Journal article Open Access
Hörandner, Wolfram
<?xml version='1.0' encoding='UTF-8'?> <record xmlns="http://www.loc.gov/MARC21/slim"> <leader>00000nam##2200000uu#4500</leader> <datafield tag="542" ind1=" " ind2=" "> <subfield code="l">open</subfield> </datafield> <datafield tag="909" ind1="C" ind2="O"> <subfield code="o">oai:fdr.uni-hamburg.de:575</subfield> <subfield code="p">user-uhh</subfield> </datafield> <datafield tag="773" ind1=" " ind2=" "> <subfield code="a">10.25592/uhhfdm.574</subfield> <subfield code="i">isVersionOf</subfield> <subfield code="n">doi</subfield> </datafield> <controlfield tag="005">20190828105743.0</controlfield> <datafield tag="540" ind1=" " ind2=" "> <subfield code="u">https://creativecommons.org/licenses/by/4.0/legalcode</subfield> <subfield code="a">Creative Commons Attribution 4.0 International</subfield> </datafield> <datafield tag="260" ind1=" " ind2=" "> <subfield code="c">2013-07-15</subfield> </datafield> <datafield tag="653" ind1=" " ind2=" "> <subfield code="a">Byzantine Studies</subfield> </datafield> <datafield tag="653" ind1=" " ind2=" "> <subfield code="a">Greek</subfield> </datafield> <datafield tag="653" ind1=" " ind2=" "> <subfield code="a">Philology</subfield> </datafield> <datafield tag="653" ind1=" " ind2=" "> <subfield code="a">Orality</subfield> </datafield> <datafield tag="245" ind1=" " ind2=" "> <subfield code="a">Byzantine Prose Rhythm</subfield> </datafield> <datafield tag="856" ind1="4" ind2=" "> <subfield code="s">202850</subfield> <subfield code="u">https://www.fdr.uni-hamburg.de/record/575/files/COMSt_Newsletter_6_2013-1921-Horandner.pdf</subfield> <subfield code="z">md5:56ca25582ab712a3016fb4832aafa928</subfield> </datafield> <datafield tag="650" ind1="1" ind2="7"> <subfield code="a">cc-by</subfield> <subfield code="2">opendefinition.org</subfield> </datafield> <datafield tag="520" ind1=" " ind2=" "> <subfield code="a"><p>Byzantine literature, like that of Antiquity, was written mostly for listening,&nbsp;hardly ever for silent reading. Given this highly aural character, taking account of rhythm is one of the necessary tools (of course not the only one) for better understanding the texts, the authors&rsquo; intentions, and their constraints.</p></subfield> </datafield> <datafield tag="980" ind1=" " ind2=" "> <subfield code="a">publication</subfield> <subfield code="b">article</subfield> </datafield> <datafield tag="980" ind1=" " ind2=" "> <subfield code="a">user-uhh</subfield> </datafield> <datafield tag="024" ind1=" " ind2=" "> <subfield code="a">10.25592/uhhfdm.575</subfield> <subfield code="2">doi</subfield> </datafield> <datafield tag="100" ind1=" " ind2=" "> <subfield code="a">Hörandner, Wolfram</subfield> </datafield> <controlfield tag="001">575</controlfield> <datafield tag="909" ind1="C" ind2="4"> <subfield code="n">July</subfield> <subfield code="c">19-21</subfield> <subfield code="v">6</subfield> <subfield code="p">Comparative Oriental Manuscript Studies Newsletter</subfield> </datafield> </record>