July 15, 2013 Journal article Open Access

Hörandner, Wolfram

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  <identifier identifierType="DOI">10.25592/uhhfdm.575</identifier>
  <creators>
    <creator>
      <creatorName>Hörandner, Wolfram</creatorName>
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  <titles>
    <title>Byzantine Prose Rhythm</title>
  </titles>
  <publisher>Universität Hamburg</publisher>
  <publicationYear>2013</publicationYear>
  <subjects>
    <subject>Byzantine Studies</subject>
    <subject>Greek</subject>
    <subject>Philology</subject>
    <subject>Orality</subject>
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  <dates>
    <date dateType="Issued">2013-07-15</date>
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    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
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  <descriptions>
    <description descriptionType="Abstract">&lt;p&gt;Byzantine literature, like that of Antiquity, was written mostly for listening,&amp;nbsp;hardly ever for silent reading. Given this highly aural character, taking account of rhythm is one of the necessary tools (of course not the only one) for better understanding the texts, the authors&amp;rsquo; intentions, and their constraints.&lt;/p&gt;</description>
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