June 5, 2023 Presentation Open Access

Bonnerot, Olivier; Maksimczuk, José

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  <identifier identifierType="DOI">10.25592/uhhfdm.12422</identifier>
  <creators>
    <creator>
      <creatorName>Bonnerot, Olivier</creatorName>
      <nameIdentifier nameIdentifierScheme="ORCID" schemeURI="http://orcid.org/">0000-0001-8196-4992</nameIdentifier>
      <affiliation>Centre for the Study of Manuscript Cultures (CSMC)</affiliation>
    </creator>
    <creator>
      <creatorName>Maksimczuk, José</creatorName>
      <affiliation>Centre for the Study of Manuscript Cultures (CSMC)</affiliation>
    </creator>
  </creators>
  <titles>
    <title>ICBS 2022 presentation: Material analysis of inks from Byzantine manuscripts</title>
  </titles>
  <publisher>Universität Hamburg</publisher>
  <publicationYear>2023</publicationYear>
  <subjects>
    <subject>CSMC</subject>
    <subject>UWA</subject>
    <subject>Manuscript</subject>
    <subject>Written Artefacts</subject>
    <subject>Artefact Profiling</subject>
    <subject>RFK02</subject>
    <subject>RFD07</subject>
    <subject>Multispectral Imaging (MSI)</subject>
    <subject>X-Ray Fluorescence (XRF)</subject>
    <subject>Infrared Reflectography (IRR)</subject>
    <subject>Mobile Lab</subject>
    <subject>24th International Congress of Byzantine Studies</subject>
    <subject>Venice</subject>
    <subject>Padua</subject>
    <subject>Byzantine</subject>
    <subject>Ink analysis</subject>
    <subject>Damaged Writing</subject>
    <subject>Pigment Identification</subject>
    <subject>RFK</subject>
    <subject>RFD</subject>
  </subjects>
  <dates>
    <date dateType="Issued">2023-06-05</date>
  </dates>
  <language>en</language>
  <resourceType resourceTypeGeneral="Text">Presentation</resourceType>
  <alternateIdentifiers>
    <alternateIdentifier alternateIdentifierType="url">https://www.fdr.uni-hamburg.de/record/12422</alternateIdentifier>
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  <relatedIdentifiers>
    <relatedIdentifier relatedIdentifierType="DOI" relationType="IsPartOf">10.25592/uhhfdm.12421</relatedIdentifier>
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  <rightsList>
    <rights rightsURI="https://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights>
    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
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  <descriptions>
    <description descriptionType="Abstract">&lt;p&gt;&lt;strong&gt;Material analysis of inks from Byzantine manuscripts&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Research field &amp;ldquo;Artefact profiling&amp;rdquo; at the Cluster of Excellence &amp;ldquo;Understanding Written Artefacts&amp;rdquo; of the University of Hamburg aims at bridging the gap between humanities and natural sciences and technology. To that purpose, we set up a laboratory with a range of high-end instruments, most of them mobile, allowing thorough non-destructive analysis of written artefacts. Through a selection of examples from Byzantine manuscripts we will present our equipment and the possibilities offered by the different techniques available to contribute to both archaeometrical and philological questions: typology and classification of inks, provenance studies, recovery of faded inscriptions and palimpsests, reconstruction of the history of manuscripts, authentication and dating.&lt;/p&gt;</description>
    <description descriptionType="Other">The research for this presentation was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany's Excellence Strategy – EXC 2176 'Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures', project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg.</description>
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