project website department of Informatics, Human-Computer Interaction Project Website of the Miletus excavation https://www.fdr.uni-hamburg.de/record/16529 10.25592/uhhfdm.16529 oai:fdr.uni-hamburg.de:16529 eng doi:10.25592/uhhfdm.16523 info:eu-repo/semantics/restrictedAccess UWA CSMC Written Artefacts Inscribing Spaces RFB RFB02 Immersive City Scripts Miletus Inscriptions Social Spaces Classical Archaeology Human-Computer Interaction Digital Humanities Virtual Reality Immersive City Scripts – Virtual Theatre of Miletus – Virtual Reality Application - RFB02 info:eu-repo/semantics/other software

oai:fdr.uni-hamburg.de:10130 2025-01-21T19:52:47Z user-csmc user-uhh

Gabel, Jenny Berns, Christof Bosch, Sebastian Eickmeyer, Jost Harter-Uibopuu, Kaja Martin, Nathalie Osthof, Ann Lauren Steiger, Johann Anselm Steinicke, Frank 2021-09-09 Writing is an essential cultural technique that shaped our world's societies and is an important cultural heritage. The Cluster of Excellence 'Understanding Written Artefacts' is an interdisciplinary and cross-cultural long-term project dedicated to studying so-called 'Written Artefacts (WA)', which include all sorts of objects on which visual signs are applied by hand. Through our work, the research field of human-computer interaction is represented in the Cluster for the first time. This paper introduces our interdisciplinary research on immersive applications for understanding WA. We motivate the usage of virtual reality (VR) technologies for the novel field of WA research, in which we explore new immersive ways of studying WA. Currently, only fieldwork provides the spatial context to the WA in the inscribed spaces. Immersive applications could provide researchers with virtual access to the spatial and even temporal context at any time, but so far, VR has not been used in academia for this use case. We developed two immersive VR systems with a user-centred design approach in close cooperation with academic experts from ancient history, classical archaeology, and theology, among other fields. Our VR systems visualize WA with their temporal and spatial context and provide additional content such as reconstructions, hidden layers, and meta information. Our tool was developed for two different application scenarios, (1) a large outdoor scenario of the ancient Roman theatre of Miletus, and (2) an interior scenario of the church at the Rittergut Lucklum. https://www.fdr.uni-hamburg.de/record/10130 10.2312/egve.20211325 oai:fdr.uni-hamburg.de:10130 eng info:eu-repo/semantics/altIdentifier/url/https://diglib.eg.org/handle/10.2312/egve20211325 doi:10.25592/uhhfdm.14457 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Human-Computer Interaction Virtual Reality Augmented Reality Mixed Reality Interactive Systems and Tools User-Centred Design CSMC UWA Written Artefacts Inscribing Spaces RFB RFB02 RFB05 Digital Humanities User-Centered Design of Immersive Research Applications for Understanding Written Artefacts info:eu-repo/semantics/conferencePaper publication-conferencepaper

oai:fdr.uni-hamburg.de:14448 2025-01-20T09:39:51Z user-uhh user-csmc

Bonnerot, Olivier Nehring, Grzegorz 2024-06-21 Presentation at the 4th International Congress of Archaeological Sciences in the Eastern Mediterranean and the Middle East, Nicosia (Cyprus), 05/2024. Recent research on the history of black writing ink production has unveiled the intricate beginnings of iron-gall ink, a type of ink made from the reaction between iron vitriol (iron sulphate) and tannins in an aqueous solution, with the optional addition of a binder (such as gum Arabic or animal glue). The exact time when scribes began to use this type of ink and why remain unclear, as the historical record provides no definitive answer. Before the invention of iron-gall inks, scribes used carbon inks, made from a fine suspension of carbon pigments (made of soot or ground charcoal) with a binder in an aqueous solution. Results from several recent scientific investigations of inks from securely dated Hellenistic and Roman papyri have pointed out that besides carbon pigments, metallic compounds were occasionally used in ink production, in amounts too large to be coincidental. The first examples of such additions come already from the late fourth -early third century BCE, i.e. at the very beginning of the Hellenistic period. Such discovery echoes the earliest ink recipes mentioning metallic compounds, which date back from the Hellenistic and Roman periods. The co-existence of carbon inks with and without added metallic elements, on documents from Hellenistic, Roman and early-Byzantine Egypt, suggests a transition period. During that time, scribes may have experimented with different formulations until they arrived at the well-understood iron-gall inks we know today. The diversity in ink compositions bears testimony to the extensive experimentation and innovation taking place in ink production. In this talk, we will discuss the latest discoveries about this transition period, from both analytical and textual evidence, and detail the methods for analysing the composition of inks. https://www.fdr.uni-hamburg.de/record/14448 10.25592/uhhfdm.14448 oai:fdr.uni-hamburg.de:14448 eng doi:10.25592/uhhfdm.14447 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA Manuscript Written Artefact Selecting Materials RFK02 X-Ray Fluorescence (XRF) Infrared Reflectography (IRR) UV-VIS-NIR Reflectography DinoLite USB Microscope Raman Spectroscopy Bruker M6 JETSTREAM Bruker CRONO Bruker ELIO OPUS Apollo IRR Papyrus Carbon Ink Mixed Ink Soot Vitriol Ink Analysis Administrative Document RFH Antiquity Egypt Greek Multicultural RFK Ink-sights into Hellenistic and Roman Egypt: a journey from Carbon to Iron-gall inks info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:16874 2025-02-27T12:39:44Z user-csmc user-uhh

Bonfiglio, Emilio 2024-09-21 “The Armenian Presence in Late-Antique Jerusalem”, Unravelling Jerusalem’s Armenian Experience: Reflections on History, Photography, and Diaspora, Symposium, Pázmány Péter Catholic University / Hungarian University of Fine Arts, Budapest. https://www.fdr.uni-hamburg.de/record/16874 10.25592/uhhfdm.16874 oai:fdr.uni-hamburg.de:16874 doi:10.25592/uhhfdm.16873 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant The Armenian Presence in Late-Antique Jerusalem info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:16890 2025-02-27T12:39:52Z user-csmc user-uhh

Bonfiglio, Emilio 2024-07-15 “Le traduzioni armene e siriache dei Padri greci: alcune questioni metodologiche”, Introduzione al mondo siriaco, Seminar Series, Pontificia Università Salesiana, Rome. https://www.fdr.uni-hamburg.de/record/16890 10.25592/uhhfdm.16890 oai:fdr.uni-hamburg.de:16890 doi:10.25592/uhhfdm.16889 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Le traduzioni armene e siriache dei Padri greci: alcune questioni metodologiche info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:16936 2025-03-05T13:39:09Z user-uhh user-csmc

Kvirkvelia, Eka 2025-03-05 Ivane Ǯavaxišvilis saxelobis Tbilisis Saxelmc̣ipo Universiṭeṭis Sakartvelos Isṭoriis Insṭiṭuṭis Šromebi / TSU Faculty of Humanities, Institute of Georgian History, Proceedings, 20, 373-394. https://www.fdr.uni-hamburg.de/record/16936 10.25592/uhhfdm.16936 oai:fdr.uni-hamburg.de:16936 doi:10.25592/uhhfdm.16935 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Kartuli ṗalimpsesṭebis ḳvlevis isṭoria: c̣arsuli da ac̣mq̇o / The History of Georgian Palimpsest Research: Past and Present info:eu-repo/semantics/article publication-article

oai:fdr.uni-hamburg.de:16928 2025-03-05T13:39:14Z user-uhh user-csmc

Gippert, Jost 2024-12-02 In Jost Gippert, José Maksimczuk, Hasmik Sargsyan (eds): Palimpsests and Related Phenomena across Languages and Cultures. Berlin / Boston: de Gruyter (Studies in Manuscript Cultures, 42), 253-281. https://www.fdr.uni-hamburg.de/record/16928 10.1515/9783111552170-009 oai:fdr.uni-hamburg.de:16928 eng info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Palimpsests from the Caucasus: Two Case Studies info:eu-repo/semantics/bookPart publication-section

oai:fdr.uni-hamburg.de:16944 2025-03-12T09:19:23Z user-uhh user-csmc

Gippert, Jost 2025-03-05 The Greek and the Caucasian Alphabets (inscriptional) https://www.fdr.uni-hamburg.de/record/16944 10.25592/uhhfdm.16944 oai:fdr.uni-hamburg.de:16944 eng doi:10.25592/uhhfdm.14592 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant The Greek and the Caucasian Alphabets (inscriptional) info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:14589 2025-03-12T09:16:06Z user-uhh user-csmc

Gippert, Jost 2024-07-03 Contents of the Georgian Mravaltavis https://www.fdr.uni-hamburg.de/record/14589 10.25592/uhhfdm.14589 oai:fdr.uni-hamburg.de:14589 eng doi:10.25592/uhhfdm.14588 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant Contents of the Georgian Mravaltavis info:eu-repo/semantics/conferencePoster poster

oai:fdr.uni-hamburg.de:17537 2025-05-08T12:08:09Z user-csmc user-uhh

Sargsyan, Hasmik 2025-05-08 “Bible Text Transmission in the Armenian Lectionaries”, Manuscript Cultures in the Caucasus, Hamburg. https://www.fdr.uni-hamburg.de/record/17537 10.25592/uhhfdm.17537 oai:fdr.uni-hamburg.de:17537 doi:10.25592/uhhfdm.17536 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant UWA Written Artefacts Armenian manuscripts Orthography Text variation Armenian lectionaries Fragments Manuscript dating Palimpsests Bible Text Transmission in the Armenian Lectionaries info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:17517 2025-05-08T12:08:31Z user-csmc user-uhh

Gippert, Jost 2025-05-08 “Caucasian Manuscripts in Germany”, Manuscript Cultures in the Caucasus, Centre for the Study of Manuscript Cultures, Hamburg. https://www.fdr.uni-hamburg.de/record/17517 10.25592/uhhfdm.17517 oai:fdr.uni-hamburg.de:17517 doi:10.25592/uhhfdm.17516 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC manuscript cultures DeLiCaTe Caucasus literacy manuscript studies ERC Grant UWA Written Artefacts Armenian manuscripts Georgian manuscripts Collections Catalogues Provenance Caucasian Manuscripts in Germany info:eu-repo/semantics/lecture presentation

oai:fdr.uni-hamburg.de:17566 2025-06-10T06:27:36Z user-csmc user-uhh

Ratzke, Malena Wimmer, Hanna Möller, Ralf Thiemann, Stefan 2025-06-03 TAMAR steht für Transcription and Annotation for MAnuscript Research. TAMAR ermöglicht es, Handschriftendigitalisate mit Transkriptionen von Textelementen oder weiteren Informationen darzustellen. Arbeitstranskriptionen zu ausgewählten Passagen von Biblia-pauperum-Handschriften bilden das Datenkorpus bei der Veröffentlichung im Jahr 2025. TAMAR ist ein Kooperationsprojekt des Projekts FNT08, Reframing Old Contents for New Readers in Late-Medieval German OneVolume Libraries (Wimmer/Ratzke 2023) und dem Research Field F, Data Linking im Exzellenzcluster Understanding Written Artefacts am Centre for the Study of Manuscript Cultures Hamburg (CSMC). Bereitgestellt werden neben der Einführung, den Transkriptionsrichtlinien und den Transkriptionsdaten (10.25592/uhhfdm.17566) drei Ansichten in der Webanwendung TAMAR (10.25592/tamar): Zwei Interfaces mit Auswahlmöglichkeiten für die zu visualisierenden Daten sowie ein Viewer, der die Auswahl als interaktive, annotierte digitale Faksimiles mit Transkriptionen der Textelemente anzeigt. https://www.fdr.uni-hamburg.de/record/17566 10.25592/uhhfdm.17566 oai:fdr.uni-hamburg.de:17566 deu doi:10.25592/tamar doi:10.25592/uhhfdm.17412 doi:10.25592/uhhfdm.17565 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA FNT08 Data Linking Biblia-pauperum Transkription Annotation Manuskript TAMAR – Transcriptions & Annotations for MAnuscript Research. Einführung info:eu-repo/semantics/technicalDocumentation publication-softwaredocumentation

oai:fdr.uni-hamburg.de:13215 2025-06-05T13:21:24Z user-csmc user-uhh

Bonnerot, Olivier Maksimczuk, José Bonnerot, Olivier Maksimczuk, José 2023-08-31 XRF (Elio: 40kV, 80 µA, spot measurements of 90s each) and reflectography (DinoLite: x50 magnification, vis, NIR and UV light) analysis of inks from Vatican Library Ms Vat. Gr. 244. The Organon manuscript Città del Vaticano, Biblioteca Apostolica Vaticana, Vat. Gr. 244 is a paper manuscript written by anonymous scribe in the 12th century. The scribe conceived this Organon as his study manuscript. Together with the core content he wrote a dense paracontent. Over time, he enlarged that first block of paracontent by adding further exegetical notes. Vat.gr.244_protocol.pdf - protocol Report_VatGr244.docx - detailed report VatGr244_reflectography.zip - complete reflectography dataset VatGr244_XRF.zip - complete XRF dataset https://www.fdr.uni-hamburg.de/record/13215 10.25592/uhhfdm.13215 oai:fdr.uni-hamburg.de:13215 eng doi:10.25592/uhhfdm.13214 info:eu-repo/semantics/restrictedAccess CSMC UWA Manuscript Written Artefacts Artefact Profiling Biblioteca Apostolica Vaticana RFD07 RFK02 X-Ray Fluorescence (XRF) UV-VIS-NIR Reflectography Bruker XGLab ELIO DinoLite USB Microscope Paper Iron Gall Ink Black Ink Red Ink The Organon Aristotle 12th century CE Vatican Library Ms Vat. Gr. 244 RFK RFD X-Ray Fluorescence and Reflectography Data from Vatican, Vatican Library Ms Vat. Gr. 244 info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:9798 2025-07-07T10:55:33Z user-csmc user-uhh

Delhey, Martin Lorusso, Vito 2015-02-02 Occasional Paper No. 2 Wordlists for Libraries and Closely Related Phenomena in Different Manuscript Cultures from Asia, Africa and Europe Martin Delhey, Vito Lorusso et al. In the present paper, we are collecting indigenous terms that are more or less equivalent to the English word “library.” With the word “library” we have mainly in mind the most usual way in which the English term is used, namely library as a collection of books and as a designation for the place that contains these books. We are taking into consideration institutionalized libraries as well as those that are not institutionalized (for instance, collections for private personal use). From the perspective of use, the quantity of books collected does not matter (Richardson 1914: 8), either. In scholarly publications, the meaning of the word “library” is sometimes also extended to a multitude of texts collected into one volume (“one-volume library,” i.e. MTM). Moreover, Too (2010: 84), for instance, also speaks of types of libraries in which no physical objects are involved (“walking libraries” or “memory libraries”). In all these cases, we do not collect systematically indigenous equivalents. However, if in a specific culture a term for library can also be used in such a metaphorical way, this will be noted. For the time being, general terms for the actors involved, e.g. “librarian,” are only taken into consideration in the case of some manuscript cultures. Similarly, other terms for physical places where written documents are stored such as “archive” and “chests” are not systematically collected. It is obviously far from easy to find a definition of the term “library,” which works equally well for all manuscript cultures. Rather than forcing all related phenomena into the Procrustean bed of a common definition, it seems to be more advisable to use other tools for a systematic comparison of all cultures. One possible way to approach this task is to collect indigenous terms for the sake of understanding how the manuscript cultures themselves conceptualise(d) book collections. CSMC's Occasional Papers The Centre for the Study of Manuscript Cultures regularly hosts meetings to discuss the theory, terminology and other issues in manuscriptology. Several of its members – philologists, historians, art historians, linguists and others – collectively engage in contributing to the systematic and historical study of manuscript cultures. The documents are individual contributions and drafts reflecting some of the provisional results of the Centre’s activities. https://www.fdr.uni-hamburg.de/record/9798 10.25592/uhhfdm.9798 oai:fdr.uni-hamburg.de:9798 eng doi:10.25592/uhhfdm.9797 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC Occasional Paper manuscript Theory and Terminology SFB 950 Wordlists for Libraries and Closely Related Phenomena in Different Manuscript Cultures from Asia, Africa and Europe – CSMC Occasional Paper No. 2 info:eu-repo/semantics/workingPaper publication-workingpaper

oai:fdr.uni-hamburg.de:17050 2025-07-07T10:54:21Z user-csmc user-uhh

Claudia Colini Marco Heiles José Maksimczuk Abigail Armstrong Stylianos Aspiotis Cornelius Berthold Olivier Bonnerot Marina Creydt Alba Fedeli Katerina Grigoriadou Silpsupa Jaengsawang Michael Kohs Giuseppe Marotta Leah Mascia Joud Nassan Agha Simone-Christiane Raschmann Christiane Reck Chiara Ruzzier Sowmeya Sathiyamani 2025-03-21 Occasional Paper No 10 Towards the Investigation of Material Choices in Written Artefacts: Methodological Reflections This Occasional Paper is the result of the discussion held in 2022–2024 within Research Field K (RFK) – ‘Selecting Materials’, part of the Cluster of Excellence ‘Understanding Written Artefacts (UWA): Materiality, Interaction and Transmission in Manuscript Cul-tures’ at the Centre for the Study of Manuscript Cultures (CSMC), University of Hamburg. RFK comprises researchers from various disciplines, both from the humanities and the natural sciences, bringing together a multitude of perspectives and aimed at compara-tively investigating the options and choices involved in the selection of materials for creating written artefacts (WAs). Combining in-depth material, philological and histori-cal analysis, the group seeks to determine the materials that were chosen to be used, to identify potential underlying patterns in these choices, and to understand the reasons behind them and the consequences they had for the preservation and circulation of the artefact. This paper sets out a preliminary framework for this approach, with the inten-tion of laying a foundation for its future development. CSMC's Occasional Papers The Centre for the Study of Manuscript Cultures regularly hosts meetings to discuss the theory, terminology and other issues in manuscriptology. Several of its members – philologists, historians, art historians, linguists and others – collectively engage in contributing to the systematic and historical study of manuscript cultures. The documents are individual contributions and drafts reflecting some of the provisional results of the Centre’s activities. https://www.fdr.uni-hamburg.de/record/17050 10.25592/uhhfdm.17050 oai:fdr.uni-hamburg.de:17050 eng doi:10.25592/uhhfdm.17049 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC Occasional Paper manuscripts Manuscript Studies Understanding Written Artefacts UWA Cluster of Excellence Selecting Materials Research Field K RFK Towards the Investigation of Material Choices in Written Artefacts: Methodological Reflections – CSMC Occasional Paper No. 10 info:eu-repo/semantics/workingPaper publication-workingpaper

oai:fdr.uni-hamburg.de:17406 2025-07-07T10:52:55Z user-uhh user-csmc

Wimmer, Hanna Reudenbach, Bruno 2025-04-22 Occasional Paper 11 Patterns and the Visual Organisation of Written Artefacts The production and use of written artefacts are subject to many conventions, which are often taken for granted but which are vital for ensuring that a written artefact can perform its role within a particular writing (and reading) culture. These conventions operate on multiple, interrelated levels: content, material, and visual organisation. Focusing on visual organisation, this article explores how the spatial arrangement of visual signs interacts with the form and format of written artefacts, including layout, structure, and mise en texte. Special attention is given to multigraphic artefacts, which pose particular challenges for both producers and users. Central to the paper’s approach is the concept of pattern, which was first introduced to the comparative study of written artefacts in Occasional Paper 3. Patterns signal the application of interpretive frameworks that shape the production, perception, and use of written artefacts. This paper explores the significance of patterns of visual organisation for the transmission and shaping of content and also offers a basis for comparative analysis within and across writing cultures. CSMC's Occasional Papers The Centre for the Study of Manuscript Cultures regularly hosts meetings to discuss the theory, terminology and other issues in manuscriptology. Several of its members – philologists, historians, art historians, linguists and others – collectively engage in contributing to the systematic and historical study of manuscript cultures. The documents are individual contributions and drafts reflecting some of the provisional results of the Centre’s activities. https://www.fdr.uni-hamburg.de/record/17406 10.25592/uhhfdm.17406 oai:fdr.uni-hamburg.de:17406 eng doi:10.25592/uhhfdm.17405 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC Occasional Paper manuscripts Manuscript Studies Understanding Written Artefacts UWA Cluster of Excellence Patterns Visual Organisation Research Field I RFI Patterns and the Visual Organisation of Written Artefacts – CSMC Occasional Paper No. 11 info:eu-repo/semantics/workingPaper publication-workingpaper

oai:fdr.uni-hamburg.de:9800 2025-07-07T10:55:48Z user-csmc user-uhh

Wimmer, Hanna Bondarev, Dmitry Karolewski, Janina Lorusso, Vito 2015-03-02 Occasional Paper No. 3 A Heuristic Tool for the Comparative Study of Manuscripts from Different Manuscript Cultures Written and discussed as part of the ongoing collaborative work of the CSMC’s “Theory and Terminology” group, this paper presents a tool for the comparative study of manuscripts from different manuscript cultures. The model depicts a particular manuscript within a manuscript culture in relation to the various key factors which have shaped its content and appearance, and which continue to shape its use. Inspired by Andreas Hepp’s schematic rendering of Raymond Williams’ model of a culture as a “Bedeutungssystem” (semantic system), it represents a culture in which at least some types of knowledge and actions are preserved, transmitted, organised and performed by means of manuscripts. It is designed as a heuristic device a) for the analysis of the characteristics and functions of an individual manuscript within a manuscript culture and, most importantly for the purposes of the CSMC, b) as a basis for a systematic comparison of the characteristics and functions of manuscripts from different manuscript cultures. CSMC's Occasional Papers The Centre for the Study of Manuscript Cultures regularly hosts meetings to discuss the theory, terminology and other issues in manuscriptology. Several of its members – philologists, historians, art historians, linguists and others – collectively engage in contributing to the systematic and historical study of manuscript cultures. The documents are individual contributions and drafts reflecting some of the provisional results of the Centre’s activities. https://www.fdr.uni-hamburg.de/record/9800 10.25592/uhhfdm.9800 oai:fdr.uni-hamburg.de:9800 eng doi:10.25592/uhhfdm.9799 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC Occasional Paper manuscript Theory and Terminology SFB 950 A Heuristic Tool for the Comparative Study of Manuscripts from Different Manuscript Cultures – CSMC Occasional Paper No. 3 info:eu-repo/semantics/workingPaper publication-workingpaper

oai:fdr.uni-hamburg.de:17757 2025-07-23T11:02:41Z user-csmc user-uhh

Michel, Cécile Schroer, Christian Olbrich, Stephan Beckert, Andreas Ehteram, Samaneh Schropp, Andreas Paetzold, Philipp Bohn, Mathias Zerbe, Katrin Aksoy, Avni 2025-06-18 Written Artefact Metadata Object type: Enveloped clay tablet Material: Clay Writing: Cuneiform writing Language: Old Assyrian Nature of the text: Letter Provenience: Kanesh (mod. Kültepe) Period/Date: Old Assyrian (ca. 1920-1850 BCE) Country of discovery: Türkiye Dimensions: Height: 5.5 cm; Width: 5.2 cm; Depth: 3.1 cm Museum/Collection: Museum of Anatolian Civilizations, Ankara, Türkiye Excavation number: Kt 94/k 602 Publication number (envelope): KT 6d, 801 Transliteration of the tablet in the envelope 1a-na dam-gàrri-im ù 2E-lá-lí : qí-bi-ma 3a-na dam-gàrri-im qí-bi-ma 4um-ma In-ba-A-šùr-ma 55 lá ¼? túg ku-ta-ni sig5 610 túg lu ša A-ki-dí-e 7lu ša Ha-ra-hu-ur 82 anše ṣa-lá-mu 9mì-ma a-nim lo.e.10a-ra-dí-a-kum rev.1110 túg wa-at-ru-ma 12a-na ta-ší-a-tí-im 13a-dí Ha-hi-im : a-dí-in 14kù-babbar ša šé-bu-lim : a-na 15pá-ni-a : šé-bi4-lam ṣa-he-er-/tám 16ša 5 gín kù-babbar šé-bi4-lam 17°lá°-ma : i-na Ha-hi-im 18i-na dutuši En-um-A-šùr 19ur-da-ni : ú-nu-tí i-na 20é-gallim : ú-ṣa-am : 2 u4-me-/e 21e-ma-ru-a : i-nu-hu-ma u.e.22a-na Tí-mì-il5-ki-a 23a-sá-ri-dam : a-hi a-ta le.e.24té-er-ta-kà : a-pá-ni-a 25li-li-kam, supplementary tablet: 1túghi-tù sig5 diri 2mì-lik : túghi-tí-kà 3mì-lik. Translation of the tablet in the envelope Say to the creditor and Elālī; say to the creditor: thus (says) Inba-Aššur. 5 minus ¼ kutānum-textiles of good quality, 10 textiles either from Akkad or from Harahur, 2 black donkeys, I am bringing you all this. I gave 10 textiles extra for the transport costs until Hahhum. Send me the silver of the consignment by the next caravan. Send me (also) small goods worth 5 shekels of silver. Before being in Hahhum, the day Ennum-Aššur came down, my goods came out of the palace. During two days my donkeys suffered, so I will drive them to Timilkiya. You are my brother, let your report come to me. Structure and data 00_Photos.zip: Photos of the enveloped tablet from all sides. 94k602a photos.docx 94k602aLe.jpg 94k602aLoe.jpg 94k602aOb.jpg 94k602aRe.jpg 94k602aRev.jpg 94k602aUe.jpg 01_VolumeData.zip: 3D tomographic reconstruction volume data. 006_94k602_reconstruction_crop.nxs 02_Visualisations.zip: Geometry files of the tablet and envelope (.ply) and internal format files (.exa). 006_94k602_4.exa 006_94k602_4_medianw_0.015_32_8_-0.25_5.exa 006_94k602_4_medianw_0.015_32_8_-0.25_5_32_0.5_2.exa 006_94k602_envelope.ply 006_94k602_tablet1.ply 006_94k602_tablet2.ply 03_Scripts.zip: Scripts to run the extraction and visualisation software Exavis42. 006_94k602_extract.sh 006_94k602_visualise.sh https://www.fdr.uni-hamburg.de/record/17757 10.25592/uhhfdm.17757 oai:fdr.uni-hamburg.de:17757 doi:10.25592/uhhfdm.17637 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode Written Artefact UWA Cluster of Excellence CSMC DESY RFA09 Artefact Profiling 3D X-Ray Tomography ENCI Cuneiform Clay tablet Assyriology Informatics Physics Museum of Anatolian Civilizations Ankara Kt 94/k 602 (X-Ray Tomography 3D data of an Enveloped Clay Tablet, Museum of Anatolian Civilizations, Ankara) info:eu-repo/semantics/other dataset

oai:fdr.uni-hamburg.de:16132 2025-09-08T16:15:44Z user-csmc user-uhh

Shevchuk, Ivan Huskin, Kyle Ann 2024-10-23 Both description files describe the MSI data, folder structure, file naming system and the multispectral imaging system itself with its main components and calibration steps. Two sensors (E7 and Q15) can be used. These descriptions can also be found in other MSI related uploads accompanying the data. https://www.fdr.uni-hamburg.de/record/16132 10.25592/uhhfdm.16132 oai:fdr.uni-hamburg.de:16132 doi:10.25592/uhhfdm.16131 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC SFB950 UWA Manuscript Written Artefacts Artefact Profiling Mobile Lab Z01 RFA10 RFA21 Multispectral Imaging (MSI) Megavision E7 Megavision Q15 Brief Descriptions of Multispectral Imaging (MSI) Datasets at the Mobile Lab of the CSMC info:eu-repo/semantics/technicalDocumentation publication-technicalnote

oai:fdr.uni-hamburg.de:17940 2025-09-22T22:34:02Z user-csmc user-uhh

Shevchuk, Ivan Huskin, Kyle Ann 2025-09-08 This current description is valid for CSMC Mobile Lab IRR data captured until December 2025. This describes folder structure, file naming system and the OPUS Apollo imaging system itself with its main components and calibration steps. IRR data captured after 2025 will be labeled according to the Standardised System for the Labelling of Analytical Data of the Mobile Lab of the CSMC. A new version of this upload will be generated. https://www.fdr.uni-hamburg.de/record/17940 10.25592/uhhfdm.17940 oai:fdr.uni-hamburg.de:17940 url:https://www.fdr.uni-hamburg.de/record/16132 doi:10.25592/uhhfdm.17939 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/4.0/legalcode CSMC UWA Manuscript Written Artefacts Artefact Profiling Mobile Lab Infrared Reflectography (IRR) OPUS Apollo IRR Brief Description of Datasets for Infrared Reflectography (IRR) at the Mobile Lab of the CSMC info:eu-repo/semantics/technicalDocumentation publication-technicalnote

oai:fdr.uni-hamburg.de:2412 2025-10-01T17:40:34Z user-csmc user-uhh

Shevchuk, Ivan Bonnerot, Olivier Bosch, Sebastian 2020-11-04 List of Keywords and funding citations which are used in Research Field A https://www.fdr.uni-hamburg.de/record/2412 10.25592/uhhfdm.2412 oai:fdr.uni-hamburg.de:2412 eng doi:10.25592/uhhfdm.2411 info:eu-repo/semantics/restrictedAccess CSMC UWA Manuscript Written Artefacts Artefact Profiling UWA Keywords FDR Keyword List - UWA Research Field A - Artefact Profiling info:eu-repo/semantics/other other .eJyNzdFugjAYhuF7-Y_ZUsSiknhg4kDdaLfSluGJ6QojQJkGcBqM9y7JLmAcf2--5wZtlqXgoefF1MV4jhx7jt0pdlwLTirPwJtYUF1Uk7fg3Ya4Aw_ObdY86bbWYEGddSpVnXpvsu_iOoxHVRxSDXcLWt0cjTkUwz3oT2n0jxEqkGdWS5RM8lnIVzPKRU_WW1cgxiLpxyRYiKSwT_vSf6W8mkRCo7RvMeEhovzEme_vhEzQl82Kt9jUoThiyvc71jOH9pUd9h9XasiLEIbJkv3KYNupOLlGZYVJZTZko_9Mvhplhv0oE40y12KUScpRpjPOzP8zL_SyXML9AVAiqiI.HV79XQ.i9Cty_vUEqFQp8V7YTF3jgYbPdg