Journal article Open Access
Longacre, Drew
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<identifier identifierType="DOI">10.25592/uhhfdm.9156</identifier>
<creators>
<creator>
<creatorName>Longacre, Drew</creatorName>
<affiliation>Qumran Institute, University of Groningen</affiliation>
</creator>
</creators>
<titles>
<title>Comparative Hellenistic and Roman Manuscript Studies (CHRoMS): Script Interactions and Hebrew/Aramaic Writing Culture</title>
</titles>
<publisher>Universität Hamburg</publisher>
<publicationYear>2021</publicationYear>
<subjects>
<subject>Manuscript studies</subject>
<subject>Palaeography</subject>
<subject>Hebrew</subject>
</subjects>
<dates>
<date dateType="Issued">2021-03-01</date>
</dates>
<language>en</language>
<resourceType resourceTypeGeneral="Text">Journal article</resourceType>
<alternateIdentifiers>
<alternateIdentifier alternateIdentifierType="url">https://www.fdr.uni-hamburg.de/record/9156</alternateIdentifier>
</alternateIdentifiers>
<relatedIdentifiers>
<relatedIdentifier relatedIdentifierType="DOI" relationType="IsPartOf">10.25592/uhhfdm.8897</relatedIdentifier>
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<version>Online First</version>
<rightsList>
<rights rightsURI="https://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights>
<rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
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<descriptions>
<description descriptionType="Abstract"><p>Writing is an expression of culture and is subject to intercultural influences. In this&nbsp;comparative study, I argue that Egyptian and Judean Hebrew/Aramaic scripts from&nbsp;400 BCE&ndash;400 CE were heavily influenced by Greek and later Latin writing cultures,&nbsp;which explains many previously inexplicable phenomena. Jewish writers in the third&nbsp;century BCE adopted the Greek split-nibbed reed pen, which dramatically changed&nbsp;the appearance of Hebrew/Aramaic scripts. At the same time, the normal size for Hebrew/&nbsp;Aramaic scripts shrank considerably, the pen strokes became mostly monotone&nbsp;and unshaded, and the scripts became more rectilinear, angular, bilinear, and square.<br>
Each of these features appears to be due to direct imitation of contemporary Greek&nbsp;formal writing. Beginning in the first century BCE, Hebrew/Aramaic writers began to&nbsp;decorate their formal scripts with separate ornamental strokes like those of contemporary&nbsp;Greek and Latin calligraphic scripts. And from the second or third century CE,<br>
Hebrew/Aramaic calligraphic scripts seem to be increasingly characterized by horizontal&nbsp;shading, parallel to the contemporary rise of Greek and Latin shaded scripts.&nbsp;Furthermore, in the late Roman period, the traditional Hieratic-derived Aramaic numeral&nbsp;system was replaced by an alphabetic numeral system under the influence of&nbsp;the Greek Milesian alphabetic numerals.</p></description>
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